Abstract
This study focused on theatrical works that address the issue of division from 2010 to the present day. The research was conducted in three main directions. Firstly, an attempt was made to redefine the concept of division plays. Secondly, the study aimed to identify the tendencies of representation that emerged in division plays during this period. Thirdly, the study focused on the characteristics and significance of the theatrical imagery present in the selected works. However, it should be acknowledged that the effort encountered limitations. The endeavor failed to effectively consolidate discussions into tangible realities or yield practical outcomes in specific contexts.
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