Image Of World Research Articles

Amirkhan Eniky’s frontline diaries in the mirror of Russian-Tatar literary relationships

The article systematizes information on the history of the diary entries “Front daftarlarennan” (“From Frontline Notebooks”, 1941–1944) by Amirkhan Eniky, which served as a starting point for the creation of his war stories. They were published in the media half a century later, on the 50th anniversary of the Great Victory. In his brief comments, the writer admits that he kept notes secretly while working as an HQ clerk, serving in the guard, in between battles, and he decided to publish them in his declining years, considering their content to be instructive for a new generation. Our analysis of the diary entries reveals their genre and stylistic features. The article proves that their narrative is of discrete nature: it is not a picture of military everyday life that is brought to the fore, but a man’s image of the inner world, pictures of nature, which leads to the transformation of psychologism. In his “notebooks” the writer reflects on life and death, on war as a phenomenon and on human behavior in critical circumstances. The process of national self-knowledge in these frontline notebooks is associated with the process of personal self-knowledge. The artistic fabric of A. Eniky’s diaries includes episodes with prophetic dreams, excerpts from wartime letters, Tatar legends, Turkic proverbs and quotes from the books he had read.

Visual poetics of the story by Grigory Baklanov "South of the main offensive"

The subject of research in this article are the characteristics and specificity of visual images and codes in the work of Grigory Baklanov "South of the main offensive". The relevance of the work lies in the fact that the scientific works devoted to the prose of Baklanov are represented by few works that study the poetics of psychologism in the writer's prose (A. E. Abramova) or the military prose of the Sixtiers as a whole (for example, in the study of T. G. Bogoradova and I. L. Startseva, Baklanov's prose is presented only as a part of the aggregate object). The writer's work is more widely discussed in the critical works of L. I. Lazarev, I. A. Dedkov and L. V. Oborin. Despite the importance of the figure of Grigory Baklanov in the "lieutenant prose", the sensual features of his prose are practically not studied. Meanwhile, Grigory Baklanov was one of the leading authors of "lieutenant prose". Thus, V. V. Bykov noted the primary influence on his work of the story "South of the main offensive" (1957) – the study of the visual poetics of this very work seems relevant. The methodological basis of the research was the immanent analysis, the comparative-comparative method, as well as B. A. Uspensky's approach to the analysis of the "point of view" in fiction. Aim of the research is to study the visual poetics of the story "South of the main offensive". The aim of the study is to consider the problem of visual poetics in modern literary studies, as well as to determine the functions and role of visual poetics in the artistic text of the story "South of the main offensive". In the work of Grigory Baklanov, the aspect of sensory poetics, which consists in appealing to the reader's perceptual experience through the text, is particularly pronounced – it is this aspect that is responsible for the formation of the sensory image of the artistic world of the work. In this study, visuality is considered as the main aspect of the reader's perception.

The problem of language by Wittgenstein

Wittgenstein believed that language is the central question of philosophy, and that philosophical problems arise from misunderstandings of logic and linguistic grammar. As a result, he believed that the primary duty of philosophy is to critique and study language. In his Tractatus and later works, Wittgenstein established the grounds and conditions for any linguistic expression to be considered meaningful. According to Wittgenstein, the only meaningful language is that which contains an image of the external world.

Shared Mental Models and Collaborative Activities: a Comparison of Research Approaches

