Traditional Cultural Expressions Research Articles

Study on the Application of Chinese Traditional Visual Elements in Visual Communication Design

This study analyzed the data collected from field research and SD questionnaires on the application of traditional elements in Aba Prefecture. This study adopted the multidisciplinary research method integrating linguistics, architecture, art, and statistics of science and technology to discuss the related issues of the cultural industry park, and analyze the expression of traditional art elements in the visual communication of the cultural industry park. First, based on the photographs taken, we analyzed the layout of typical scenes of traditional element applications on the plane, including the analysis of traditional element types, colors, and materials. Second, the SD questionnaire results are displayed and analyzed. From the comprehensive scores of the respondents, we learned that the application of traditional elements has different effects on the architectural landscape. The main results show that (1) the public has a positive attitude toward the expression of traditional culture in the planning and construction of the park. Scenes rich in traditional elements play a positive role in the transmission of traditional culture and the creation of a traditional atmosphere; (2) showing traditional architectural styles and landscape layouts in a reproducible way can more intuitively set off the traditional cultural atmosphere; (3) the texture of the stone wall has certain rules and principles. The arrangement and combination of stones are a plane composition, and the visual characteristics brought by the wall can be specifically analyzed according to the elements of the plane composition. The stone masonry wall is analyzed according to the elements of plane composition, which can be divided into visual elements and relational elements. The visual elements are divided into the size, shape, color, and texture of the image, and the relational elements refer to the relationship between position and arrangement, including orientation, location, and center of gravity.

Communal Intellectual Property Protection Arrangements in Megadiversity Countries

<p><em>Indonesia is a country rich in diversity. Indonesia is one of six countries that are the center of cultural diversity (a center of cultural diversity) as well as being a mega-biodiversity country. Indonesia also has varied geographical conditions, diverse customs, and cultural resources, including traditional knowledge and rich traditional cultural expressions which are a form of communal intellectual property (Communal IP). Protection of Communal IP in Indonesia is different from the practice in other countries that already have regulations on Communal IP, some examples of which are India, Peru, and several other megadiversity countries. The formulation of the problem that will be discussed is how the form of the arrangement for the protection of Communal Intellectual Property in Megadiversity Countries and how the Classification of Communal IP Protection in Several Countries: Comparison of Regulatory Practices. The method used is a normative legal research type. The approach used is the statutory approach and the concept approach. The result of the discussion is the form of regulation on the protection of Communal IP in megadiversity countries, including the regulation on the protection of Communal IP in megadiversity countries, which can be classified as follows, the United States has laws to protect Indian culture and American descent. Peru, has laws on protecting the traditional knowledge of local and indigenous peoples about biodiversity in general and plant genetic resources for food and agriculture in particular. Even though Brazil has not ratified the Nagoya protocol, benefit-sharing access to genetic resources is at the forefront. Australia has laws governing Aboriginal cultural heritage and has a sui generis system for the protection of geographical indications. South Africa, already has laws on the protection of traditional knowledge and traditional cultural expressions and already has benefit-sharing access to genetic resources. India has made efforts to document indigenous knowledge on its own by creating the Traditional Knowledge Digital Library (TKDL) in 2001.</em></p>

Introduction To Intellectual Property (Ki) For High School Al Hanif In Cilegon

Intellectual property is the result of human thought that is realized in the form of real works, and is not just an idea, idea, concept but the most important thing is its realization. Some people have ideas but are not necessarily able to realize these ideas in a tangible form. In connection with the above, the younger generation, including high school students, generally have many ideas, but not all of them have been realized. Therefore, this community service aims to provide an introduction and understanding related to intellectual property, to beginners, namely students from the Islamic Integrated High School (SMA IT) Putri AL Hanif in Cilegon City. The introduction and understanding of Intellectual Property need to be introduced to the students of SMA IT Putri Al Hanif from an early age by implementing Intellectual Property completely and correctly, there is a great opportunity for students and students to produce quality and highly competitive works. With this service activity, the school's awareness of the importance of Intellectual Property arises and fosters motivation to be creative and innovate. In general, Intellectual Property has not been exploited to its full potential, both in higher education and in secondary schools.
 The results of this community service can provide understanding to students, especially SMA IT Putri Al Hanif Cilegon City regarding Intellectual Property material which includes Communal Intellectual Property (Traditional Knowledge, Traditional Cultural Expressions, and Geographical Indications), Personal Intellectual Property (owned by industry). In the provision of service material, it is divided into 3 different classes, namely Language Class, Science and Social Sciences. They are very enthusiastic in listening, understanding, and discussing the introduction of intellectual property (IP). Therefore, there is a follow-up from the school to improve the work of its students so that the work is given legal protection through the intellectual property registration application process.

