Abstract
The purpose of this paper is to examine the characteristics of Hindu narratives that have not been addressed in the study of <Namaste> from a transnational point of view. <Namaste> is an expression of hospitality and applies a narrative point of view that conveys Hindu thoughts through dialogue and thoughts of the speaker. Hindu words are used in subtitle. In terms of content, it effectively depicts transnational acceptance and change by using the Hindu concepts of karma and bardo. In particular, it deals with karma in depth enough to be considered a narrative of the process of intertwining each other's karma. The transnational ideal society is expressed effectively and very emotionally through the imagination of the Hindu ideal world of Kailas. In conclusion, the Hindu narrative using Hindu thoughts and perceptions in the narrative of <Namaste> can be said to be an intentional device to reveal the transnational.
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