Introduction. In domestic science, the activity approach has received great development, in which joint activities were described in sufficient detail, as part of the study of collective activity. On the other hand, the concept of mental representation has been developed in cognitive psychology. However, there are practically no studies in which the concepts of domestic scientists would be compared with the concepts of mental and general mental models that are widely known in foreign psychology.Objective. Analyze and compare research approaches to the formation of common mental models and the formation of joint activities.Concept and characteristics of mental models. Foreign researchers consider mental models as internal (mental) images of the external world, which can be represented by internal images, knowledge, ideas about specific or generalized situations, systems of the surrounding world. For a person to function optimally in the world, it is important that their mental models are sufficiently complex and accurate.Shared mental models. Research interest in shared mental models arose from the need to find ways to improve the performance of work teams. Essentially, it is the shared cognitive representation of team members about tasks, goals, conditions, other members and their behavior. The most important characteristic of shared mental models is similarity, which is important to ensure. Research in this area has shown that a high degree of similarity together with a high degree of accuracy can lead to high production results. A comparison of scientific ideas about common mental models and joint activities showed that: 1) similarity can be correlated with the unity of the group meaning-forming context; 2) the process of integrating individual mental models into a common one is correlated with the process of forming joint mental activity and achieving semantic resonance, 3) communication in creating a common mental model with subject-subject interaction and the second stratum of relationships in the team.Discussion. Comparing research approaches from different paradigms can have a significant positive impact on the development of scientific knowledge. The importance of this is emphasized by the fact that today the development of the concepts of a common mental model and joint activity proceed in almost parallel paths without mutual citation, despite similar scientific subjects.

National-cultural content of Chinese phraseologisms

The article is devoted to analysis of Chinese phraseological units as carriers of the embodiment of universal and unique cultural information. The author explores the national and cultural content of a number of Chinese phraseological units, which are based on the symbolic meaning of plants (meihua, orchid, bamboo, chrysanthemum, pinetree), real and mythical animals (dragon, phoenix, tortoise, qilin, tiger).The relevance of the work is due to the necessity of study Chinese idioms from the point of linguoculturological approach, to define the cultural connotation contained in these phraseological units. Chinese phraseological units containing Chinese characters representing plants and animals are being studied in the aspect of their representation of national and cultural content. Revealing the national and cultural connotations reflected in Chinese idioms, the author actualizes the content of nationally specific concepts that are important in the traditional culture of the Chinese people. The conducted research pragmatically contributes to the effectiveness of intercultural communication, especially in the context of modern global sociocultural transformations. The study of the semantics of phraseological units is illustrated by examples from literary works in ancient Chinese and modern Chinese and examples from Chinese sentence writing sites. The study of the semanteme of phraseological units is illustrated by examples from literary works in ancient Chinese and modern Chinese and examples from Chinese sentence writing sites. The author concludes that phraseological units represent the national and cultural content of the world image of the Chinese people, demonstrating their traditions, customs, history and worldview.

The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.

“Cine Rabeca” is a documentary that expands onto the stage and blends live music with ethnographic archive. It is a cine-concert, where musicians Luiz Paixão and Renata Rosa are permanently on stage, dialoguing with their own filmic memories. During the performance, a new time is composed out of what is seen, heard and imagined. The passage of time is felt in the contrast between images of the rural world of Pernambuco, Brazil, in 1990-2000 and the image of the presence of the musicians on stage. In this cinematographic re-encounter with their trajectories, Paixão and Rosa improvise with their rabecas (fiddles) and recreate themselves. Through music, they circulate amongst rural and ancestral festivities and the narrative is permeated with the language of memory, which explores traces and reminiscences.Time and memory articulate themselves in a singular space that experiments with a form of collaboration between the languages of music, film, and anthropology. This paper explores the process of making this expanded documentary and how it has remained live during the last years, constantly transforming itself amongst the borders of the stage and the screen, between life and film. It shows a process of unfinishing that transcends the finalization of documentaries; of the very life that follows ethnographic recordings.

