Prose Works Research Articles

ЛЕКСИЧНІ ТА ФРАЗЕОЛОГІЧНІ СИНОНІМИ НА ПОЗНАЧЕННЯ ЕМОЦІЇ СТРАХУ В ПРОЗІ МАРІЇ МАТІОС

In the article, based on the study of the language of the prose works by Maria Matios, synonymous series are selected to indicate the emotion of fear. Fear as an emotion and as an existential aspect of being determines the problematic and poetics of the writer’s small (novelistic collection «Nation») and large («SweetDarusya», «Almost never the other way around», «Moskalytsia», «Bukova zemlia») prose of the writer, mainly addressed to the tur-bulent periods in the history of Ukraine. The creative idea of the writer to understand the existence of the nation in the fl ow of history determined the linguistic means of organizing the text. It has been proven that Maria Mathios’s speech is characterized by a high degree of concentration of lexical (noun, adjective, verb, adverb) and phraseological synonymous units to denote the emotion of fear. It has been observed that the synonyms for the emotion of fear, introduced by Maria Mathios, record human experiences at the level of physical sen-sations and much less often at the level of psychological ones. Sometimes, when the author expands the scope of what is described to the size of the community, they can acquire a social focus. Units of the lexical-semantic group «fear» are used by Maria Matios not only in a direct, but also in a metaphorical-fi gurative sense. The study confi rms the scientists’ conclu-sions that synonyms in the language system perform two main functions – clarifi cation and substitution. The sophisticated synonymous series denoting the emotion of fear, observed in the analyzed works, testifi es to Maria Matios’s perfect mastery of literary language reserves on the one hand and vernacular elements on the other. The study of the author’s prose in the specifi ed direction is promising for the systematic study of synonymous relationships of units of the lexical-semantic group «fear» in the works of modern writers.

Innovative, traditional, and classic-innovative forms of popularization of the literary heritage of Bruno Schulz

One of the tasks that modern literary critics, art critics, cultural experts, etc., are still solving is the need to disseminate actively information of various types on Ukrainian territory and throughout the world about this or that Ukrainian artist, that is, scientists are engaged in popularizing the life and creative heritage of more or less well-known artists to a wide audience of creative personalities of Ukraine. The article deals with the expansion of Schulz’s literary discourse in Ukraine and the attraction of new and new admirers of the creative work of the world-famous Galician writer from Drohobych Bruno Schulz to the Schulz Ukrainian community thanks to the use of innovative and classical forms of artistic popularization. The author of the scientific research focuses on the relevance, necessity, and correctness of accelerating the processes of entry of the bright Galician writer of the first half of the 20th century, Bruno Schulz, to the Ukrainian reading, literary, literary studies, and artistic discourses precisely through the prism of representation of various forms of popularization of Bruno Schulz’s biography and creativity. In the investigation the place and role of Bruno Schulz in the world literary and artistic discourse have been characterized; the level of awareness of both specialists and ordinary citizens with the creative heritage of the artist on Ukrainian territory has been clarified; innovative, innovative-traditional, classic forms, methods and techniques of popularizing the figure of Bruno Schulz among the broad strata of modern Ukrainians are systematized, and recommendations on the outlined issues have been formulated. Given the fact that Bruno Schulz is world-famous not only as an author of prose works but also as a philosopher, literary critic, literary theorist, epistolographer, artist, painter, drawer, draftsman, graphic artist, translator, educator, these facets of the multifaceted talent of the artist will become the subject of further scientific investigations by the author of the publication because they also need a certain popularization.

