Abstract
The purpose of this study is to reveal the identity and characteristics of modern parasitic art as a performing artist through the art activities of gisaengs shown in modern newspaper data. In modern times, with the abolition of the status system, the official dance of the court or local Gyobang was dismantled. At the same time, the public's interest and image of Gisaeng have been expanded and reproduced. Modern newspaper data left the most information and records about Gisaeng. In modern newspaper data, the artistic activities of gisaengs are classified into fairs, concerts, restaurants, modern theaters, and art education of gisaengs. The characteristic of the modern gisaeng's artistic activities is that the performance was moved from the space of ritual to the space of entertainment. At the same time, it contributed greatly to the formation of a new genre called 'dance'.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
