Reviewed by: The Doctor of Mercy: The Sacred Treasures of St. Gregory of Narek by Michael Papazian Christopher Sheklian Michael Papazian, The Doctor of Mercy: The Sacred Treasures of St. Gregory of Narek. Collegeville, MN: Liturgical Press Academic, 2019. 278 pp., ISBN 9780814685013, $49.95. St. Gregory of Narek is one of the most beloved and well-known figures of the Armenian Apostolic Church. Armenian Christians often mention his name in the same breath as his namesake, the Illuminator and first Catholicos, or alongside Vartan Mamikonian, defender of the faith, or the impressive poet and hierarch St. Nersess Shnorhali. Gregory of Narek’s masterpiece, the height of Armenian spiritual literature, the Book of Lamentations, is the most copied book in the Armenian manuscript tradition outside the Bible and necessary liturgical texts. It is so pervasive that it is often known simply as “The Narek.” Yet this remarkable exemplar of Armenian Christianity remains a lesser-known figure in world Christianity, not nearly as identifiable as Catholic intellectual saints like Augustine or Aquinas or even Byzantine writers like Maximus the Confessor. So, when Pope Francis I declared Gregory a “Doctor of the Church,” one of only 37 saints recognized as such by the Catholic Church on the basis of their theological contribution, the response of many faithful (Catholic) Christians was, “Who?” Michael Papazian, in his wonderful introduction to the life and works of St. Gregory of Narek, The Doctor of Mercy: The Sacred Treasures of St. Gregory of Narek, seeks to answer that question asked by many earnest faithful. Beginning his introduction with the declaration by Pope Francis I, Papazian notes that Gregory of Narek “is perhaps the most obscure of the doctors.”1 Despite the availability of Narek’s works in English translation—Papazian offers a nice overview of many of those translations in his introduction2—there was not previously a book-length, broad introduction to this remarkable saint of the Armenian Church. Papazian’s book, in his own words, “seeks to fill that void.”3 [End Page 165] In this mission, the book is a great success. It begins with an overview of Armenian Christianity, the broad contours of which might be known to many Armenian Christians but not to a wider audience. Papazian presents this history freshly, moving swiftly to arrive at the specific context of Gregory’s time (Chapter Two) and the details of the Monastery of Narek, where Gregory spent nearly his entire life (Chapter Three). This chapter is the most important and revealing of the contextual chapters. Here, Papazian draws on the expansive secondary work on Gregory of Narek and the monastery of Narek—largely in the Armenian language, and most notably the work of H.H. T‘amrazyan (a selection of which is translated into English in this present volume)— to offer the first broad description of the spiritual and educational life of this prominent monastery. Additionally, he sketches the contours of Armenian monasticism more generally. This topic, of profound interest and importance in Armenian intellectual history, has recently been taken up in works such as the edited volume Monastic Life in the Armenian Church.4 The short overview given by Papazian in Chapter Three serves as a fine introduction to the topic in the English language. From the contextual chapters, Papazian moves to examine the works of Gregory of Narek himself. Notably, his aim is not to trace the manuscript tradition or to comment on the often novel linguistic constructions of the erudite writer. Instead, the author presents, for a non-scholarly audience, the principal theological positions and arguments in Gregory’s oeuvre. Chapter Four gives a brief biography of Gregory and presents his prose works, such as his Commentary on the Song of Songs5 and his polemic Against the T‘ondrakeans—an influential group of anti-ecclesial reformers of the time. In Chapter Five, we are introduced to Gregory’s poetic works, most notably his masterpiece The Book of Lamentations, but also his other liturgical poetic works.6 [End Page 166] Again, the concern in these chapters is a literary and ultimately theological look at the main themes of the saint’s corpus of works. It is to these themes that...
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