Abstract
The purpose of this paper is to study how A. Volodin's play Five Nights has been reproduced and recreated through the artistic media of theater and film. And the purpose is to study how the director (film director) discovered and supplemented the hidden side of the play. In other words, the purpose of this paper is to examine how a play, which is a written text, is converted into a form through a play delivered through words and actions, and a movie delivered through video through camera shooting, and the aspects and meaning of that transformation. To this end, this paper selected Topstanogov's play from Vedette in 1959 and Mikhalkov's film from 1978, and studied the directors' original interpretations and complementary aspects of the original text in different time periods and genre characteristics. This paper proposes that it can be actively utilized in the research methodology of media conversion of works of art, which is emerging as a trend in modern culture and arts research.
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