The Muslim Women’s Question and the Emancipatory Potential of Nafija Sarajlić’s Literary Work in South Slavic and European Context

The birth of modern identity in the field of literature can be found in the topics elaborated by the first Bosnian Muslim woman writer, Nafija Sarajlić (1893-1970). Set at the onset of World War I, in a cultural milieu in which the values of the Ottoman and Austro-Hungarian Empires intermingled and confronted each other, these topics represented the growth and functioning of the concept of a woman. A comprehensive and emancipatory discourse and the writer’s awareness have been defined in light of the impact of Europeanization and also as essentially deductive content, reflecting the fluidity between self-preservation and destruction as well as rejection by (traditional) society. The author’s work is read through the prism of its correlation to writers from Serbian and Croatian cultural circles, with whom she shared not only a social experience, but also her vocation (teacher), as well as literary descriptions of the resistance to the emancipatory practices that they promoted. Sarajlić established herself as a writer who, in her biography and prose work, bore witness to the processes that accompanied the rise of the Muslim women’s question. This paper’s focus is on the issue of Muslim women’s education at that time, which was not only a crucial question inside the Muslim community, but also a problem that official Austro-Hungarian policies were supposed to address in Bosnia. To that end, an interpretation of the writer’s intimate experiences, as one of the first formally educated teachers, and her exclusion from her profession, her writing and narrative style, as well as her approach to specific motifs, will be examined with regard to how they underscored the modes and avenues for the emancipation of Muslim woman. Despite traditionalisation and patriarchal and clerical processes, which reasserted themselves in the Muslim community, particularly after World War II, it is crucial to emphasize the tremendous importance of Sarajlić’s work. The latter, for all the reasons noted above, with its text and context, functions as a starting point in the real path towards shaping a model of a modern South-Slavic and European Muslim woman.

THE IMAGES SYSTEM IN THE NOVEL "KYLMYS (THE CRIME)" BY K. SHABDANULY

The article is concerned with discourses of images portrayal of the six-volume novel "Kylmys" by Kazhykumar Shabdanuly, the classic writer of Chinese Kazakh literature. Based on the studies related to the examining characterization, it’s clear that is achieved by using the various artistic techniques manifested in characteristic qualities. The novel "Kylmys" by Kazhykumar Shabdanuly analyzes the author's artistry in portraying the images of Bigabyl, Zhappar, Ussen, Madiyan, Gulzhan, Damesh with a focus on fact that these artistic images are well-reserached historical characters. The image of the character shows their identity in the most responsible, decisive moments of the day, and their behaviour and actions show a real depiction of social, historical, political events of that era. The article significance is the analysis of the artistic structure by Kazhykumar Shabdanuly, whose prose works have not been analyzed yet. In addition, the comparison of typical images in both novel "Kylmys" written during the so-called Chinese "New Era" period and "Arda Altai" by Akhmetalla Kaliuly is the relevance of the article. It is revealed that the characters of the mentioned novel masterly used the method of dialogue that is accompanied by a monologue to explain the character, their thoughts, deeds, and their suffering. It includes notes about author's life and historical events that are evidenced by historical data. It is also noted that the study and introduction of Kazakh literature abroad into the scientific process is an urgent issue. This novel is highly original in Kazakh literature with its artistic, stylistic, thematic and ideological characterization. The results of the study clearly describe the terrible experiences of Kazakh people through the characters’ images who went on the run to China in that era. At the end of the article various techniques and methods of studying the image system are used within the theory of literary studies, and the harmonious use of artistic means by the writer is scientifically analyzed.

Autobiographical tendencies in Boris Ryzhy’s works. The Rotterdam Diary [Rotterdamskiy dnevnik

The article analyzes the autobiographical features of The Rotterdam Diary [Rotterdamskiy dnevnik], the only prose work by the late poet B. Ryzhy, a native of Yekaterinburg. The Diary was written soon after his trip to the Poetry International Festival in the Netherlands in 2000 and can be viewed as the young poet’s confessions that shed light on the logic of his life and work. The book remained unfinished at the time of Ryzhy’s death — his widow and father came up with the title and initiated a posthumous publication in the Znamya journal. The book’s unique quality lies in its tentative genre attribution as well as significant fragmentation of the narrative. Using narratological methods, the article demonstrates the narrator’s use of a nonlinear narrative to put together his own image — that of a loner, a ‘loser,’ and, at the same time, ‘an ordinary Russian poet.’ Interestingly, this image is partially reflected in the poet’s contemporaries also portrayed in the Diary and helps to form an opinion about the lyrical hero from the viewpoint of his typological traits.

