현대 조형사진에서 나타나는 초현실적 공간에 관한 연구

Abstract

This research aims to study the surreal space that appears in modern plastic photography by analyzing its surreality, which is a spatial characteristic of plastic photography, from a visual, figurative, and interactive perspective. Marey's chronophotographie expands the concept of space according to the superpositioning process of real space, showing a surreal space from a visual perspective through superimposed images. The surrealism of photomontage, created by Krauss' redundant process of spacing, extends images separated by the concept of desublimation in writing into unconscious acts of connection, creating a surreal space from a figurative perspective. Mitchell’s thinking about post-photography is to recognize the place and space in the photograph as a complex of interactions, centering on digital images and editing techniques performed in online networks and computer programs. Based on this way of thinking, the works of Andreas Gursky and Shinichi Maruyama, which show non-placed, non-material absent landscapes, appear as surreal spaces with a reciprocal perspective created by digital images. This study is thus significant in that it connects the surreal elements inherent in modern plastic photography with the concept of space.