Perspective Of Translation Aesthetics Research Articles

Aesthetic Representation in Three English Versions of A Tale of the Fountain of the Peach Blossom Spring from the Perspective of Translation Aesthetics

How to make Chinese literature better accessible to the world and how to represent the beauty of the original text is one of the heated discussion in translation. The article takes the aesthetic features embodied in A Tale of the Fountain of the Peach Blossom Spring as an example, and on the basis of the theory of translation aesthetics proposed by Liu Miqing, it explores the aesthetic representation in the English translations of A Tale of the Fountain of the Peach Blossom Spring by Lin Yutang, Luo Jingguo, and Xie Baikui at the levels of the formal system and the non-formal system, so as to provide the reference and significance for the contemporary translation of the classical Chinese text.

Research on English Translation of Shaanxi Folk Songs under the Perspective of Translation Aesthetics

Shanbei folk song, an art form full of flavor and emotion, carries the deep historical and cultural heritage of the Shanbei region. It is not only a form of music, but also a kind of emotional communication, a kind of cultural communication. Songs are emotional bridges across cultures and languages, and through translation, the emotions and life experiences of the people of northern Shaanxi can be shared with people all over the world. By translating northern Shaanxi folk songs into English, more people can understand and appreciate this unique art form, thus better spreading traditional Chinese culture. However, when translators try to translate them into English, many difficulties and challenges follow, such as language barriers and cultural differences. Therefore, how to correctly deal with the challenges and accomplish high-quality translation is the key concern of every translator. Based on this, this paper elaborates on the specific path of English translation of Shaanxi folk songs from the perspective of translation aesthetics.

The Application of Painting Language in Literary Translation from the Perspective of Translation Aesthetics: A Case Study of Wiley's English Translation

Points, lines and surfaces are the expression forms of painting, while words, phrases and sentences are the expression forms of language. The mutual reference and combination of painting art and language art enriches the expression of literary translation, and makes literary translation, like painting, give full play to its unique aesthetic value and artistic emotion. Based on Liu Miqing's translation aesthetics theory, this paper analyzes the aesthetic object and aesthetic subject of translation, combines the viewpoint of painting language with translation, and discusses the use of painting language in Chinese poetry translated by Arthur Waley from two aspects: the use of lines and the construction of geometric figures, and the reproduction of painting language in poetry translation.

Cooing and Wooing: The Re-expression of the Phonetic Elements in the English Translation of Book of Poetry from the Perspective of Translation Aesthetics

This paper analyzes the aesthetic characteristics of the Book of Poetry and Xu Yuanchong's translation of it, and how Zhu Guangqian's theory of translation aesthetics applies to Xu's translation. The paper focuses on the beauty of phonetic elements in conveying aesthetic information, specifically the use of rhyme and rhythmic musicality. It examines various forms of rhyme used in the Book of Poetry, including rhyme in single and double lines, cross-rhyme, and rhyme in the first and second lines followed by the third and fourth lines. Xu's translation is praised for its preservation of the musicality of the original text, especially the rhythmic musicality, and his use of onomatopoeia. The paper argues that Xu's translation philosophy is complementary to Zhu's theory of translation aesthetics, emphasizing the pursuit of beauty and artistry of the translation based on faithfulness to the original text. The analysis sheds light on the unique charm and profound ideas of the Book of Poetry and how they are conveyed through the beauty of language structure.

On the Translated Version of Stray Birds by Feng Tang from the Perspective of Translation Aesthetics

After the publication the translated version of Stray Birds by FENG Tang, the public opinion was in an uproar and the academic community was divided in its evaluation. Feng Tang's version of Stray Birds integrates his own understanding and remodeling, which is unique in style. It is necessary to reinterpret the translation from the perspective of reception aesthetics, not only to make people realize that the translator plays a key role in the dissemination of foreign literary works, but also to enrich the connotation of translation research and translation practice. The poetic elements of Stray Birds are analyzed from the perspective of translation aesthetics. It is timely and necessary to analyze Feng's translation strategies from three aspects of style, diction and culture and to make an aesthetic examination of Feng's translation.

Aesthetic Representation of Subtitle Translation in American Movies from the Perspective of Translation Aesthetics

Recently, American movies have been favored by more and more people in China. This paper takes the subtitle translation of the American film “Gifted” as an example from the perspective of translation aesthetics, and discusses the aesthetic representation of subtitle translation by adopting the ABC principle of translation aesthetics, in the hope of providing reference for the same type of translation and promoting the better dissemination of American films in China.