RECONSTRUCTION OF THE HISTORY OF HAMZAH FANSURI’S LIFE AND RECOGNITION OF HIS WORKS

Hamzah Fansuri is an important figure in the history of Islam in Indonesia. He is an important figure who is always discussed within the framework of discussing the dynamics of the development of Islam and Sufism in the archipelago. The purpose of this article is to trace the life history of Hamzah Fansuri. Many researchers have not studied the comprehensive history of Hamzah Fansuri’s life. Researching the life history and basic teachings of a Sufi is very important to understand the biographical background of the development of his teachings and to know the principles of the teachings, through his works. There are two important ways to understand the basic teachings of a Sufi. This article, first, examines general considerations and presents a new construction of Hamzah Fansuri’s intellectual life and career and, second, browse the main teachings of Hamzah Fansuri through his works, using an analytical-descriptive-critical method. This qualitative research uses library research. Data collection was taken from various references from the biography of Hamzah Fansuri. According to the findings of this article, Hamzah Fansuri was born in Samudra Pasai, studied in Singkil, and then traveled to the Middle East via Barus. Returning to the archipelago, he made a career in Ujong Pancu, Aceh Besar. Hamzah Fansuri died in Mecca in 1527 AD. Throughout his career, Hamzah Fansuri wrote approximately thirty poems and three works of prose, namely Sharāb al-‘Āshīqīn which describes the process of the spiritual journey, Asrār al-‘Ārifīn which describes the philosophical teachings of Sufism, and al-Muntahī which explains the meaning of Sufi expressions.

SECOND CHOSON PERIOD ON THE KOREAN PROSE LEARNING LEVEL

In this article, we have analyzed the research of Korean researchers and literary scholars on the problem of studying the characteristics of Korean prose and prose works of Korean literature.

Arabic Poetry in the Work Muḥāḍara al-’awā’il wa musāmara al-’awāḫir by Ali-dede Bosniak

The Arabic qasida represented the canonical form in Arabic literature until modern times, and its influence is still felt today. The power of poetry is also evident in its presence in the prose works of classical Arabic literature. This is confirmed by many works that abound with verses by various Arab poets as well as verses by authors who were not poets. There is almost no area of adab, as literature in the broader sense of the term, without poetry finding its place in it - we find it in imaginative literature, risalas, historical chronicles, philosophical works, and even in fiqh, Islamic jurisprudence characterized by its seriousness and precision. In the following paper, we will analyze the use of Arabic poetry in the work Muḥāḍara al-ʼawāʼil wa musāmara al-ʼawāḫir by Ali-dede Bosniak, which treats the first and last events and deals with a large number of topics from different fields. Since this work is polythematic, we will see that the verses undoubtedly form a very important and effective segment of its structure.

NATIONALLY MARKED NOMINATIONS IN THE PROSE DISCOURSE BY OLGA KOBYLYANSKA

The article is devoted to the consideration of the national noun of Olga Kobylyanska’s prose works. Research objects, the space of the prose discourse of the Bukovyna writer. The subject of consideration of anthroponyms that represent national nouns in literary texts is their connotative and non-fulfilling functions. The purpose of the investigation is to demonstrate the connotative potential, the stylistic role and functional features nationally marked nominations, to illustrate their contrasting opposition in the general context of the writer’s work, to analyze the quantitative and qualitative characteristics of individual anthroponyms, to determine their functions, stylistic and expressive-potential. The descriptive4 and statistical method, as well as the method of stylistic analysis of artistic works, were used in the research process. The originality of nationally marked nominations is highlighted; their role in the development of the plot, the creation of the characters’ characters in the disclosure of the author’s idea is demonstrated. It was been proven that the proper names of the characters of representatives of different peoples are a bridge, an icon, a theme, a bright stylistic detail, a means of creating bright characteristics and building a plot. It was found that foreign proper names constitute a significant group of names in the artistic work of Olga Kobylyanska, they are an indicator of national and local flavor, contain social, ideological and other parameters and in many emphasize the extraordinary nature of the character. It is determined that the national index in the transparent disk of all craftsmen is an important color of the author’s palette. Olga Kobylyanska uses this technique to create broad national pictures using a certain set of nationally marked nominations and for individual inclusions in a specific text with the aim of accentuating this indicator or for contrasting demarcation of characters.