Социальное познание и социальный контекст: новое прочтение научного наследия Г.М. Андреевой

Background. Studying the reception of the scientific heritage of G.M. Andreeva in social psychology and related disciplines is relevant due to the increasing attention to the psychology of uncertainty and transitive society. This attention is the result of the historical process of modernization, understood as a crisis transition from a traditional way of thinking and life to a modern one. Objective. The purpose of the article is to show the heuristic nature of the ideas proposed by G.M. Andreeva in modern psychology as well as to identify new directions for the study of social cognition as a process of constructing an image of the social world in a situation of social transformations. Study Participants. A meta-analysis of theoretical and empirical studies based on the approach of G.M. Andreeva is carried out. The sample was made up of representatives of various social groups of Russian society, which allows us to draw conclusions about the structure of the image of the world, constructed in everyday and mass consciousness under the influence of radical social transformations. Methods. Methods of historical and psychological hermeneutics and comparative analysis are used, as well as a complex of qualitative research methods. Results. The epistemological and conceptual principles of G.M. Andreeva’s scientific school of social psychology are revealed. These principles focus on the problems of social cognition. The ways of conceptualizing the social context (lifeworld, life space, social institutions) and the units of its description and analysis (cognitive, affective and behavioral) are highlighted. The system of categories for psychological analysis of contexts presented in the article (image of the social world — collective emotions — coping strategies) allows us to study the phenomenology and mechanisms of social cognition in a changing transitive society, as well as to set directions for further research on the topic. Conclusions. The relevance of the ideas and scientific forecasts of G.M. Andreeva has been proven. The ideas have received empirical confirmation in modern interdisciplinary research and provide a solid theoretical and methodological basis for the psychological understanding and explanation of social change.

РОЛЬ ИНФОРМАЦИОННОЙ СРЕДЫ В ДЕТСКОЙ КАРТИНЕ МИРА

Preschool-aged children actively develop their sense of time based on the routine and cyclical moments of daily life, leading to the emergence of not only a present awareness but also primary concepts of the future. The informational environment, as one aspect of a children’s image of the world, becomes integrated into their life at the level of routine components (daily leisure activities surrounded by gadgets, media, and video broadcasts on various devices). The informational environment, being a part of the routine moments of a preschooler’s daily life, can significantly influence the formation of a child’s worldview (including the present and near future), coloring it with different tones (creating confidence in tomorrow or anxieties and fears). The article presents results of an empirical studying the specifics of children’s world image under the influence of information environments of varying intensities. It shows that a high-intensity information environment influences the formation of a negatively tinted worldview and future outlook in preschool children, leading to low life satisfaction and a pronounced need for stability in the external world. Boys were found to be more engaged in the informational environment than girls. It was observed that children in low-intensity information environments pay more attention to direct communication with parents and siblings, experience positive emotions from family interactions, have a positively tinted worldview, and are optimistic about their future in it.

The dynamics of the personality’s world image in a situation of loss of a loved one

The article presents the results of changing the image of the personality’s world in a situation of experiencing the loss of a loved one. The longitudinal study, which included three measurements with a difference of three months, involved 80 people who had experienced the death of a loved one from 1 month to 2 years ago. To study the dynamics of the image of the world, we used: a modified version of the semantic differential of Ch. Osgood, the test of existential motivations by A. Langle, the technology “Depth of meaningfulness of life” by P. Ibersol, the questionnaire of post-traumatic growth by R. Tadeshi and L. Calhoun. Statistical methods: frequency analysis, descriptive statistics, content analysis, one-factor analysis of variance (ANOVA), nonparametric Friedman criterion. Results: 1. The dynamics of the image of the world in a situation of loss is characterized by heterochrony and unevenness: changes in the perceptual layer of the image of the world are quite local in nature and show that the most sensitive to changes is the characteristic “chaotic — ordered”; changes in the semantic layer of the image of the world turned out to be the most dynamic and associated with the transformation of attitudes towards other people towards openness, positivity, compassion; changes in the nuclear layer of the image of the world are more concerned with the emergence of a sense of new opportunities, new interests, a desire for change, increasing the value of life, gaining new life meanings. 2. With regard to the object, term and cause of loss, as well as age and gender, their situational influence in the process of experiencing loss on changes in the image of the world and its components can be noted.

