Whenever an operator approaches the three-dimensional modeling of an architectural object, he always must compose together a series of simple elements. This logic of additive and hierarchical composition finds an excellent application in BIM processes for built heritage, where the operator is called upon not only to compose the architectural elements together but also to break down the architecture by investigating its parts and mutual links. The main difference between the BIM model for new buildings and the existing one lies above all in the concept of the ideal model. In fact, while for the new building the model proceeds from a project and gradually develops with it, in the historical building the only starting point is the current state of the building, told through the surveys and documentation. It is necessary to model an as is, that starts from historical and bibliographic research in the first place, and which is supported by the survey and diagnostic analyses that account for the structure beyond the skin of the building, investigated by the numerical models. Once the model has been created, it can always be implemented with new information coming from further analysis and represent not only the current state of conservation of the artefact but also consider the different evolutions over time. In this context, the proposed research describes the BIM modeling process applied to the Baptistery of San Giovanni in Florence, trying to clarify the terminologies used in this application and defining an application methodology by stages, based on the decomposition and reconstruction of historical architecture.
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