Classic Work Research Articles

The Yogavāsiṣṭha and the Philosophy of the Absurd: A Hindu Response to the Heart’s Cry

AbstractIn this article, I call attention to the Yogavāsiṣṭha’s depiction of Rāma’s existential crisis and Vasiṣṭha’s various methods for resolving it. However, I illuminate this crisis and Rāma’s lengthy monologue by turning to an altogether different frame of reference: Albert Camus’s philosophy of the absurd as developed in his absurd-oriented works, from The Myth of Sisyphus to The Rebel. Arguing that Rāma’s existential crisis is strongly reminiscent of Camus’s awakening to life’s absurdity, and that his monologue may be considered among the most successful meditations on this predicament, I examine not only Rāma’s quandary but also what the Yogavāsiṣṭha deems the ultimate response to it. In this way, I throw into sharp relief two contrasting responses to the absurd condition in human life that effectively challenge one another. Considering some of the Indian classical works, such as the Yogavāsiṣṭha, in this light suggests that they too acknowledge the absurd as their starting point and, at least to a certain extent, develop doctrines that aid their practitioners in facing it. Nevertheless, the Yogavāsiṣṭha also enables us to develop our thinking about absurdity and expand the discussion of constructive responses to the reality of the absurd.

Spanish Black Legend: its Origin, its Intention, and its Current Presence in Hispanic-Americans Cognitive System

Propaganda has been historically used for the benefit of certain social groups faced up to another. This propaganda is not always ethical at all. It is based on misconceptions, lies, and fallacies. We have analyzed (by using an experimental Psychology task) the presence and cognitive weight of certain mental footnotes and their influence on the Reasoning of Hispanic-Americans (Ecuadorian). These mental footnotes have been extracted from the classical work “A brief account of the destruction of the Indies” of Bartolomé de las Casas in 1552. The most relevant and significant finding of this study is the clear evidence that nowadays we can still find these historical falsehoods in the current cognitive system of Ecuadorian people which are product of a well-planned and maliciously orchestrated propaganda. We conclude that all the contents of the Spanish black legend are the consequences of the aspirations of some social sectors to boycott the Spanish culture.

Schematic narrative templates in national remembering

James V. Wertsch coined the concept of schematic narrative template in his Voices of Collective Remembering, which has become a classic work in memory studies. The central argument of this article is that the analytical power of the concept of schematic narrative template can be increased, and its methodological implications clarified, by making a distinction between plot structures, narrative schemata, and the practices of narrative production, dissemination, and consumption. The article demonstrates that these entities and their associated mechanisms and processes are different in kind and should therefore be studied by using different types of methods. Furthermore, the article elaborates on the cognitive aspects of Wertsch’s notion of schematic narrative template by distinguishing between the pattern completion and pattern matching functions of narrative schemata as well as between the cognitive processes of assimilation and accommodation of narrative schemata.

Research on Emotional Analysis and Emotional Color Extraction Algorithm of Chinese Language and Literature Based on Emotional Computing

In China, the emotional response of diverse cultural bearers, including literature, movies, and other media, frequently mirrors the country's cultural improvement. Consequently, emotional analysis of the text and paintings may be used to examine the cultural evolution, determine its growth dynamics, and sort out its context. The project aims to investigate how well sophisticated affective computing performs in identifying and analyzing the emotional aspects of traditional Chinese literature and language. The study selects the Double Channel based Self-organized Residual Network-50 V2 (DC-SoResNet 50V2) algorithm based on a combination of deep learning algorithms and further improving the (DC-SoResNet 50V2) algorithm using Emperor penguin Colony optimizer (EPCO). Moreover, the color image and text features from traditional Chinese literature are extracted using hummingbird-based term frequency-inverse document frequency (HB-TF-IDF) and Stochastic Color Harmony Algorithm (SCHA). Comparisons are made between the proposed and standard approaches using the training and test sets, respectively. The training time of the proposed approach is stable at around 25.1 s, while the test time is steady at about 18.5 s. The emotion identification accuracy of the proposed method achieved average of 99.11 and 99.23% in testing and training sets for the entire datasets, respectively. Comprehensive analysis of classic literary works can be possible with the help of this research, which offers fresh viewpoints and theoretical references.