«ЗОЛОТОЙ ПЕТУШОК» Н. А. РИМСКОГО-КОРСАКОВА — «СОЛОВЕЙ» И. Ф. СТРАВИНСКОГО: ПАРАЛЛЕЛИ И ПЕРЕСЕЧЕНИЯ

The article is devoted to the musical and theatrical works of I. F.Stravinsky and N. A. Rimsky- Korsakov, The Nightingale and The Golden Cockerel. The “meeting” of Rimsky-Korsakov’s last opera and the first musical and theatrical opus of his younger contemporary on May 26, 1914 at the Chatelet Theatre in Paris, as part of S. Diaghilev’s Russian Seasons, is noteworthy. The search for synthetic artistic forms relevant to the Art Nouveau era, sought by the famous impresario and his associates, led to the production being staged as a ballet with the singing of not only The Golden Cockerel, but also of The Nightingale, which was originally conceived by Stravinsky as an opera-ballet. In the performances shown on the same evening, the vocal-instrumental aspect of the action was complemented by a dance-plastic one, creating an expressive sound-visual counterpoint of the audible and the visible. The colourful details in A. Benois’s direction and M. Fokin’s choreography, N. Goncharova’s picturesque scenery design for The Golden Cockerel, as well as in the solution of The Nightingale by A. Sanin, A. Benoit and B. Romanov, the conventionality of the stage form of a fantastic spectacle was emphasized. The article discusses the similarities and differences in the composers’ embodiment of the original image of the fairy-tale world, examines the artistic and conceptual potential of both works, their dramatic and stylistic features, and the interpretation of literary prototypes. The Golden Cockerel and The Nightingale also encourage reflection on the evolution of fairy-tale opera in the works of Rimsky-Korsakov and on the peculiarities of the formation of Stravinsky’s creative talent.

СТАНОВЛЕНИЕ ЭКОЛОГИЧЕСКОГО ИДЕАЛА В КОНТЕКСТЕ КОНЦЕПЦИИ ИДЕАЛЬНОГО Д. В. ПИВОВАРОВА

The author addresses the urgent problem of the formation and development of a new ecological culture as a strategically important task in the conditions of the ecological crisis. Developing the heuristic potential of the synthetic concept of culture and D. V. Pivovarov’s concept of the ideal, the author analyzes the possibility of understanding the essence of ecological culture based on this concept, the possibility of constructing the ecological culture of the future society based on the concept of the ideal. The key importance of the ideal in the formation of culture is substantiated. The article discusses three models of idealization in the ecological context and the manifestations of these ways of idealization in modern reality. The author analyzes the birth of a new ecological ideal in the format of a specific subjective image of the objective world, embodied in numerous texts of ecophilosophists, which, according to the author, have a limited impact on the broad masses of the population. Тhe author sees the reasons for this in the scientific style of texts and the lack of attractiveness for a modern person of the world order proposed by ecophilosophists. The possibility of the emergence of ecological religion on the principles of metaconfessionality, ecocentrism and biocentrism is interpreted. Modern ecological practices are considered as the second way of idealization, which involves the transformation of activities based on the criterion of long-term, long-term and multidimensional benefits based on the universal value of nature and the remoteness of the consequences of environmental management. To effectively use this path of idealization, support from the state, the media, elites, etc. is needed. The transformation of images-ideals of an ecological nature, embodied, for example, in the change of the aesthetic ideal, is discussed. The article interprets ecotopia as an integral mechanism of idealization, reflecting all the listed models of idealization. As a result of the research, the problems of the correlation of ecological values and ideals with the values of individualism and collectivism are revealed, the need for a new understanding of the idea of the «common good», the search for the ecological meaning of the concept of «quality of life», the study of possible forms of the sacralization of nature in modern conditions is revealed. The results of the research can be used in the implementation of environmental policy to create conditions for the sustainable development of society, in pedagogical design of ways to form environmental values, in ecophilosophical research of the search for strategies for survival and sustainable development.