Initiating The Concept of Sui Generis of the Legal Protection of Communal Intellectual Property in The Philosophy of Science Perspective

This study aims to answer how the protection of Communal Intellectual Property rights in Indonesia and how the concept of sui generis can be applied from the perspective of the philosophy of science. The research method used is a doctrinal legal research method with an approach to legislation, legal concepts, and theories through literature search. The results show that until now Indonesia has recorded and documented the Communal Intellectual Property, both by the Directorate General of Intellectual Property of the Ministry of Law and Human Rights and the Directorate General of Culture of the Ministry of Education and Culture. Including the recording and registration of Intangible Cultural Heritage to UNESCO. However, legal protection of Communal Intellectual Property cannot be carried out optimally considering that several laws and regulations governing Communal Intellectual Property, especially those related to Traditional Cultural Expressions, are not in harmony with one another, besides thatno law specifically regulates this Communal Intellectual Property. On the other hand, considering the problems that are not easy to regulate, considering intellectual property protection which is individual protection while Intellectual Property Rights arecommunal. Therefore, Indonesia needs to immediately regulate the protection of Communal Intellectual Property in the form of law through the idea of the sui generis concept.

INTELLECTUAL PROPERTY RIGHTS LEGAL PROTECTION TOWARDS COPYRIGHTS OF NEW CREATION DANCE CHOREOGRAPHY IN LAMPUNG

The copyright law determines that the state holds a copyright owner regarding traditional cultural expressions. What if a cultural expression undergoes renewal and creates a new dance with a traditional theme. The purpose of this study is to describe the form of the legal protection of intellectual property rights as well as constraints in determining the legal owner of the copyright of the creation of new dance choreographies in Lampung. The socio-legal approach whereby the research method, focuses on seeing the law through a combination of normative analysis (juridical legal norms) and non-legal science approaches. The data used are primary data and secondary data using qualitative analysis. The results of this study indicate that legal protection of Intellectual Property Rights based on the Copyright Law of 2014 is necessary provided to prevent an infringement of a copyrighted work, especially new creative dance creations, preventive actions that can be taken to protect dance creations. A new creation is by recording the work regulated in Articles 66-67 of the Copyright Law. This legal protection is given to find a solution in defending the rights of the work's creator. The obstacle needs to be understand property to again more understanding of the importance of copyright registration, the registration procedure and process, which are still considered complicated, and the registration fee, which is still deemed burdensome to artists.

The Legal Protection Towards Traditional Clothes: Intellectual Property Regimes in ASEAN

Traditional clothing is one of the essential identities in Southeast Asian countries, knowns as ASEAN members; it was once used to showcase individual status in the community. It is still important today and worn on particular occasions to preserve tradition, and now it's emerged as one of the commercial goods. Yet, it becomes a vulnerable commodity when it becomes the object of cultural piracy, dispute of ownership, and disagreement of origin. The problem will continue to be detrimental to indigenous peoples who own it and possibly rift the relationship between ASEAN countries. The protection of traditional clothing in ASEAN is still weak, and there has been no specific legal instrument to regulate it. The intellectual property right (IPR) regime protects traditional clothing as a traditional cultural expression (TCE). TCE protection is part of the international regulation of intellectual property; however, without it well-implemented at the domestic level, TCE can easily be claimed as belonging to other parties who first published and registered them. This research will examine the legal protection of traditional clothes under IPR regimes in ASEAN in their national legal regulations. This research uses a comparative approach that primarily examines the laws and regulations governing the protection of Intellectual Property Rights in ASEAN countries. This research indicates that no single country in ASEAN has a specific law related to traditional cultural expressions (TCE) protection on traditional clothes. The protection for traditional clothes will be embedded in other IPR regimes such as Copyright, trademark, or non-IPR legislation.