Lost in translation

Abstract In 1959, Toufic Fahd – a professor of Arabic language, literature, and civilization – made a fortuitous discovery. During a visit to the University of Istanbul, while perusing the University’s library, Fahd stumbled upon an Arabic translation of a Greek work, namely the famous dream interpretation book of Artemidorus, known as the Oneirocritica. The original Greek text is fascinating as it stands as the sole surviving classical work on dream interpretation. The discovery of its later Arabic translation, however, is captivating in its own right. The context of this translation alone is of particular interest to any Islamic historian, having been initially commissioned during the height of the ʿAbbāsid Translation Movement and undertaken by the renowned translator, Ḥunayn Ibn ʾIsḥāq. The intention of the present paper is to compare these texts, highlighting intentional changes made to the content of the Greek work, specifically in instances related to mythology, sexuality, and cultural practices. These changes are noteworthy as they have rendered the Arabic translation as more of a work of interpretation itself, modifying the 2nd century AD Greek text to reflect the realities of its new religious and geographic setting in 9th century Baghdad.

Why Chinese “Society” is So Called: How Social and Managerial Discourse Caused the Choice of the Word at the Turn of the 19th and 20th Centuries

 Introduction. The purpose of this article is to investigate the reasons for the choice of the   term “shehui” to designate the concept of “society” in China at the turn of the 19th and 20th   centuries. The research novelty of the work is manifested in the complex analysis of social   and managerial discourse of that time and in the identification of factors that influenced the   terminological choice. The relevance of the study is conditioned by the necessity to   understand the processes of formation of social sciences in China, which is important for   the interpretation of modern socio-political processes in the country, including in the   context of modern sociology of management. This is especially important for Russian   sociology, since its area of interest includes the search for mutually beneficial strategies of   interaction between Russian and Chinese societies. And this is impossible without studying   China's approaches to managing the country's development processes, its internal and   external social relations.   Methodology and sources. The study applies a system-historical approach, as well as   discursive, terminological, etymographic and factor analysis. The paper analyzes classical   Chinese texts and works of Chinese enlighteners of the late 19th and early 20th centuries, and   also uses some materials collected by modern researchers, in particular, by N.M. Kalyuzhnaya. Results and discussion. The main results of the study were the identification and analysis   of factors (including internal political, social, foreign policy and linguistic factors) that   determined the social and managerial discourse of the period under study and the choice   in favor of “shehui” among the main terms competing for the right to designate the concept   of “society”. Author pointed out that the process of formation of social and managerial   discourse was in line with the gradual decline in the influence of traditionalism and   strengthening of the ideas of anti-monarchism, people's power and self-government.  Conclusion. Author emphasized that the term “shehui” became one of the key terms in the   social and managerial discourse of China at the turn of the century, reflecting global socio[1]political trends. The choice of this term is the result of a complex interaction of various   factors in the formation of discursive practices, which themselves were further modified   under the influence of the term and its derivatives. 

Solidarization of Russian Society: a Historiographical Analysis

Introduction. At present the relevance of the problem of solidarity of Russian society is   associated with the attempts of the countries of the Greater West to solve accumulated   problems through building an image of the enemy, which makes it possible to consolidate   national economies and effectively fight opposition forces within the country. In modern   Russian philosophy, a number of approaches to developing the concept of solidarity of   Russian society have developed. Despite this, many aspects of this problem still remain   insufficiently studied. Thus, this study analyzes various approaches to defining the solidarity   of society, which were formed in Russian philosophy; identifies the essential properties of   solidarity, and substantiates the thesis about the need to form new tools and mechanisms   of social order that will allow for the solidarity of society. The purpose of the presented   research is a historiographic analysis of the concept of solidarity in relation to Russian reality.   Methodology and sources. The methodological basis of this study is the principle of unity   of the historical and logical, as well as methods of analysis and synthesis. There were used   as sources the works of classics of Russian philosophical thought who developed the   concept of solidarity (I.S. Aksakov, N.Ya. Danilevsky, etc.), as well as the works of modern   Russian thinkers, such as Yu.V. Shkudunova, A.A. Efanov, allowing to identify the main   aspects of the problem of solidarity of Russian society.  Results and discussion. The authors of this article conducted a historiographical analysis   of the concept of “solidarization”. During the analysis, the main essential properties of   solidarity were identified, such as procedurality, value orientation, ideology, and complexity.   The relevance of the traditions of Russian religious philosophy for the development of the   problem of solidarity is also shown. The authors consider the solidarity of society as a set of   political, economic and sociocultural processes aimed at uniting society around an integral   system of values expressed by a single social ideology.  Conclusion. The modern world is in a phase of political turbulence, which has a direct   impact on all fundamental aspects of society. Their impact can be seen especially clearly in   the example of Russian reality. In these conditions, the survival of Russia depends on the   degree of unity of society as a guarantee of national security. 

