Abstract
This study aims to understand transaesthetics presented by Jean Baudrillard within the concept of “The Disappearance of Art” and analyze the works with respect to transaesthetics, which has appeared in the global stage before-and-after the 21st century. Put forth as a type of theory of the end of art in the style of Baudrillard, “The Disappearance of Art” has been accelerated by fellow conspirators who played an active role in the advent of pop art by Andy Warhol which formalized itself as art. This paper intends to discuss contemporary artworks that have lost the critical power, which is unique to art, and sought valuelessness: especially, those by the fellow conspirators who have engaged in the “Conspiracy of Art” by taking on the aesthetics of bad taste, which has involved the impossibility of value judgement since Andy Warhol arrived in the Art World, from the perspective of Baudrillard.
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