Abstract
This article examines the self-construction logic of the first-generation new women who planned themselves as modern subjects who confront the world through changes in the meaning of the word 'nature' translated in Na Hye-seok's early writings. If Lee Kwang-soo or Choi Nam-seon's 'nature' clearly exists as an object of conquest and overcoming at the opposite point of modern man, Rha Hye-seok's 'nature' exists as a vivid reality in the body of modern man and still dominates it. human destiny. It is a painful awakening to a powerful and incomprehensible object. If the former is a masculine modern experience represented by 'boy' or 'youth', the latter is a feminine modern experience represented by 'wife' or 'mother'.
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