Formatted Sound

Locating the Format What is format radio? At a glance, the answer might seem simple. In common parlance, the concept is often presented as a pejorative counterpart to non-commercial broadcasting. However, to render the concept synonymous with commercial broadcasting neglects its historical specificity. Previous research has demonstrated the nuanced factors at stake in the selection of music at specific broadcasting stations (Ahlkvist and Fisher 301-325). Beyond economic structures and conditions, however, remains the matter of whether we can posit an aesthetic expression that epitomises format radio. Previous research has focussed predominantly on semantic source materials and theoretical propositions to hone in on the question. However, my wager is that the signal content itself can help us reveal something about the nature of formats. To pursue such a task, the Swedish case offers a promising possibility. Swedish media archives provide the opportunity to study how, and if, formatting tendencies can be detected beyond the realm of commercial broadcasting. Unlike many of its global counterparts, Sweden maintained a public service radio monopoly until the late twentieth century. Throughout the 1980s, experiments were done with regional radio, and by 1993 full commercial licencing was permitted. The result is a rare situation where the entire flow of daily Public Service Broadcasting (PSB) can be studied from the 1980s onwards, which in turn allows for large-scale analysis of the relationship between organisation structure and content stylistics before and after the introduction of commercial broadcasting. Broadcasting in Sweden was during this time maintained by the company Sveriges Radio (SR), and had been in more or less the same form since the early 1920s. The organisation was not directly owned by the state, but financed through the so-called broadcasting licence, which in turn depended upon governmentally decided goals. The overall ambition was similar to the usual PSB objectives: the guiding documents for broadcasting would thus be inclined to emphasise values like objectivity and diversity – yet little is said about aesthetics (Banerjee and Seneviratne 10). This arrangement was the setting for regular conflicts throughout Swedish radio history, in which the demand of the audience squared off with the ideals of broadcasters. Yet in the last decade of the century, the media environment was about to change in a precedented way. During these years, conceptual and economic tension between commercial and public service radio reached new heights, in turn forcing the matter of formats on the agenda. Research by Stjernstedt and Forsman, while not exclusively focussed on radio formats, addresses the theme within the broader framework of commercial Swedish radio. Their findings, along with those of Hedman and Jauert, suggest the influence of commercial formats on Swedish radio prior to the formal introduction of commercial broadcasting. This allows for an interesting epistemic possibly: if their propositions are correct, it would allow us to study the character of radio formats, without being intermixed with the scope of commercial broadcasting. The following analysis thus attempts to track the actual changes in the content, which could reveal the influence of format radio on PSB. For critics like David Hendy and Wolfgang Hagen, the format comes down to a question of self-similarity, “Programmierung von Selbstverständlichkeit” as Hagen critically dubs it (333), supposedly induces a certain superficial uniqueness of music stations, despite a fundamental sameness in their content. For this reason, the analysis is focussed on repeated similarities in the musical content. Methodological Approach Given the significant role ascribed to music in the theorisation of radio formatting, this aspect appears to be a potentially apt focus for constructing an experimental analysis. This is also practical as it allows for the translation and application of established spectral analysis methods from the realm of music analysis. In the context of audio data, spectral analysis refers to a process where the frequency components of a sound signal are decomposed and examined as numerical values. This method is crucial in audio engineering to understand the underlying structure and composition of sound and can assist in identifying specific patterns or anomalies in audio data. The analysis uses a sampling approach, concentrating on full-day broadcasts from music channels P2 and P3 in order to capture the general channel characteristics. These were the two formal music channels of SR during the time, with P3, the popular music channel, being directed at a younger audience, and P2 offering a more diverse mixture of classic and world music. The data, selected randomly from five weekdays across each of the years 1988, 1991, 1994, and 1999, are examined for indicators of self-similarity and format structuring. The hypothesis guiding this study suggests that format radio, shaped by technical standards and theoretical principles, exhibits a degree of radiophonic self-similarity. This proposition is explored quantitatively, applying statistical methods to the spectral data to assess similarities. The analysis itself is executed in combining a set of Python libraries. Initially, a segmentation model from The National Audiovisual Institute of France is used to isolate the musical content from the broadcasts. Then, the audio analysis library librosa converts these segments into spectral data, providing insights into timbre, key, and tempo. The results are presented using Principal Component Analysis (PCA) visualisations. These visualisations employ dimension reduction to represent the relationships between audio segments in a Euclidean space, with the proximity of nodes indicating similarity between data points. Even though the PCA method has limitations, well-discussed in the methodological literature, it grants certain insight into the structure of the dataset (Jolliffe and Cadima). In essence the method uses two-dimensional space to plot the relationship between n-dimensional data objects. The implication is that the distance between each entry entails something about the general similarity between the features of these data points. Critical scholarship, like that of Johanna Drucker, has brought attention to the epistemological tendencies inherent in these standardised statistical methods. The PCA method was also at the centre of discussions concerning the general credibility of computational literary studies in 2019, and I here follow Andrew Piper’s conclusion that the limitations