REPRESENTATION OF DIALECTISMS IN THE PROSE OF YURIY VYNNYCHUK: PHONETIC ELEMENTS

The article is devoted to the study of the Naddniester dialect units, in particular, to the study of their individual authorial specificity in the fiction. The purpose of the study is to substantiate the specifics of the Naddnistrian dialect units and their local phonetic features in the prose works of Yu. Vynnychuk. Objectives of the study: to highlight the specifics of the writer’s work with dialectal units; to characterize the phonetic features of the Naddnistrian dialect and its nomination; to form a corpus of Naddnistrian dialectal units used by the writer at the phonetic level; to identify and characterize the specifics of the representation of dialectal elements in the prose works of Yu. Vynnychuk at the phonetic level of the language structure. The object of the study is the language of Yuriy Vynnychuk’s prose works, which contain dialect elements. The subject of the study is the Naddnistrian lexical dialects (in particular, their phonetic features) in the works of Y. Vynnychuk. The source material is based on Yuriy Vynnychuk’s novels “Tango of Death”, “Malva Landa” and the collection of short stories “Windows of Frozen Time”. The study of the factual material was conducted in the aspect of synchrony on the basis of the general scientific method of observation and description of linguistic phenomena. The methods of external and internal interpretation are applied. The specificity of the Naddnestrian linguistic elements is established by means of the comparative method, the method of contextual analysis allowed to fix the dialectal features at all language levels and to establish the meaning of a certain lexeme in a certain context. The corpus of the Naddnestrian dialectal units used by the writer is formed and the phonetic units of the Naddnestrian dialect are distinguished (in the suffix -sk- the sound [s′] turns into [s]; cases of apocopy; the presence of alegroforms; alternation of [o] with [i] and [o] with zero sound; transition in unstressed position of [e] to [i]; assimilation by softness of front dental hard consonants; regressive adjacent dissimilation by the method of formation: [чт] > [шт]; transition of [а] to [е] after soft and hissing consonants; use of prothetic [г], [в] at the beginning of the word before vowels; transition of unstressed [о] to [у]; absence of insertive [l] after labial; depalatalization of [р]; use of mn instead of mj). It is proved that the phonetic linguistic elements used are sufficiently representative of the Naddniester dialect. The selected phonetic dialects are a stylistic category; their use is subject to artistic attitudes, i.e., the reproduction of the character’s natural speech, an indication of his belonging to a certain ethnographic group. Prospects for further study of the stated problem are seen in a thorough study of dialect units in contemporary fiction, in particular the Naddniester dialect, since it is one of the least studied in this aspect.

Animal Theology According to Reymont

The paper analyses the human-nature-eschatology relationship from a historiosophical perspective, using as an example the motif of a dog in three different prose works by Władysław Reymont: Chłopi [The Peasants], the short story Dola [The Fate], and the anti-utopian novel Bunt [The Revolt]. The theme/motif/character of the dog constitutes an axis for the analysis of the problem of man’s duty towards weaker beings, which is the foundation of the animal theology formulated by Andrew Linzey. The paper reveals the mechanisms of violence against dogs in various circumstances and historical moments. The author explains the issues of the positive valuation of animal behavior present in Reymont’s prose, as well as the emotions shown by animals and the salvation of non-human beings. Despite blurring the boundaries between species, Reymont does not completely abandon the anthropocentric perspective.