Konsep Kekayaan Intelektual Komunal Atas Ekspresi Budaya Tradisional Seren Taun Kasepuhan Cisungsang Kabupaten Lebak

Indonesia is rich in various kinds of arts and culture. One of them is traditional culture which is a cultural heritage that has been passed down from generation to generation from the previous generation to the current generation. In this regard, legal protection of intellectual property is very important, especially regarding traditional cultural expressions. The research entitled Communal intellectual property for traditional cultural expressions (EBT) Seren Taun Kasepuhan Cisungsang aims to know, understand, and analyze the concept of communal intellectual property (IP) legal protection against Traditional Cultural Expressions (EBT) Seren Taun Kasepuhan Cisungsang in Lebak Regency and the factors which affects the legal protection of intellectual property against the Traditional Cultural Expression (EBT) of Seren Taun Kasepuhan Cisungsang in Lebak Regency. The research method uses qualitative descriptive analytical methods. Refers to law and regulations and references/literature that are carried out offline or online using primary, secondary and tertiary data as legal material. The results of the research on Communal Intellectual Property on Traditional Cultural Expressions of Seren Taun Kasepuhan Cisungsang in Lebak Regency have not been carried out properly and effectively. One of the contributing factors is that the Kasepuhan party is only aware of, but has not yet understood the importance of carrying out protection, inventory and documentation in the context of legal protection through collaboration between the government, Kasepuhan parties and related partie.

Application of Chinese Traditional Elements in Furniture Design Based on Wireless Communication and Artificial Intelligence Decision

The traditional elements in Chinese classical furniture are constantly changing with the development of history and culture. It is not only quite artistic, but also has unique aesthetic value. Since the reform and opening up, Western culture has flocked into our country with the opening of the country, which has led to the blind pursuit of the aesthetic psychology of Europe and the United States, which is also more obvious in the furniture design. This kind of foreign-oriented mentality has caused my country’s furniture design to stagnate or even regress in the display process of traditional cultural elements. The traditional elements contained in the furniture of people’s homes turned out to be less, and some were even completely decorated in European and American styles. This tendency shows that the recognition of traditional elements in furniture design in our country is constantly decreasing, and we must pay more attention to it. In contemporary society, wireless communication and artificial intelligence decision-making have become an important reference for people to solve complex problems and have exerted more and more influence in all fields of social life. In the contemporary era when the global economy and culture are increasingly integrated, the daily life of people in various countries is inevitably affected. Furniture is a relatively important daily necessity in residents’ homes. It has the closest contact with people’s lives. It enhances the expression of traditional elements in furniture in China and wins the recognition of many people. It has a value that cannot be ignored for our work to promote traditional culture. In contemporary furniture style design, how to better integrate traditional cultural elements, so as to achieve the dual purpose of protecting cultural heritage and improving artistic quality and enriching the expression of traditional culture in contemporary furniture, has become a topic of concern to many people. The purpose of this research is to explore how to better integrate traditional elements into contemporary furniture under the background of contemporary technologies such as wireless communication and artificial intelligence decision-making. The study obtained the public’s attitude towards the integration of traditional elements into furniture through questionnaires and judged how to innovate traditional elements through wireless communication and artificial intelligence decision-making, which would be more in line with the aesthetic concept of contemporary people.

Strengthening and Utilizing Original Tanimbar Woven Fabric as a Form of Preservation of Traditional Cultural Expression

Introduction: The strengthening, utilization and preservation of EBT as an object of intellectual property rights produced by indigenous peoples or traditional communities is an interesting issue to study, one of which is the Tanimbar Weaving Fabric which is a form of intellectual work of the Tanimbar community.Purposes of the Research: The purpose of this study is to find out what the philosophical meaning and value of Tanimbar woven fabrics are as a form of traditional cultural expression and how the forms of strengthening and utilization of Tanimbar woven fabrics are as traditional cultural expressions.Methods of the Research: The research method used is normative legal research, using a statutory approach and a conceptual approach by examining various legal rules which are then linked to the reality that occurs in society. The legal materials used in this study are primary legal materials in the form of Copyright Law, while secondary legal materials in the form of books, legal journals related to the issues studied. The technique of collecting legal materials is done through a literature study that has relevance to this research. The legal materials collected were analyzed using qualitative analysis techniques to answer the problems in this research.Results of the Research: The original Tanimbar woven fabric has philosophical meaning and value for the Tanimbar community through the woven fabric motif. Each of these Tanimbar woven motifs has deep philosophical meanings and values regarding the life of the people and the environment of the Tanimbar people. Strengthening and Utilization of Tanimbar's original woven fabrics spun from cotton threads is increasingly being eroded by technological developments. The Tanimbar people no longer weave using cotton but have replaced it with shop yarn. In fact, the cultural heritage of Tanimbar woven fabrics inherited from their ancestors is the spinning of cotton threads, the results of which are very unique, have high economic value and are sought after by tourists and collectors of traditional fabrics. The government of the Tanimbar Islands Regency has not been able to provide protection, strengthening and utilization of the original Tanimbar woven fabrics.