are less a reason to abandon ship, and more an encouragement to remain “skeptical” (11). Thus, it is a call for complementary and comparative approaches. In order to do this, my analysis also employs audio recognition tools to compare the feature elements of the data set. By comparing both these different levels of analysis, across yearly samples from the decade, the study traces the evolution of musical styles and formats, potentially relating them to wider technological, cultural, or sociopolitical shifts. Results Fig. 1: The distribution of observations from the years 1988, 1991, 1994, and 1999, arranged from the top right to the bottom left. For each year, around 1,000 songs from each channel were studied. Data from 1988 indicate that the popular music channel P3 had a somewhat broader distribution spectrum in its content than its more eclectic counterpart. Initially, this may seem counterintuitive, as one might expect the expanding range of classic and world music of P2 to exhibit greater sonic variety than a channel playing mainstream and popular music. A possible explanation for these results can be found in prior research. Musicologist Alf Björnberg has provided a detailed account of the musical content of Sveriges Radio. His narrative emphasises that P3 underwent a significant content shift during the 1980s. Throughout this decade, the channel began to accommodate artists and genres that had been marginalised in the expanding landscape of broadcast media for decades (320). While P2 was not without variation during this era, P3 experienced a more notable change, moving towards avant-garde rock and experimental electronic music. This shift reflects a broader trend in the radio landscape, where traditional boundaries of genre and style were increasingly blurred, allowing for more diverse and experimental sounds to emerge in mainstream channels. The visualisation of these data not only highlights these historical shifts but also provides a quantitative basis for understanding the evolution of musical trends and preferences within the radio broadcasting domain. Björnberg’s study, predominantly centred on playlists and textual documents, mainly focusses on the period up to the end of the 1980s. Shortly summarising the 1990s, Björnberg concludes that 'the effects of commercial competition were most noticeable for P3' (326), especially during the early years of this competition. The data reveal a surprising trend in this regard too. At first glance, it might appear that P3 is reducing its musical variety, which could be interpreted as a response to the new, more rigidly formatted radio landscape. However, this perception is an illusion created by the rescaling of graphs to accommodate P2's possibly drastic content expansion. When calculating the average distance between points in P3's data, it becomes evident that the variation remains within the same range, with a fluctuation of only 0.4. This figure contrasts with P2's distance, which increases from 34.2 to 46.7 between 1988 and 1994. Instead of P3 reducing its musical variety, it is P2 that broadens its musical offerings. This can be seen as a response to the identified issue. Sveriges Radio addressed the new competitive situation with two seemingly contradictory initiatives: seeking a unique sonic identity while emphasising "diversity with a quality signifier" (Björnberg). The developments in P2's data can be viewed as a concrete expression of this ambition to counter the entry of format radio with increased variation. These findings underscore the complexities and adaptive strategies in the broadcasting landscape, demonstrating how public broadcasters like Sveriges Radio navigated the challenges posed by commercial competition. By expanding and diversifying their musical content, channels like P2 showed a commitment to maintaining their relevance and appeal in a rapidly changing media environment. This study not only sheds light on the historical trajectory of Swedish radio but also offers broader insights into the dynamics of cultural adaptation and change within the media industry. However, it is crucial to understand what the analysis actually signifies – it is not an absolute statement about the variation in music, but rather an analysis based on a number of specific measures. The assessment of the musical content, as mentioned earlier, is based on the combined factors of tempo, key, and a simplified measure of timbre. These metrics are analytically recognised methods for categorising musical content and have been used in previous research to address genre variation (Bogdanov et al.). However, this does not necessarily mean that they provide a comprehensive understanding of how the music actually sounded. In the graphs above, the timbre data is represented by a median value. To more accurately capture the variation in the sound profile, it might be more appropriate to analyse a broader spectrum of frequency values. In the following graphs, values are compared over time across 13 different frequency bands, based on the first 30 seconds of each song. This refined approach allows for a more nuanced understanding of the sonic domain. By examining a wider range of frequency values, the analysis can potentially reveal subtler shifts in the musical characteristics of the radio channels over time. This method acknowledges that while tempo, key, and timbre are significant, they are only part of a more complex auditory picture. By broadening the scope of analysis to include more detailed frequency data, a richer and more textured picture of the evolution of musical content on these radio stations emerges. This approach offers deeper insights into the intricate ways in which radio programming responds to and reflects broader musical trends and listener preferences. Fig. 2: The distribution of observations from 1988, 1991, 1994, and 1999, from the top right to the bottom left. This approach to measuring audio content results in a less dramatic visualisation, with no longer a clear dominance in the pace of development; instead, both channels undergo a similar process of differentiation. What we observe here is a form of channel profiling, where both channels progressively establish a more distinct sound profile. According to the definition by Hendy and Hagen, this type of channel characterisation can be considered in terms of formatting. What is revealed is an increase in channel self-similarity. However, this empirical examination of audio material suggests a nuanced understanding of formatting. On one hand, both channels, particularly P2, expand certain aspects of their music. Simultaneously, the sound profile