Abstract
This study examines the influence and significance of the emergence of artificial intelligence on the art world, with a specific focus on the controversy ignited by Boris Eldagsen's generative artificial intelligence image titled Pseudomnesia: The Electrician. Eldagsen introduced the term 'promptography,' asserting that images generated by artificial intelligence should be distinct from traditional photographs. The prompts fed into artificial intelligence systems capture the artist's vision and creative efforts, making promptography effective in elucidating the creative process through prompts and forms independent of content. Eldagsen’s work demonstrates a dematerialized imagination drawn from an extensive database through artificial intelligence technology. This process becomes an ontological mirror of humanity by opening a passage to the collective unconscious through data accumulated from human emotions and experiences.
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