복수 주인공 영화의 넛셸 테크닉 변용

Abstract

Nutshell technique presents a visually clearer and more concise paradigm than previously known scenario writing methods, and it is easy to build characters by presenting a methodology that can lead the entire story with the main ‘defect’ of the main character as the starting point. It is regrettable that the main character of the film, which is a prerequisite, must be ‘one person’, lead the entire play with the main character’s ‘defect’ and the accompanying motivation, and force the conclusion of ‘comedy’ and ‘tragedy’ according to the result of the defect. In many modern movies, the main characters, including the main character, have their own narratives, and the level of the audience familiar with the fast editing and fictional universe in the movie is ready to fully accept the narratives of the main characters in the movie. Therefore, I think that applying the advantages of Nutshell Techniques to major characters will not only make each character more three-dimensional, but also help enrich the story and provide entertainment elements of the movie to the audience through their convergence. I analyzed the narrative and overall scenario structure of key characters by substituting the complex story structure of director Choi Dong-hoon's debut films <The Big Swindle>, <The Thieves> and <Assassination> which achieved fame and commercial success as a caper film genre featuring many main characters, and studied the limitations and variations of the one-dimensional application of Nutshell Techniques. Through this, we will check whether it is helpful for complex modern film structure analysis and character-oriented writing research, and further examine the possibility of scenario creation development according to the changing audience demands.