Abstract
In this paper, based on the style theory of Schusterman, a researcher of pragmatic aesthetics, the style of K-POP choreography and the self-styling of cover dance performed by fans were examined. Among the factors that have contributed to K-POP's global popularity and lasting influence, the choreography style of the detailed emotions and inherent impulses expressed by K-POP choreography is the most important, and global K-POP fans are fascinated by this choreography style and feel the desire to express it with my own body. This desire is triggered by kinesthetic empathy and mirrors K-pop choreography directly through community dance to make it self-styled. The K-pop choreography style embodied through the cover dance of K-POP choreography can be experienced and understood by the public, and can become a communication channel that can trigger re-creation.
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