Abstract
This thesis is an attempt to confirm the meaning created by the gap between the subject who plays the survival narrative of the digital game <Minecraft>. It allows players to experiment with their own potential in the face of numerous interactivity in hypertext. However, in the 21st century neoliberalism, those who know the direction of survival well are socially structurally limited to vested interests. Unlike reality, however, players in <Minecraft> can grasp the hidden order through countless failures and can also bypass the direction at any time. As such, <Minecraft> operates as a virtual world as an alternative to reality, but at the same time, it is also positioned as a function to preserve self-efficacy. In the end, it can be said that the meaning of the subject across virtual and reality stems from efforts to overcome its own limitations.
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