Актуализация ОБРАЗОВ И стереотипов ОБЫДЕННОГО и профессионального СОЗНАНИЯ в устных рассказах о челябинском метеорите

The article is devoted to the analysis of images and stereotypes of everyday and professional consciousness represented in oral stories about the Chelyabinsk meteorite. The stories include various linguistic means for describing and considering the unique phenomenon that occurred on the morning of February 15, 2013. For the first time in the world history a large space body (in scientific terms an asteroid, meteoroid or bolide) flew and exploded over an industrialized and densely populated region, causing considerable destruction. The article views the stories of people who witnessed the event. Some of these stories were recorded in different years and stored in the folklore archive of the South Ural State Humanitarian and Pedagogical University, others were published in the popular science book “Chelyabinsk Superbolide” and the newspaper of Chelyabinsk State University “University Embankment.” The authors of the article consider that the stories reflect the subjective image of the objective world, largely due to the experience of people. The basis for the storytellers’ describing and interpreting what they saw and experienced includes either ordinary images and stereotypes (fire, car headlights, fireworks, building noise), or images and stereotypes characteristic of professional consciousness (shock wave, inversion trail, welding arc radiation, etc.) A certain part of the oral stories about the Chelyabinsk meteorite demonstrates the transition from the use of images and stereotypes of everyday consciousness to understanding the event in line with the folklore tradition. The analysis proved that a person’s cognitive activity relies on existing knowledge schemes, on the one hand, and is focused on the conceptual system of a particular individual, on the other hand.

Культурные универсалии как парадигма сохранения исторического опыта

A comprehensive image of the external world emerges in society, simultaneously fixing the historical experience of mankind. The interaction of nations in diverse periods of their development reinforces interest in a civilizational perception of the social environment singularity. Cultural universals, meaningfully describing the phenomena of human existence, allow us to preserve a person's attitude towards surrounding reality in generations. The content of universals is interrelated with the type of culture that generates the vision about it. One of the issues of social institutions management is the search for benchmark according to which the effectiveness of a particular system of intercultural relations is determined. Thus, the relevance of research related to the development of a mechanism for assessing the impact of the cultural environment on society is increasing. The paper analyzes the experience of determining the meaning and essence of cultural universals. It shows that cultural universals reproduce milestones for social development, according to which socioeconomic relations are built. The author substantiates the necessity of fastening the anthropological approach into the field of study of cultural universals and presents the specifics of displaying the content of cultural universals. The study also clearly outlines properties and criteria that allow for a clear understanding of the context of phenomena inherent in the human community. The research examines terminology related to the use of cultural universals and enabling to systematize the phenomena of the social world order on a scientific basis.

Comparative Constructions with Images of Flowers in Modern Russian Prose

The subject of study are comparative constructions (metaphors and similes) which include the names of flowers. The material for the study is the texts of modern Russian prose, as well as contexts extracted from the Russian National Corpus. The purpose of the paper is to analyze these constructions in comparison with the tropes of the previous period. The images of comparison, the objects of comparison and the bases for comparison of comparative tropes have been considered, their semantic classification is presented. In the course of the study, the
 following conclusions were drawn: images of flowers are not as productive in modern prose as compared to other semantic classes of images of comparison, such as classes of zoonyms and names of artifacts; at the same time, they form a
 significant fragment of the metaphorical world image in modern prose. New elements appear in the composition of metaphors and similes with images of flowers, the range of objects of comparison is also expanding. In modern prose, traditional metaphorical models are preserved, but they are rethought and their character is partially changed. The use of flower images in modern texts is predominantly anthropocentric with an emphasis on the human bodily plane, which distinguishes them from functioning in the previous period. Modern prose is characterized by a tendency to lower the image when using the considered comparative tropes.
 Comparative constructions with images of flowers act in modern texts in various functions: a function of figurative characteristics of various objects, an evaluative function, and, more rarely, an intertextual one.