becomes more distinctly framed for each channel. Understanding this stylistic evolution compels us to reflect on what self-similarity means on a perceptual level. While self-similarity as a mathematical concept does not require comparative data points from another source, this value means little for the listener's perceptual experience. The content coherence of a channel, in terms of experience, depends on a contrasting example. This contrast is precisely what the two music channels within Sveriges Radio offered during this period. Their musical profiles became clearer by sonically contrasting with each other. Under this broader channel similarity, certain characteristics, such as tempo and key, appear to have been able to vary more freely. Nonetheless, this profiling represents a type of complexity reduction – an increased predictability within the format's constraints. These conclusions offer an indication on how radio channels adapt and refine their identities over time, responding to both internal objectives and external competitive pressures. It underscores the dynamic nature of radio broadcasting, where channels continually evolve their formats to maintain relevance and listener engagement. The nuanced understanding of formatting and self-similarity provides valuable insights into the strategic decisions made by broadcasters in shaping their auditory content. Björnberg echoes Hagen and Hendy’s tendency to primarily criticise the lack of creativity in radio formats. However, his focus is specifically on a certain format – the 'adult contemporary' (Björnberg). Against this backdrop, a comparative study of the audio content of commercial alternatives would indeed be interesting. Unfortunately, due to the scarcity of preserved material, compiling a proportionate dataset for such a study is challenging. However, we can still contemplate the general content of 'adult contemporary' music. One speculative approach to addressing this question is to examine the instruments used in the music to see if they align with specific format descriptions. Such an analysis could provide further insight into how the PSB style is changing under the stakes of commercial competition. Fig. 3: Percentage distribution of instruments in sub-segments from the music content of P2 and P3 in the sample data from 1988. The results offer a potential explanation for the questions raised by the initial graphs in this study. While P2 shows some variation, there remains a, perhaps expected, focus on string instruments and the piano. P3, on the other hand, displays a wide mix of content. Notably, there is a relatively high presence of the accordion – an instrument that is as lauded as it is loved within the Swedish context. The instrument belongs to a longer tradition of popular music, encapsulating both certain folk music traditions, as well as ‘dansband’ tunes. Already by the onset of broadcasting, the accordion split the audiences right down the middle (Hadenius 76), and by the late 1960s, it was proclaimed a “dead” instrument (Björnberg  257). Here, my results highlight a certain perseverance of the instrument, speaking to the resilience of this sound. While the accordion may seem peripheral to the 1990s debates about radio formats, this example serves both as a reminder of the persistence of stylistic questions and their emotional charge. Therefore, it is instructive to study the instrument distribution in the final year of the sample data. Fig. 4: Percentage distribution of instruments in sub-segments from the music content of P2 and P3 in the sample data from 1999. The historical development has several interesting tendencies. Whilst the general distribution of instruments on P2 remains similar, P3 has witnessed significant changes. The previous sample displayed a wide variety of sounds with high distribution, albeit with guitar at the top. The data from 1999 have developed in a more guitar-centred direction. While this provides certain analytical depth to the previous stages of analysis, it might also give a clue into the more general question of format radio. The results demonstrate a tendency towards a clearer channel identity, with a more unified sound. Extending the interpretation, we can also consider the results in a scope of international research. Eric Weisbard, alongside other researchers like Saesha Senger, has extensively mapped the content of the top charts during the final decades of the twentieth century, revealing a clear direction towards synth music and guitar-driven rock during the 80s and 90s. Since we cannot study the actual content of commercial broadcasting in Sweden during this time, such historical references remain a promising second-degree comparison. In this perspective, P3 partly mirrors global trends, illustrating the station's responsiveness to changing listener preferences and the dynamic nature of music consumption. We are here engaged in classical historical work, piecing together fragments of data from different types of sources. Nevertheless, the results indicate how old traditions and global trends intermingle in the construction of a national format: a soundscape where accordions and guitars reverberate in parallel. Summary The investigation into SR’s channels P2 and P3 during the 1980s and 1990s reveals a nuanced understanding of radio formatting and its implications. Both channels exhibit idiosyncratic approaches that blend various musical styles to develop distinct channel identities within the context of format radio. While the channels have moved towards more predictable and structured formats, reminiscent of commercial radio, this has not led to an overall homogenisation of content. Instead, each channel has developed a unique version of formatting, and maintained its distinct identity while incorporating elements of structure and predictability. Finally, this matter runs up against an epistemological question which has fascinated sound scholars for some time. To create format radio is to create a sound in time that feels uniform. Philosophers and psychologists have long debated whether sounds can at all be understood as continuous perceptual phenomena, and what it means for a sound to be 'the same' over time (for example, Moles). If sonic uniformity is a scientific challenge already on the time scale of the second, then radiophonic flows introduce whole new complications and questions. Here it is no longer the similarity between two tones in flow, but day-long broadcast products to be understood under the same channel identity. This requires a shaping of sound at completely different scale. The empirical study of such challenges has only begun.