SCIENTIFIC AND THEORETICAL FOUNDATIONS OF TEACHING M. AUEZOV'S STORIES

The article deals with the nature of the study of the stories of M.O Auezov, a thinker, an artist, not only in Kazakh literature, but in all human literature. It is said that the author's stories are known to the world community and are a valuable resource of our literature. Noting the relevance of the study of M. Auezov's stories in the Kazakh literary criticism, the author mentions several scholars who study the stories of writers. On the basis of scientific work, M. Auezov's stories are considered as a scientific object. The article also analyzes the works, conclusions and views of scholars who have studied the stories of the writer. The author refers to the period of research of the writer's stories, refers to the conclusions of scholars who classified the ethnographic features of M. Auezov's stories in terms of: psychology, image system, dialogic nature in the text, mythology in the writer's stories, landscape, genre research and the writer's first prose works. Considering the findings of these scientists, the analysis of the writer's stories proves the relevance and importance. In the process of comparing and classifying concepts, the author clearly expresses his opinion. The study of M. Auezov is one of the most important aspects of Kazakh literary criticism. After all, by studying the writer, we can draw conclusions about the artistic pursuits of Kazakh literature of that period. And through the works of scientists who have studied the heritage of the writer, we can recognize the personality and creativity of the writer. Therefore, it is clear that the two processes that develop from each other have a great impact on the study of Kazakh literature. Therefore, the author concludes that in modern Kazakh literary criticism the importance of work to understand the artistic presumption of the writer's work has increased and the need for research.

Эпосоведение

This work is a continuation of the study of the oral heritage of the Khoshuts of Kalmykia, which was widely used in past centuries. The relevance of the study is dictated by the preparation for publication of a corpus of Khoshut folklore texts in the book “Historical and cultural heritage of the Khoshuts of Kalmykia” (2023). The purpose of the article is to describe the plot composition of Khoshut non-fairytale prose. The source of the study was the personal field materials of the authors (2006–2021), recorded in the city of Elista and the regions of Kalmykia, as well as archival materials stored in the Scientific Archive of the Kalmyk Institute for Humanitarian Research of the Russian Academy of Sciences and the National Archive of the Republic of Kalmykia. For comparison, texts from printed publications were used, as well as expeditionary materials collected by the authors in the Xinjiang Uygur Autonomous Region of China (2012–2019). When writing this article, the authors relied on the descriptive method, the comparative typological method and the comparative analysis. Source analysis of archival and published materials, decoding of records from magnetic tapes (1960–1978), carried out by the authors of the article, made it possible to shed light on unknown and little-known works of non-fairytale prose, recorded by Kalmyk scientists (N. N. Ubushaev (1967; 1970), A. V. Badmaev (1970), A. Sh. Kichikov (1970), L. S. Sangaev (1978), E. B. Ovalov (1982) and others) in the second half of the 20th century. Khoshut storytellers Ochir Badmaev (1896–1992), Nuskha Tyurbeev (1900–1986), Yegor Mukabenov (1903–1980), Chimid Komaev (1903–1992), Boris Boktaev (1927–2014) and Shani Boktaev (1933–2010) . Comparison with non-fabulous plots of other nations contributed to the classification and systematization of some plots of myths, legends, legends and oral stories of the Khoshuts of Kalmykia. The similarity of plots with Oirat, Mongolian and Buryat works testifies to a common national folklore fund, and the coincidence of some plots with samples of non-fairytale prose of other peoples can be interpreted as a result of historical contacts, as well as the mental capabilities of human societies that were at the same stage of development. As a result of the analysis of the considered texts, interpretations and differentiating elements of the plots of myths, legends, historical traditions and oral stories of the Khoshuts of Kalmykia, related to their local tradition, are established.

Вильям Хайнесен: из книги «Панорама с радугой» (1972)

This publication completes the series of the selected translations of the poetic works by the distinguished Danish-Faroese writer William Heinesen (1900–1991). It contains translations from his last book of poetry, "Panorama with Rainbow" (1972). The author himself interpreted this book as a kind of epilogue, though he has created other works after it: several collections of short stories and a novel. The universum of "Panoram with Rainbow“ is characterized by being very specified and cosmic at the same time. It contains philosophical poetry, references to significant persons in the Faroese culture, sketches from the author's journey the Soviet Union, satirical and lyrical poems about the modern culture and society. It has a number of features analogous to Heinesen's later prose works, not least mythologizing everyday routine and memories. He topic of memory can be interpreted widely, and the border between personal impressions and realities of the world culture is practically blurred. The formal aspect of the book is similar to Heinesen's previous book of poetry and the absolute majority of books in Danish and Faroese poetry of the 1970ies: all the poems, with very few exeptions, are written in free verse.

