Abstract
Background: "The Peony Pavilion" by Tang Xianzu is a classical Chinese play renowned for its profound cultural and literary significance. Over the centuries, it has been translated into English numerous times, each rendition reflecting the translator's interpretation and cultural context. Materials and Methods: This reflective study examines a selection of English translations of "The Peony Pavilion" spanning different time periods and translators. Utilizing textual analysis and comparative study, we assess linguistic fidelity, cultural nuances, and the translators' approaches to bridging the gap between the source and target languages. Results: Our analysis reveals varying degrees of linguistic and cultural fidelity across translations. Quantitative metrics indicate a spectrum of fidelity, with scores ranging from 1 to 10, reflecting the extent to which translations capture the essence of the original text. Cultural nuances are often lost or altered, reflecting the influence of the translator's cultural background and the target audience's expectations. Conclusion: English translations of "The Peony Pavilion" present a dynamic interplay between linguistic accuracy and cultural interpretation. While some translations excel in preserving the original text's nuances, others diverge significantly, reflecting the translator's creative license and cultural context. This study underscores the importance of considering both linguistic and cultural fidelity in translating classical works, enriching cross-cultural understanding and appreciation.
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