A Review of Traditional Use, Constituent Analysis, Bioactivity, and Application of Volatile Oils from Elsholtzia.

Elsholtzia belongs to the Labiatae family, which consists of herbaceous subshrubs and shrubs. Among them, volatile oils are an important chemical component in Elsholtzia, which have various bioactive medicinal and developmental values. The references about volatile oils of Elsholtzia in this review were obtained from Web of Science, SciFinder, PubMed, Willy, Elsevier, SpringLink, ACS publications, Google Scholar, Baidu Scholar, Scopus, and CNKI. The other information about Elsholtzia was obtained from classical works or ancient books. Traditionally, the volatile oils from Elsholtzia were used in Chinese medicine to treat cholera, abdominal pain, vomiting, and scattered edema. Relevant research revealed that Elsholtzia contains many different types of volatile oils, and most of them display bioactivities, including anti-oxidant, anti-bacterial, anti-viral, hypolipidemic, insecticidal, and antiinflammatory activities, treating spleen and stomach. Furthermore, the applications of volatile oils were summarized and analyzed in this paper. The contents of traditional use, constituent analysis, bioactivity, and application of volatile oils from Elsholtzia were reviewed in this paper. This will provide important research value and a scientific basis for the in-depth study of the plants of Elsholtzia in the future.

Кто я, философ-миллениал, и кем могу стать?

The article attempts to find the specifics of the generation of millennial philosophers through an analysis of the features of the historical location - the historical baggage and challenges that the modern stage of development of knowledge and human society, rich in opportunities and risks, poses to the philosopher. Working with generational topics, the author relies on classic works in this area by K. Mannheim and J. Ortega y Gasset, the domestic sociological tradition represented by T. Shanin, Yu. Levada and others, modern studies of the millennial generation, in particular the so-called Generation I (J. Twenge). In addition, the author, belonging to the corresponding age cohort, analyzes personal experience, speaking as a representative of the millennial generation in general and the generation of millennial philosophers in particular. The main emphasis is on considering how the choice of profession occurred, what events determined it, what was the motivation in the 2000s - first to go to study at the Faculty of Philosophy, then to write a dissertation for the degree of Candidate of Philosophy and, finally, to build a career as a professional philosopher. At the same time, the author is critical of the fact that he belongs to the millennial generation, honestly identifying and explaining some distance from peers and emotional rootedness in the experience of previous generations, primarily the sixties and seventies. Stating the facts of his own biography that can influence the assessment of the sociocultural and professional significance of the generation of millennial philosophers, the author offers his vision of the main features that distinguish millennials as a philosophical generation. One of the main theses substantiated in the article is the statement about the fundamental openness of the fate of the millennial generation in philosophy, whose history is not only unwritten, but not strictly predetermined by the past and present, being dependent on the rapidly changing images of the nearest and more distant future.

Honoring Valene Smith, our prescient foremother

Written by the Convenor of the Anthropology of Tourism Interest Group (ATIG) at the American Anthropological Association on behalf of the Board and membership, this memorial article celebrates the life and multifaceted work of Dr. Valene Smith, the pioneering founder of the subdiscipline of the anthropology of tourism. It examines her prescience throughout her life that made her the pathbreaking scholar, teacher, traveler, and tourism practitioner that she was. Such foresight led to her convening the first anthropology of tourism panel at the AAAs in Mexico City in 1974, the product of which became the classic volume, Hosts and Guests. his and her subsequent publications are put into broader context of other classic tourism-focused social scientific works at the time, revealing her role in the development of tourism studies more broadly. As anthropologists are particularly keen on tracing kinship and lineage, the article argues that she rightly is considered anthropologists’ and tourism scholars’ “foremother”, or ancestral mother, who paved the way for generations of anthropologists to begin taking tourism seriously, recognizing its nature as a “total social fact” that can shed light on the holistic human experience.