PERCEPTION OF THE WORKS OF ABAI KUNANBAYEV IN FOREIGN EASTERN COUNTRIES

The creative writings of Abai Kunanbayev occupies an important place in the history of Kazakhliterature’s international relations formation and development. In the article, based on the example of thecreativity of the great Kazakh poet Abai Kunanbayev, literary ties of Kazakhstan with such foreign easterncountries as Iran, Pakistan, Turkey, Mongolia, China, India have been analyzed. The process of translating hisworks into Oriental languages is presented. Abai’s poetry collections have been published in Urdu, Persian,Turkish and Mongolian. The prose work “Words of Edification” has been translated into Chinese and Korean.Thanks to these translations, Abai’s creative heritage became available to a wide range of Eastern readers,scientists and literary critics, who evaluated Abai’s creativity in newspapers, journals and introductory articlesto the published books. Important aspects of foreign literary reception include speeches by foreign participantsin the international conferences. The article discusses the reports of the researchers from foreign easterncountries. Most Eastern poets and writers, literary critics and literary historians have made comparisons of theirown literary traditions with the poets. Eastern literary figures, showing respect for the spiritual national leaders,unconditionally raised Abai to the rank of the Teachers of the East. The relevance of the research topic is dueto the fact that the perception of Abai’s creative writings by Eastern literary critics, who recognize the specialrole and place of the Kazakh poet in the life of their people, contributes to the international popularization ofKazakh literature.

A Corpus-based Study on Translation Norms of Prose: Taking Zhu Ziqing's The View of My Father's Back as an Example

This paper builds a small-scale corpus consisting of Zhu Ziqing's original work The View of My Father's Back and its English translations by Zhang Peiji, Yang Xianyi and Gladys Yang. Through the corpus, the lexical and syntactic features of prose are studied to explore the translation norms of prose. The quantitative and qualitative analysis of Zhang's and Yangs' translations shows a tendency towards conventionalized expectations at the levels of words and sentences. This study hopes to provide translators with helpful insights on translating Chinese prose and promote overseas dissemination of Chinese prose works and cultural communication.

Reading Gertrude Stein for Pleasure: Finding the “Mere Humor” in “High Modernism”

ABSTRACT High modernist poetry, particularly Gertrude Stein’s 1923 poem “If I Told Him: A Completed Portrait of Picasso,” is often considered impenetrable and distinct from Stein’s more clearly humorous prose work. However, the poem invites us to laugh at the chaos of our world through the chaos and instability of language. This article explores the poem’s humor and the possibilities for pleasure it offers through the rhythm of repetition. Stein’s playfulness points to an oft-overlooked aspect of high modernism: its appeal to our most visceral selves.

Explanation of Some of the Elements in the Work entitled Mazhar al-Anwār wa Kashf- al-Asrār in Terms of Sufi Perspectıve