PERAN PEMERINTAH DAERAH DALAM DALAM KONTEKS EKSPRESI BUDAYA TRADISIONAL DALAM PERLINDUNGAN HAK CIPTA (Studi terhadap Peraturan Daerah Provinsi Jawa Barat Nomor 10 Tahun 2018)

Whereas the regulation on Intellectual Property Rights law has been universally applied and accepted by the members of the World Trade Organization (WTO) by making separate rules into the positive law of each WTO member country. The existence of West Java Provincial Regulation Number 10 of 2018 concerning Intellectual Property Management including Traditional Cultural Expressions in it, can mean that the said Regulation acts as a "private legal entity" which can lead to confusion over higher laws and regulations or known as lex superiori derogat legi inferiori (higher regulations override lower regulations), in that context in Indonesia there have been various laws governing Intellectual Property law, namely: Law on Plant Variety Protection, Law on Industrial Design, Law on Layout of Integrated Circuits, Law on Trade Secrets, Law on Copyright, Law on Patents and Law on Marks and Geographical Indications. The Regional Regulation Number 10 of 2018 has the potential to abuse authority and can be categorized as a problematic regional regulation that can lead to confusion in the community.

Weaving gender in open collaborative innovation, traditional cultural expressions, and intellectual property: The case of the Tonga baskets of Zambia

AbstractThis article considers the intersection of gender, traditional cultural expressions, collaborative innovation, and intellectual property in the Tonga Indigenous community of Zambia. Based on a study of the Tonga rural women basket makers who are organized around craft clubs, the study investigated the collaborative environment that fosters the preservation of the cultural tradition of basket weaving, the impact it has had on empowering the women, and the legal protection options available for the Tonga baskets. The study found that Zambia’s 2016 Protection of Traditional Knowledge, Genetic Resources and Expressions of Folklore Act no. 16 (Traditional Knowledge Act) gives automatic protection to traditional cultural expressions and the option for the protection of traditional cultural expressions under the existing intellectual property laws. Though intellectual property protection may not be practical for the Tonga baskets, the Traditional Knowledge Act is a significant step in recognizing the customary values and governance principles in protecting traditional cultural expressions. Registration, in terms of the Traditional Knowledge Act, could enhance the recognition of the baskets, preserve and promote the cultural heritage, and empower the Tonga women.

Surrogacy Legislation and Kenya's ART Bill 2019: Reproductive Uhuru (Freedom) A Myth or a Reality for Infertile Citizens?

In 2014, Kenyan parliamentarian Odhiambo Millie MP tabled the Assisted Reproductive Technology (ART) Bill [2019] to regulate assisted reproduction. The Bill restricts surrogacy to married couples only, prohibits payment to surrogates and makes no provision for surrogacy services or its oversight. It is modelled on the United Kingdom's surrogacy laws, although this article confirms the UK's surrogacy laws were intended to discourage surrogacy in the first place, and a Law Commission review shall be published in 2022. In 2007, Thiankolu Muthomi called for Kenyan-designed ART legislation. Kenya's customary woman-to-woman marriage is examined as a taking-off point for technologising Kenya's surrogacy services. The woman-to-woman marriage was constitutionally protected in 2010 and embedded by the enactment of the Protection of Traditional Knowledge and Cultural Expressions Act No. 33 [2016] that promotes the right to cultural expression. This cultural reality should provide the launching pad for a more permissive and auditable surrogacy legislation in Kenya and transferability to sub-Saharan Africa burdened, with the exception of South Africa, by unregulated ART practice.