A Research on Aesthetic Representations in Three English Versions of Transient Days from the Perspective of Translation Aesthetics

A Research on Aesthetic Representations in Three English Versions of Transient Days from the Perspective of Translation Aesthetics

An Analysis of the Translation of Altogether Autumn from the Perspective of Translation Aesthetics

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An Analysis of the Translation of Tao Hua Yuan Ji From the Perspective of Translation Aesthetics

An Analysis of the Translation of Tao Hua Yuan Ji From the Perspective of Translation Aesthetics

An Aesthetic Study of Rhetorical Devices in David Hawkes’s Version of Chu Ci（楚辞）

Chu Ci(楚辞)is one of the origins of Chinese romantic literature. There are many English versions since the late 19th century, among which David Hawkes’s version is of great popularity in the west. His translation conveys both academic and literary value with a great sense of beauty. In his translation, Davis Hawkes uses various translation artistic techniques and methods to achieve the finest effect, for example, successful presentation of the rhythm and structure of Chu Ci and appropriate use of rhetorical devices such as alliteration, antithesis, parallelism and reduplication. This study tries to study the rhetorical devices in Hawkes’s version from the perspective of translation aesthetics so that the readers can appreciate the beauty of Chi Ci better.

On Translation of Song Ci From the Perspective of Translation Aesthetics

Song Ci is one of the highest peaks of Chinese literature achievements and so the English translation and the study of the translation have very important academic value, application value and popularization meaning. This paper analyzes the beauty representation of Song lyrics from the perspective of modern translation aesthetics theory. The beauty of the original can be realized from four aspects: sound, lexis, style and emotion. The beauty of sound is mainly represented by the compensatory means of rhythm; lexical beauty by the accurate and beautiful selection of words; the stylistic beauty through the addition of words; the emotional beauty by changing sentence patterns and extending semantics.

A Study on English Translation of Song Ci From the Perspective of Translation Aesthetics

Song Ci, one of the highest literary achievements in the history of Chinese literature, is of high aesthetic and artistic value, while the study on the translation of Song Ci still has much room for further efforts. Based on the translation aesthetic, a tentative study is made to analyze how the current translation represent the original beauty and what can be refined through example analysis respectively from the perspective of sound, lexis, emotion, and images. The representation of the rhythm, words and feelings is feasible, but due to cultural diversity, the aesthetic value of image is more difficult to reproduce.

Translation of Classics by JX Native Literati of Song Dynasty from the Perspective of Translation Aesthetics

With the significant growth of China's comprehensive national power, Chinese culture should not only "bring in" but also "go out". Chinese culture is extensive and profound, and classical literature has reached its peak in the Tang and Song dynasties. Jiangxi has been full of natural resources and outstanding people since ancient times, especially in the Song dynasty, when people of talent came forth in large numbers and created brilliant heritage of classic literary works for their offspring. Therefore, study on the translation of classics by JX native literati of Song Dynasty has very important academic value, application value and popularization meaning. Based on the modern translation aesthetics theory, this paper discusses how English translation of Chinese classics represents the beauty and the aesthetic value of the original from the perspective of rhetorical devices, form, images, and emotion respectively, in the hope to carry forward Chinese classics and Chinese culture.

Comparative Analysis of the Two English Versions of Qiangjinjiu Based on Translation Aesthetics

Poetry is the creation of beauty and thus aesthetics is an important translation criterion for poetry. By fully understanding the two English translated versions of Qiangjinjiu respectively by Xu Yuanchong and Burton Watson, the thesis will make a comparative analysis of the two versions from the perspective of translation aesthetics. In order to better illustrate the connotation of poetry translation and translation aesthetics, the essay will mainly compare the poetic representation of the two English versions from the aspects of rhythm, form, image, culture and content, targeting to present the differences between the two English versions and offer some suggestions on poetry translation.

On Translation of Electric Power English from the Perspective of Translation Aesthetics

The translation of electric power English is getting prominent with the expanding of national grid and frequent exchanges of power industry among countries. From the perspective of translation aesthetics, electric power English translation is a language transformation activity that combines science and art together. Beginning with introduction to translation aesthetics theory and electric power English, under three criteria for judging aesthetic value of electric power English, this paper shall probe into the beauty of accuracy, conciseness, rhetoric and logic of electric power English and its translation. On the basis of analysis, translation techniques are proposed to represent these beauties in light of translation aesthetics.

Translation of Cosmetics Trademarks from the Perspective of Translation Aesthetics

This thesis presents the process of cosmetics trademarks translation from the perspective of artistic conception of translation aesthetics. The source name and target name of a cosmetics trademark are born in different cultural context. The two artistic conceptions created by the two names are connected by translation subjects’ aesthetic experience and humane attainments based on the exchange of two languages. It studies successfully-translated cosmetics trademarks in Chinese market as examples to explain how artistic conceptions are created and connected.