Abstract
Previous studies, literature, and photographic data were analyzed and considered theoretically and case-by-case, respectively, to reveal what socio-cultural changes caused the compositional tendency to deconstructivism in the past 10 years in various fusion environments. As a result, the increase in constructive deconstructionism using the combination of fashion items reflects the change in the public's flat view following the digitization of images, and the pursuit of newness through drastic fusion has increased as the consumption cycle of fashion images and products accelerates. In constructive deconstructionism using the combination of these fashion items, three common characteristics were found, which appeared as a type of emphasis on abstract reduction of details, proportional beauty through combination, and surreality through composition. This phenomenon of change can be understood as a process of development in which deconstructionism combines with constructive characteristics as a positive and universal aesthetic as the destructive and negative characteristics of the past are dismantled again in a new environment in which the fusion between heterogeneous things is positively accepted.
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