The subject of the study is the artistic conflict in the works of V. S. Makanin. The object of the study is the evolution of this conflict during various periods of the writer's work. The author examines in detail such aspects of the topic as the impact of social and historical changes on the structure and content of artistic conflict. Special attention is paid to the analysis of three key stages in the development of the conflict: the period of the Soviet era, the time of social reforms and the modern stage of the integration of Russian literature into the world literary context. The main thematic and stylistic changes that took place in literature in response to social and cultural transformations are analyzed. The research is of interest for a deep understanding of the specifics of Russian literature of the late XX – early XXI century, as well as for studying the interrelationships of the literary process with historical and social changes in the country. The research methodology includes a morphological analysis of the structure of Makanin's works, stylistic analysis as a culture-specific code of the author, and a modeling method for predicting literary trends and creating variations of texts. The main conclusions of the conducted research are the identification and analysis of the three-stage development of artistic conflict in the works of V. S. Makanin. The first stage reflects the transformation of Soviet and Russian society, the second – the spread of social tolerance in the last years of the USSR, and the third – the modernization and integration of Russia into world culture since 1991.The author's special contribution to the research of the topic is an in-depth analysis of the changes in artistic conflict in the context of sociocultural transformations of society. The study shows how external social and cultural changes affect the inner world of characters and the structure of literary texts. The novelty of the research lies in a multidimensional approach to the analysis of artistic conflict, which allows not only to consider it within the framework of a literary structure, but also to reflect a wide range of relationships between a literary work and changes in society over various historical periods. This allows us to better understand the mechanisms of interaction between literature and society, as well as to evaluate the individual contribution of the writer to the reflection and interpretation of these changes through the prism of artistic conflict.