The Resilient Tradition: Exploring the Cultural Significance of Javanese Wayang Kulit in Heritage Preservation

This research delves into the profound significance of Javanese Wayang Kulit, or Wayang Kulit, in preserving and promoting Javanese cultural heritage. Wayang Kulit is not merely a traditional art form; it is a dynamic and resilient force that continues to breathe life into Javanese culture. This study explores the multifaceted dimensions through which Wayang Kulit contributes to the maintenance of Javanese cultural heritage. The research underscores the profound cultural importance of Wayang Kulit, serving as a living archive of Javanese traditions, myths, and history. It acts as a vehicle for the transmission of cultural values and ethical lessons, serving as a moral compass for the Javanese community. A significant result of this research is the adaptability and resilience of Wayang Kulit. It harmoniously coexists with contemporary themes, innovative storytelling, and cross-cultural collaborations while remaining rooted in its cultural essence. The economic significance of Wayang Kulit is undeniable, as it supports a network of local artisans, Wayang makers, musicians, and businesses, benefiting local economies and sustaining livelihoods. Additionally, it attracts cultural tourists, providing a boon to local industries. Wayang Kulit fosters community cohesion, intergenerational bonds, and a profound sense of cultural identity among the Javanese people. It is a unifying force that strengthens familial ties and brings communities together. In an era of cultural globalization, Wayang Kulit emerges as a model for cultural resilience. Its adaptability, endurance, and relevance serve as a beacon to the world, reaffirming the timeless value of cultural traditions in a changing global landscape. The research highlights the global implications of the findings, offering insights into how traditional cultural expressions can thrive in the modern world while preserving their cultural essence. Wayang Kulit is more than an art form; it is a guardian of cultural heritage, an educator, and an economic force. Its resilience and adaptability serve as a model for the world, reaffirming the timeless value of cultural traditions in an ever-changing global landscape

SOSIALISASI PERLINDUNGAN HUKUM EKSPRESI BUDAYA TRADISIONAL SENI UKIR TULANG DI DESA TAMPAKSIRING KABUPATEN GIANYAR

The purpose of this service is to be able to realize legal awareness about the importance of legal protection for works of bone carving art in Tampaksiring Village as a hereditary creation idea that exists in the community. The results of local carving crafts have even become icons of the creative industry supporting Bali tourism. The target of the service is aimed at the group of bone carving artisans in Tampaksiring Village, Gianyar Regency, which is currently in the process of fostering creative economy efforts in the tourism sector by the government. An understanding of the importance of protecting a copyrighted work containing a hereditary heritage as a cultural expression of intellectual property rights must be known by craftsmen. The important target set is directed at legal awareness of copyrighted works to start immediately in order to avoid plagiarism and their unique bone carving art designs by irresponsible parties. The lecture, discussion and question and answer methods as well as direct coaching by providing concrete instructions in registering works are the core of this community service. The realization of the service received a positive response with the presence of craftsmen regarding the registration of their copyrighted works so as to facilitate follow-up in realizing the protection of intellectual property rights as stipulated in Law no. 28 of 2014 concerning Copyright.
 Keywords: Socialization, Legal Awareness, Legal Protection, Traditional Cultural Expression

PERLINDUNGAN HUKUM TERKAIT EKPRESI BUDAYA TRADISIONAL “LAGU TRADISIONAL ACEH” DALAM BINGKAI HAK CIPTA

Traditional Cultural Expression is an intellectual work that needs to be protected. Traditional Cultural Expression is rooted in three words: tradition, culture, and expression. The meaning of "expression", expresses a clear goal, idea or feeling. In this paper, the author raises an example of a traditional cultural expression, namely the cultural expression of traditional Acehnese songs owned by the local Acehnese people. Songs such as "Bungong Jempa", are a small example of the traditional wealth of the Acehnese people that should be preserved and protected by the government. The purpose of this study is to find out how is the protection related to traditional cultural expressions in Indonesia? And has the method of recording/inventorying traditional cultural expressions in Indonesia provided maximum protection for the cultural expressions of traditional Acehnese songs? The benefit of this research is that it is hoped that it can provide benefits for the development of legal knowledge in Indonesia and can provide insight or information to the public, especially regarding the object of copyright as one of the productive waqf in Indonesia.

