Abstract
O presente trabalho teve como ponto de partida as proposições sobre espaço cênico trazidas pelo livro A revolução do teatro: conclusões sobre o Teatro dos Artistas de Munique do dramaturgo e encenador alemão Georg Fuchs. O artigo revisitou as arquiteturas teatrais desenvolvidas por artistas alemães do princípio do século XX e a partir delas, refletiu sobre as propostas políticas contidas nos trabalhos dos encenadores Max Reinhardt e Erwin Piscator. O objetivo aqui foi refletir sobre as relações entre espaço cênico e política, e como as mesmas foram determinantes na construção do teatro moderno.
Highlights
La escena política, la política de la escena: Reflexiones sobre la modernidad en la arquitectura teatral alemana
The present work had as a starting point the propositions about scenic space brought by the book The revolution in the theater: conclusions concerning the Theater of the Artists of Munich of the German dramatist and director Georg Fuchs
The article revisited the theatrical architectures developed by German artists of the early 20th century and from them, reflected on the political proposals contained in the works of directors Max Reinhardt and Erwin Piscator
Summary
La política de la escena: Reflexiones sobre la modernidad en la arquitectura teatral alemana.
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