THE ROLE OF THE IMAGE IN THE SEMANTICS OF PHRASEOLOGISMS

Both external appearance and internal structure are complex units – the semantics of phraseological units is considered one of the most important issues in the world of phraseology. It is relevant from this point of view to describe the features of the image in the phraseological meaning by interpreting the meaning of phraseological units in the Kazakh and Turkish languages. The article concludes that special units in the language system – phraseological units perform all three functions of the language – communicative, cumulative, aesthetic, and this function of phraseological units is realized through the internal form – image. Based on this conclusion, the image motivates the true meaning of the phraseology; that it shows evaluation and emotionality in the phraseological sense; that it is a carrier of cultural connotation proven by comparing qualitative semantic phraseology in the Kazakh and Turkish languages. It is concluded that phraseologisms are motivated not by the meaning of their components, but by the associated image of the real world in the mind of the language owner. In some phraseological units, the initial base-image may not be clear, but it is said that it can be determined etymologically, because the image is an internal form, and without the internal form, it is concluded that the phraseology itself does not exist. The fact that the image shows components in the range of “good-bad”, “approve-disapprove” – evaluation and emotionality is confirmed by a comparative analysis of phraseological units in two languages. It is considered that the connotative content of an ethno-cultural nature is not an auxiliary meaning adverb in the structure of phraseological meaning, but a mandatory and main element, because the image base – internal form of phraseological units is formed on the basis of the national-cultural worldview. It is determined that the category of imagery is characteristic of all qualitative semantic phraseological units.

Emil Loteanu’s personal myth of the reunited Carpathians: confessional hypostases

The originality of Emil Loteanu’s talent in the cinematographic sphere is strengthened by the consonance of the conception of Nature in the ideal and confessional hypostases propelled by the grand romantics, with Romanian patterns of nature-centric parentage. The article discusses the phenomenon of crystallization of the personal Myth of the Carpathians reintegrated as a philosophical-aesthetic and genuine-stylistic binder, which interpenetrates all the poetic and cinematic creation of the artist. This myth of the filmmaker’s myths simultaneously contains the cardiography of the turbulent history of the nation, but also of the personal life of the filmmaker-orphaned by his father and by both homelands of his childhood, who took refuge in the catharsis of the splendors of the Carpathians, bringing back in his inspired films the estranged Bucovina into a spiritual, aesthetic, civic whole. In the paper, Emil Loteanu’s creation is related to the sacred monsters of the world film, especially O. Welles, F. Fellini, I. Bergman, A. Tarkovski, who also through their personal myths revealed their unconscious personality to mankind, but also the hierarchies of spiritual values of world images.

The genre of historical novels about the Great Patriotic War in the Mari literature in the first post-war years

This article analyses the formation and development of the historical novel genre in the national literature in the first post-war period. The object of the study are the works of the Mari writers Nikandr Lekain «On Fire of the Great War» and Veniamin Ivanov «The Windstorm». National patriotic spirit, heroism, the determination of people to fight to the end come to the fore in N. Lekain’s work. The work does not have the main character who unites all the storylines; it presents the multinational face of the Soviet people through the individual actions of people of different generations. In V. Ivanov’s novel, the fate of the individualized personality, his inner experiences, comes to the forefront. The historical and typological method of research made it possible to identify general and specific features in the depiction of dramatic events of the Great Patriotic War in the Mari and Russian literatures. The problem of the formation of this genre in regional literary criticism is being considered for the first time. A comparative study of the literary prose of writers revealed that the expansion and deepening of the problematic and thematic range (the theme of rear everyday life in the countryside, the problem of desertion and betrayal, etc.) of the Mari literature of this period outlined certain shifts in the image of the inner world of the characters. There was a tendency of multifaceted disclosure of socio-historical and ideological factors of the personality formation, psychologically deep explanation of the motives of the heroes’ actions. N. Lekain and V. Ivanov managed to find those life conflicts that made it possible to psychologically accurate portray the dialectics of the human soul in the war, to comprehend the origins of the national-patriotic upsurge, to show the deep processes of their contemporary reality.

