Reviewed by: American Women Activists and Autobiography: Rhetorical Lives by Heather Ostman Ana Belén Martínez García (bio) American Women Activists and Autobiography: Rhetorical Lives Heather Ostman Routledge, 2022, viii + 183 pp. ISBN 9781032050768, $160.00 hardcover. American Women Activists and Autobiography examines six case studies of women activists' lives as written by themselves. Heather Ostman approaches the autobiographical projects of Jane Addams, Emma Goldman, Dorothy Day, Angela Davis, Mary Crow Dog, and Betty Friedan by looking at what they shared and what they did not, especially regarding the authors' feminist rhetorics and the various ways their lives and social justice causes were entangled. This premise is particularly exciting for scholars interested in the relationship between life writing and social justice. Ostman's volume can be read as an evolution of themes (womanhood, sisterhood, motherhood, marriage, class, race, gendered body, conversion) threaded along each chapter. Surprisingly, it does not proceed chronologically, which might be interpreted as the author's intent to make readers reflect on the ebbs and flows in feminist activism as it moves from the early twentieth century and into the present. The book is structured into six main chapters, each focusing on the autobiographical work of a single activist. There is an introduction to the volume that guides the reader and offers an overview of the rationale of the book as well as of each woman's life and lifewriting project. The introduction also makes a potent claim—that American women activists ignited the now-common utilization of self-narration in the context of advocacy. Interestingly, Ostman suggests that the "narrative 'self'" of these autobiographies does not conform to the "American individualistic self" typical of canonical male autobiography, and instead points to "situated feminist rhetorics" (1). After this eloquent start to the volume, Ostman draws on scholarship from James Olney and Sidonie Smith, but ultimately relies on the work of Lindal Buchanan and Dana Anderson on women's rhetorical strategies, particularly conversion as a trope. Some more nuance would have been helpful in Ostman's observation of the specific area of women activist autobiographies: "With the exception of Martha Watson's Lives of Their Own (1999), no other volumes have considered the rhetorical value of women social activist autobiography" (12). [End Page 374] The first chapter, "The Progressive Cassandra: Rhetoric in Jane Addams's Twenty Years at Hull-House," explores Jane Addams's advocacy for welfare, education, peace, women's and workers' rights, and the settlement house movement via her autobiographical work. The apparent contradiction between Addams's self-portrayal as a maternal figure and her public persona as "the Mother of Social Work" (18) while she did not have children of her own is connected to biological mothers being shown as powerless in Twenty Years at Hull-House (1910). Addams becomes, by contrast, what Ostman labels a "moral mother" (38), capable of aiding those in need on the streets of Chicago in the early twentieth century. The trope of Cassandra, subject of Addams's 1881 namesake essay, is employed to counter patriarchy, for "an intuitive perception committed to a woman's charge is not a prejudice or fancy, but one of the holy means given to mankind in their search for truth" (20). Thus, Ostman continues, rhetorical success as expounded by Addams hinges upon "one's rhetorical abilities and one's moral assertion to claim the right to speak" (20). In the second chapter, "Anarchism and the Rhetoric of Womanhood: Emma Goldman's Living My Life," we are presented with yet another kind of figurative mother: "the Mother of the Cause" for anarchist supporters (45). Ostman categorizes Goldman's discourse in Living My Life (1931) as that of "rhetorical motherhood" (69), distinguishing it from that of the preceding chapter, even as both Addams and Goldman share the reliance on motherhood as a trope. Rejecting the values her father, a Jewish immigrant, tried to impose on her, in her two-volume autobiography Goldman depicts how she converted, ideologically, to anarchism following the Chicago Haymarket Riot in 1886, then becoming one of the most notorious anarchist women in the United States. Ostman weaves in other writings by Goldman to account for the evolution of her thinking...