PERLINDUNGAN HUKUM TERKAIT EKPRESI BUDAYA TRADISIONAL “LAGU TRADISIONAL ACEH” DALAM BINGKAI HAK CIPTA

Traditional Cultural Expression is an intellectual work that needs to be protected. Traditional Cultural Expression is rooted in three words: tradition, culture, and expression. The meaning of "expression", expresses a clear goal, idea or feeling. In this paper, the author raises an example of a traditional cultural expression, namely the cultural expression of traditional Acehnese songs owned by the local Acehnese people. Songs such as "Bungong Jempa", are a small example of the traditional wealth of the Acehnese people that should be preserved and protected by the government. The purpose of this study is to find out how is the protection related to traditional cultural expressions in Indonesia? And has the method of recording/inventorying traditional cultural expressions in Indonesia provided maximum protection for the cultural expressions of traditional Acehnese songs? The benefit of this research is that it is hoped that it can provide benefits for the development of legal knowledge in Indonesia and can provide insight or information to the public, especially regarding the object of copyright as one of the productive waqf in Indonesia.

Pluralities of Power in Indonesia’s Intellectual Property Law, Regional Arts and Religious Freedom Debates

ABSTRACT This article re-analyses historical Southeast Asian power concepts and practices to interpret contrasting positions on two contemporary Indonesian legal debates. The first debate concerns the use of intellectual property models to regulate regional arts or ‘traditional cultural expressions’. The second debate concerns a 2017 constitutional court ruling that advocates citizenship parity for ‘belief practitioners’, meaning those who maintain ancestral or non-orthodox practices and do not list one of Indonesia’s six official religions on their identity cards. I argue that contrasting positions on the laws held by state and clerical authorities versus regional practitioners are better explained by reference to distinctively Southeast Asian ideas about unilateral versus decentralised ‘power’ than by standard globalisation, human rights, or modern state versus indigenous resistance explanations. Disentangling two features of Benedict Anderson’s classic model of Javanese power, fluid cosmic force and the concentration of ‘oneness’ by rulers, illuminates how the Indonesian minority and majoritarian legal perspectives fit within a common repertoire of regional power concepts. Framing religion, tradition, arts and law as prescriptive and normative rather than analytic categories, the article draws on historical and comparative Southeast Asian evidence to delineate tensions among differently positioned groups grounded in diverse modalities of power, ancestral authority and customary institutions, even as some now selectively adopt imported legal rights-based and heritage preservation discourses.

Traditional Cultural Expressions: Analysis of Culinary Custom

The scope of the research will be on the definition of ‘Traditional Cultural Expression’ in the national arena along with the concurrent rights of the indigenous people in relation to misappropriation of the cultural knowledge and expressions of the community which distinguishes them from the others, along with the acknowledgement of old lost exclusive recipes and traditional methods used to make them, and increase the ambit of TCE by inculcating where our country should be recognized for its contribution and some recognition globally along with commercial benefit arising out of it. The scope is limited to complex issues of traditional expression that are relevant to India and increase the ambit of old food delicacies and protect them under current laws. The protection of indigenous culture and giving them some rights along with monetary compensation for infringement of their right to protect the tradition from being copied, which leads to the welfare of the nations.

Translation of Contemporary Expression of Traditional Culture of Ci Fu "Luo Shen Fu" and Traditional Dance of "Luo Shen Water Fu"

Henan TV’s "Traditional Culture Series" has pushed the contemporary expression of Chinese traditional culture to a climax. Especially with the rejuvenation of domestic traditional culture, the dance "Luo Shen Water Fu" re-creates the traditional poetry "Luo Shen Fu" in five aspects: the creator's perspective, art form, expression technique, character image and creative power. The new expression of modern form has produced a strong contemporary traditional cultural effect. Through a case analysis of this successful act of traditional culture, the article analyzes the translation techniques of contemporary expressions of traditional culture, and provides useful enlightenment for stimulating the creative vitality of traditional culture and boosting the future trend of traditional Chinese culture.

Research on the Application of Traditional Chinese Medicine Culture in Garden Landscape Architecture

Through the investigation of two traditional Chinese medicine theme landscape cases, the application of traditional Chinese medicine culture in the overall planning, zoning design, plant configuration and activity setting of garden landscape was analyzed. This paper proposes a planning and design strategy for miniature gardens and landscape gardens based on the theme of traditional Chinese medicine culture, providing guidance for using garden landscape as an effective carrier for the display and expression of traditional Chinese medicine culture, and striving to scientifically draw on the ideas, artistic language and To realize the diversification of landscape cultural connotation, and to realize the inheritance and dissemination of traditional Chinese medicine culture with the help of garden landscape.