«Человек неукорененный» в романах Саны Валиулиной и Петра Алешковского

The article deals with the problem of the ‘unrooted man’, which is conceptual for modern transcultural literature in Russian. The authors put an analytical emphasis on the modern identification crisis of phenomena that are associated with the self-identity of writers who model a multi-ethnic world in their texts with biographical coordinates. The protagonist of this world (the author’s reflective alter ego) loses his ancestral roots due to historical migration of peoples in the 20th century. The article analyzes the mythological concepts of the sacred space of the alien hero, the motive of initiation through internal and/or external migration, the existentialоgemes and ontologemes of ‘embedding’ into another ethnic group, the semiotics of the collective world image based on the novels by Sana Valiulina “I’m not afraid of the Bluebeard” and Pyotr Aleshkovsky “The fish. History of one migration”. Researchers use the analytical principles of the transcultural approach as a studying strategy of the artistic world not only by polydomic and multilingual writers, but also by Russian authors who seek to present the Russian person’s vision of the Other, his alien (different) culture, ontology, but in the prism of a common history, including the historicity of existence (M. Heidegger).

ETHOS.PASSION: An open-source workflow for rooftop photovoltaic potential assessments from satellite imagery

The assessment of rooftop photovoltaic potential has become increasingly accurate due to the expanding availability of satellite imagery and improvements in computer vision methods. However, the analysis of satellite imagery is impeded by a lack of transparency, reproducibility, and standardized description of the methods employed. Studies are heterogeneous, target different types of potential with redundant efforts, and are mostly not open source or use private datasets for training. With respect to the estimation of photovoltaic potential, this study proposes a conceptual frame of reference for clearly identifying tasks, their relationships, and their data. Additionally, the open-source workflow ETHOS.PASSION is introduced, which integrates the assessment of geographical, technical and economic potentials of regions under consideration along with the calculation of surface areas, orientations and slopes of individual rooftop sections. ETHOS.PASSION also includes the detection of superstructures, i.e., obstacles such as windows or existing photovoltaic installations. The novel two-look approach combines two deep learning models identifying rooftops and sections, and an additional model for the identification of superstructures. The three models show a mean Intersection Over Union between classes of 0.8478, 0.7531 and 0.4927 respectively, and more importantly display consistent results amongst randomly sampled real world images. The final results are evaluated for multiple datasets and compared against other studies, with a case study in the Aachen region of Germany being presented.

SEMANTIC VALENCE OF THE WORD "CAMEL" AND ITS AUTOMATION METHODS IN THE NATIONAL CORPUS

This study analyzes the compatibility and semantic valence of the word "camel" in linguistic science. The purpose of the paper is to propose ways to verbalize the semantic valence of the word "camel" of the conceptual knowledge that served as the basis for it. Camel is a conceptual concept that has formed the image of the Kazakh ethnic world. It has more than 500 combined complex concepts. Because the camel occupies a special place in the life of the Kazakh people. The natural qualities and functions of the camel are the most important quality, endurance and tolerance and a tendency to a semi-desert zone have been widely recognized due to the combination with the word "camel" in the language system. There is also a special way to formalize and verbalize some concepts that represent the ethnic picture of the world on linguistic resources. Thus, it is quite possible to make a separate subcorpus of conceptual names representing the ethnic image of the Kazakhs from the National Corpus of the Kazakh language. The National Corpus provides effective ways of expressing the conceptual image of the concept, including the ethnic one. The cultural code of phrases semantically combined with the word camel is revealed. Why is the abundance of ethno-marked names related to camels determined in the Kazakh worldview? Since the concept of "image of the world picture" is the subject of interdisciplinary research, it is studied from different angles in each field. Since the worldview is an indicator of mental interpretation, it serves as a cognitive unit that asserts each nation has different knowledge about an abstract concept for a person. Having determined the ability to combine the word "camel" with such potential, we were convinced that the types of camels, the nature of the camel, the functions of the camel, and the connotative attribute that is actively used in describing a person, plant, animal, appearance, and character of a person. Automatization of the text related to the word "camel" is also carried out through a search system. By linking texts to the word "camel", it is quite possible to link them to the semantic designation in the sentence in which the phrase is involved.