In this study, some of the elements in the work Mazhar al-Anwār wa Kashf- al-Asrār, which is registered in Topkapı Palace Library, number EH1294, and which has a wide range of Sufi concepts and on which no study has been identified, have been analyzed and explained from a Sufi perspective. In al-Qushayrī's al-Risāla, which is considered one of the basic sources of Sufism, Sufism is defined as "the efforts of the elite of the Ahl al-Sunnah to be with Allah at all times and to avoid heedlessness against the bid'ahs that emerged over time by the group who paid great attention to the provisions of the religion after the period of Tābiʿū al-Tābʿīn." It would be appropriate to define this method as an effort to fulfill the manners of the Shari'ah in zāhir (outer) and bātin (essence), to act in moderation without excess in matters related to the world, to increase the quality of servitude and to purify the soul instead of multiplying one's worship. Sufism, an important field for researchers in Old Turkish Literature and has many aspects such as morality, worship, marifah, knowledge, and philosophy, has made a significant contribution to the literature. The expansion of Sufi works in the nature of sources in this field over time has led to an increase in the number of works waiting to be studied in the manuscript sections of our libraries, waiting to be discovered. There is no information about the author of Mazhar al-Anwār wa Kashf- al-Asrār, which is one of these works and which we have studied, and it has been determined that it was presented to Mawlānv İsmail Pasha in the 18th century. Consisting of 50 folios, the work in question is a prose work consisting of an introduction, two chapters and an epilogue, containing Sufi subjects, but its literary nature was strengthened by supporting it with verse pieces. The message given in the last chapter of the work, which is quoted as the last chapter, is that these worlds are the truth and if this subject is understood, the importance of the place where Sufism is built can be expressed more concretely. When we started the evaluation of the work, we thought that we would be walking within the framework of a reflection of the issues accepted by the zahiri sciences. As we progressed in the review, we realized that the Sufi doctrine aims at a doctrine that has the concepts of being closer to the Creator as well as the doctrine of going beyond by breaking down the walls of reason, and we tried to make this mysterious source more understandable by revising our study in this direction. Although the scope of our study has a very wide literature, due to the fact that it exceeds the limits of a paper, the general content of the work is revealed and the most prominent Sufi elements; the four worlds, namely lāhūt, jabārūt and mithāl, are discussed by comparing them with their definitions and examples in the work and in Old Turkish Literature. In addition, it is important in terms of bringing a new perspective to the field of Sufism and the reader because it is viewed from a different perspective during the evaluation phase of the work. With its prose and verse sections, the work is of a nature that will give a different impetus to the studies on Sufism today. We believe that it will be an achievement for Turkish literature in terms of its style and content.

“Village prose” in the context of conflict between the traditional russian culture and the soviet modernity

The article is devoted to analysis of the works of the so-called village prose (F. Abramov, V. Shukshin, V. Rasputin, A. Solzhenitsyn) in the decolonial perspective using the concept of internal colonization. The characteristics of this concept and its heuristic potential are given. The application of semiotic method - distinction of markers - allowed the authors to determine the points of divergence in the socialist realism poetics and the village prose. It is shown that the village prose plots do not fit into the soviet ideological narratives, while the key narrative of the modern thinking - progress - in the artistic world of the village text testifies to the destruction of Russian village and the Russian peasantry. It is revealed that F. Abramov's application of the deconstruction method allowed to revaluate the narratives that are important for the soviet ideology. In V. Shukshins stories we have found an opposition of modernity - traditionalism, which serves as a precondition for the comic. It allows us to identify a subordinate position of a villager-peasant, irrelevant in the world of modernity.

Intonation as a means of conveying an utterance in Komi prose

Introduction. The purpose of this paper is to study intonation features and means of conveying speech acts in Komi works of art. The voice as a source of information was not in the focus of the attention of Komi linguists, the issues of Komi intonation and the means of their reflection have not been studied. In this regard, the address to the general characteristics of how Komi prose writers reflect the intonation features of their characters’ speech is considered relevant in the Komi language and allows us to speak about a new method of studying the perception of phrasal intonation. Materials and Methods. The material for the study based on the examples from the works of modern fiction of Komi classics. The methodological basis of the study was a set of such linguistic methods as descriptive, perceptual analysis of phrasal intonation, linguistic analysis of the text, elements of structural and semantic analysis. Results and Discussion. The study of intonation allowed us to state a number of prosodic signs. The described speech of the characters of literary works was studied according to various parameters of acoustics: duration, intensity, pitch, timbre, tempo, rhythm; by means of non-speech sounds, through an indication of the features of articulation, diction; by similarity with the phenomena of the sounding world. It was found that the author’s remarks of works of art describe the speech volume of the characters in particular detail, the intensity of the sounding speech. Conclusions. The research material has shown that the language functions of intonation can be fully and consistently reflected not only in live sounding speech, but also in writing in the form of the speech of the literary hero of prose works. The functions and expressive possibilities of intonation are contained in the author’s designations of prosodic characteristics of speech. An important role is played by the individual style of the author, which is distinguished by sensitivity to the sound side of the speech of thier characters.