READING SILAPPADIKARAM IN THE CONTEMPORARY TIMES: A STUDY OF ITS PERFORMATIVE ASPECTS

Silappadikaram is a classic literary work of ancient Tamil society, believed to have been composed around the 5th century BCE by Ilango Adigal. It encompasses elements of Jainism, Buddhism, and other religious traditions then prevalent, and also it incorporates themes, myths, and theological principles from each of the belief systems. The epic offers a vivid portrayal of both virtuous and malevolent deeds, while exploring themes of joy and suffering. What sets Silappadikaram apart from other epics is that the text focuses on an ordinary couple, as opposed to kings and armies. The text painstakingly demonstrates the behavioural nuances of society, ranging from commoners to rulers. Love and separation, gaining and losing power, are recurring themes in Indian classical dramas by notable playwrights like Vishakadatta, Kalidas, Bhasa, and Bhavabhuti, etc. These plays were created with the intention of influencing society, specifically targeting individuals in positions of power and authority. However, post-colonial Indian theatre took a different approach, placing common individuals as protagonists in the plays. Works such as Aadhe Adhure, Ghashiram Kotwal, Hayavadana, and Sakharam Binder address prevalent societal issues, with the central character being an ordinary person. The main aspects of modern theatre and the plays mentioned here primarily explore the everyday activities of common individuals and how they are influenced by other members of society, economic factors, and politics. This paper studies the contemporary relevance of Silappadikaram in modern theatre by drawing a comparison with these modern Indian plays.

Integral Transform Solution for Natural Convection Within Horizontal Concentric Annular Cavities

Abstract Natural convection inside horizontal concentric annular cavities is dealt with through the generalized integral transform technique (GITT), offering a hybrid numerical-analytical solution of the continuity, Navier–Stokes, and energy equations in cylindrical coordinates. The flow is in steady-state, laminar regime, two-dimensional, buoyancy-induced, and the governing equations are written in the streamfunction-only formulation. Two strategies of integral transformation are adopted to verify the best computational performance, namely, the usual one with eigenvalue problems for both streamfunction and temperature defined in the radial variable, and a novel alternative with eigenvalue problems defined in the azimuthal angular coordinate. First, the eigenfunction expansions convergence behavior is analyzed to critically compare the two integral transform solution strategies. Then, test cases for different aspect ratios and Rayleigh numbers are validated with experimental data from the classical work of Kuehn and Goldstein. A maximum relative deviation of 5% is found comparing the GITT results for the average Nusselt number against the experimental data, while an 8% maximum relative deviation is found comparing against an empirical correlation by the same authors. It is concluded that the GITT solution with the eigenvalue problem in the angular coordinate yields better convergence rates than the more usual eigenfunction expansion in the radial variable. This is due to the originally homogeneous boundary conditions in the angular direction, which do not require filtering for convergence enhancement, as opposed to the required filter in the radial direction that introduces a source term in the filtered equation for the streamfunction.

Russell's Theories of Events and Instants from the Perspective of Point-Free Ontologies in the Tradition of the Lvov-Warsaw School

We classify two of Bertrand Russell's theories of events within the point-free ontology. The first of such approaches was presented informally by Russell in ‘The World of Physics and the World of Sense’ (Lecture IV in Our Knowledge of the External World of 1914). Based on this theory, Russell sketched ways to construct instants as collections of events. This paper formalizes Russell's approach from 1914. We will also show that in such a reconstructed theory, we obtain all axioms of Russell's second theory from 1936 and all axioms of Thomason's theory of events from 1989. Russell's work certainly influenced the works of Stanisław Leśniewski, his student Alfred Tarski, and Czesław Lejewski – prominent members of the Lvov-Warsaw School (LWS). We see our work in the tradition of the research of Leśniewski and Tarski. Building on the technical tools developed in this environment and in the spirit of the traditional research of the LWS, we engage here, in particular, with two classic works by Russell on fundamental ontology.

An Exploration into Written Orality

This article grapples with the quest for “written orality,” that is, the orality of the preacher's voice in writing and developing the written text of the sermon that more easily translates into the oral voice in the delivery of the sermon. In close discussion with Carl Hoefler in his classic work, Creative Preaching and Oral Writing, I develop five characteristics of written orality in sermons: imagination, the dramatic/active voice, authentic conversation, person-centered writing, and revisions that include the body.

Theoretical and conceptual foundations of research on religious Conservatism as a social structure in the works of Karl Mannheim and Talcott Parsons

The article is devoted to the study of the theoretical and methodological foundations of the research field of religious conservatism. By itself, religious conservatism as a phenomenon of public life and social structure, since its inception, has had a great influence not only on the religious sphere of society, but also on the political and even economic spheres. The modern research field of religious conservatism is quite diverse, there are a large number of different directions and schools in it, but most of them borrow their methodological foundations from a certain number of classical works on sociology, formed within the framework of mainstream sociological secularism. In this regard, secularism attitudes continue to be reproduced quite often in modern sociological science. The purpose of this work is to examine the early, fundamental theoretical and methodological positions created in classical sociological works on the topic of religious conservatism as a social structure and social phenomenon. To achieve the goal, it was necessary to solve the following tasks: 1) To characterize the works of the early stage of the study of religious conservatism in sociology; 2) To identify and characterize the theories of society in which the main works were created; 3) To define the concept of religious conservatism as a social phenomenon or social structure; 4) Describe the impact of these concepts on further sociological discussion. The research materials were theoretical studies by foreign authors devoted to the conceptualization of the theme of religious conservatism. The research methodology is based on secondary analysis. The results revealed the main patterns of the theoretical foundations of religious conservatism in the works of the classics of sociology.

Designing stable neural networks using convex analysis and ODEs

Motivated by classical work on the numerical integration of ordinary differential equations we present a ResNet-styled neural network architecture that encodes non-expansive (1-Lipschitz) operators, as long as the spectral norms of the weights are appropriately constrained. This is to be contrasted with the ordinary ResNet architecture which, even if the spectral norms of the weights are constrained, has a Lipschitz constant that, in the worst case, grows exponentially with the depth of the network. Further analysis of the proposed architecture shows that the spectral norms of the weights can be further constrained to ensure that the network is an averaged operator, making it a natural candidate for a learned denoiser in Plug-and-Play algorithms. Using a novel adaptive way of enforcing the spectral norm constraints, we show that, even with these constraints, it is possible to train performant networks. The proposed architecture is applied to the problem of adversarially robust image classification, to image denoising, and finally to the inverse problem of deblurring.

Transport digitalisation: Navigating futures of hypercognitive disablement.

People living with cognitive impairments face new forms of disablement in the context of transport digitalisation, an issue recently catalysed by controversies regarding rail ticket office closures. Transport can dramatically impact the lives of people diagnosed with dementia, who often find their mobility suddenly and dramatically impaired. Unfortunately, sociological analysis of cognitive disability has traditionally been undermined by under-theorisation. One solution can be found in classic bioethical work on hypercognitivism-the veneration of cognitive acuity-and its disabling consequences. A hypercognitive approach can nurture an attentiveness to the specificities of digital disablement. Here, disability does not emerge from digitalisation inherently, but is instead intensified by the implementation of digitalisation in line with value commitments. A more robust sociology of cognitive disability could better represent the interests of people with cognitive impairments and resist the new forms of disability that current digitalisation risks spreading.

«Tarih-i Rashidi» M.H. Dulati kak istochnik po istorii Kazahskogo hanstva

Analyzing the works of scientists who conducted the research, based on the data of the well-known classical work by M.Kh. Dulati “Tarikh-i-Rashidi” associated with the Kazakh Khanate, we can find answers to many questions that interest us. First of all, M.Kh. Dulati noted the most valuable information about the creation of the Kazakh Khanate. He understood the responsibility to future generations and, for that reason, he substantiated the year of the foundation of the Kazakh Khanate, the period of the reign of the Kazakh sultans.

A framework for interpreting the relationship between risk-taking and self-control in adolescence

Adolescent risky behaviors are often interpreted as products of self-control failures stemming from a developmental mismatch between reward processing and cognitive control systems. However, adolescents – much like adults – may also engage in risky behaviors because of conscious and deliberate (even if objectively poor) decisions. It is not easy to distinguish between these two scenarios because when people fail in self-control they actually do things they want to do. We build on philosopher Harry Frankfurt’s classical work on free will to provide a framework for determining when and why a given risky behavior stems from a failure of self-control. This framework enables the proposal of clear and reasonable criteria that can be used to clarify the relationship between adolescent risk-taking and self-control.