Traditional Chinese Painting Research Articles

TCP-RBA: Semi-supervised learning for traditional chinese painting classification with random brushwork augment

Traditional Chinese painting (TCP), culturally significant, reflects China’s rich history and aesthetics. In recent years, TCP classification has shown impressive performance, but obtaining accurate annotations for these tasks is time-consuming and expensive, involving professional art experts. To address this challenge, we present a semi-supervised learning (SSL) method for traditional painting classification, achieving exceptional results even with a limited number of labels. To improve global representation learning, we employ the self-attention-based MobileVit model as the backbone network. Furthermore, We present a data augmentation strategy, Random Brushwork Augment (RBA), which integrates brushwork to enhance the performance. Comparative experiments confirm the effectiveness of TCP-RBA in Chinese painting classification, demonstrating outstanding accuracy of 88.27% on the test dataset, even with only 10 labels, each representing a single class.

Exploring the Integration of Excellent Traditional Chinese Culture into Higher Vocational English Education from a Cross-cultural Perspective

In the context of globalization and cultural diversity, higher vocational English education not only needs to focus on language skills development but also should emphasize the enhancement of students' cross-cultural communication abilities. As a spiritual treasure of the Chinese nation, the integration of excellent traditional Chinese culture into higher vocational English education holds significant importance in cultivating talents with international perspectives and cultural confidence. In this regard, this paper, from a cross-cultural perspective, explores the necessity and approaches of integrating excellent traditional Chinese culture into higher vocational English education. Firstly, the necessity of integrating excellent traditional Chinese culture into higher vocational English education is addressed, including enhancing students' cultural confidence and national pride, promoting the improvement of students' cross-cultural communication abilities, and enhancing the cultural connotations and practicality of English teaching. Secondly, specific integration approaches are discussed, including the integration of teaching materials and curriculum content, innovation in teaching methods and means, and enriching campus culture and extracurricular activities. By integrating Chinese traditional festivals, historical stories, idioms, and other cultural elements, employing interactive teaching methods such as scenario-based teaching and role-playing, and organizing cultural experience activities such as traditional Chinese cultural festivals, calligraphy, and Chinese painting, excellent traditional Chinese culture can be effectively integrated into higher vocational English education to enhance students' cultural literacy and cross-cultural communication abilities. Finally, the paper emphasizes the importance and practical significance of integrating excellent traditional Chinese culture into higher vocational English education from a cross-cultural perspective, calling for vocational colleges to focus on cultural integration and inheritance in English education, and to cultivate talents who can confidently communicate and showcase the charm of Chinese culture on the international stage.

A study of style migration generation of traditional Chinese portraits based on DualStyleGAN

Chinese figure painting is one of the most culturally and aesthetically valuable visual art forms in the history of Chinese art. Factors such as the high creation base and long creation cycle of traditional creative forms have largely restricted the innovative development of traditional Chinese portrait painting. In this paper, we use the DualStyleGAN deep learning framework to train the style migration of Chinese traditional portraits, and obtain the best data for generating models through qualitative analysis. Firstly, this paper collects and extracts images of Chinese portrait paintings to construct a dataset of Chinese traditional portrait paintings. Second, the self-constructed Chinese traditional portrait dataset is used as the target style dataset for style migration training. Finally, the optimal performance values are derived by comparing and analysing the effects of loss function and weights on the generation effect under this framework. The results show that DualStyleGAN can effectively migrate the styles of traditional Chinese portraits, and also adjust the degree of stylisation through the weighting values. This study combines Chinese traditional portrait elements with deep learning techniques to expand the application range of portrait style migration and generate Chinese traditional portrait style images with the best visual effect.

Effectiveness Study on Mind Mapping Approach to Students’ Operation Position Performance and Creativity on Traditional Chinese Painting

Under current diplomaism, students’ painting ability is cultivated, but the creativity development is restricted. Students mainly learn painting skills that technique training is mostly emphasized. To improve such a problem, it is necessary to build the operation position performance ability and the value and attitude towards creativity, cultivate creativity with multiple intelligences as the structure, stress on the creativity process and taking pressure in the experience, and integrate creativity into course teaching. Using experimental design model for this study, 202 art major students of a university in China, as the experimental subjects, are preceded the 18-week (2 hours per week for total 36 hours) experimental teaching research. The research results show that 1.mind mapping approach would positively affect operation position performance, 2.mind mapping approach would positively affect creativity, and 3.operation position performance shows significant and positive effects on creativity. According to the results to propose discussions, it is expected to provide students with the learning strategy of creative thinking through teachers’ teaching model, cultivate students’ operation position performance and creativity on traditional Chinese painting with the system structure and divergent thinking of mind mapping symbolism, as well as actually apply to the artistic creation of traditional Chinese painting.

The spiritual essence of Chinese seascape art

The article "The Spiritual Essence of Chinese Seascape Art" explores the evolution and specifics of seascape in Chinese painting, in the context of the spiritual and cultural life of China. The genre of seascape in Chinese art began to form relatively late, at the end of the 20th century, and became significant for modern landscape painting. The article pays special attention to the rarity of the depiction of the sea and ocean in traditional Chinese painting, due to philosophical and aesthetic grounds. The changes in the perception of the sea element are analyzed, which reflect the fundamental transformations in the thinking of Chinese society. The research covers the historical period from the end of the XX century to the beginning of the XXI century, revealing the contribution of individual authors and the influence of Western art on the development of the genre. The presented analysis demonstrates how, through the study of marine painting, a unique combination of traditional Chinese and Western aesthetics is revealed, forming a new artistic language and approach to the perception of nature and the sea element. The article uses an integrated approach, including historical and comparative analysis, stylistic interpretation, to explore the evolution of the seascape in Chinese painting and its spiritual and philosophical and aesthetic content. The article explores the spiritual essence of Chinese seascape art, describing its development as a late phenomenon in comparison with Western art and as an important element in modern Chinese painting. Special attention is paid to rethinking traditional artistic methods and approaches to depicting the sea, considering it as evidence of fundamental changes in the spiritual life of Chinese society. The article discusses how the seascape reflects philosophical and aesthetic changes, especially in the last third of the 20th and early 21st centuries. The authors analyze the works of Chinese artists seeking to find unique artistic languages by integrating traditional and Western elements. The novelty of the research lies in a deep analysis of the impact of socio-cultural changes on the formation and development of the seascape in Chinese painting, which allows for a better understanding of the uniqueness and dynamics of this genre in the context of global artistic and cultural trends.

Mechanism for formation of porcine blood hydrogels used as additives in the mortar of traditional Chinese architectural painting

Ancient Chinese architecture drawing is a unique form of ancient Chinese art. Porcine blood hydrogels are distinctive ingredients used to prepare the composite material of the substrate layer for architecture drawing. This investigation was focused on the mechanism for porcine blood hydrogel formation. Based on the traditional Chinese recipe for the preparation of porcine blood-lime mortar, samples with different ratios of porcine blood and lime water were prepared, and the molecular-scale interactions between the lime water and proteins in the porcine blood were examined with FTIR spectroscopy, Raman spectroscopy, XRD, XPS, fluorescence spectroscopy, contact angle and rheology studies. The mechanical properties and morphological features of the samples were detected with a rheometer, universal material testing machine and SEM. The results indicated that an appropriate amount of lime water was required for gelation of the porcine blood. With the appropriate alkalinity, sufficient carboxyl groups on the fibrin chains were deprotonated, and coordination with Ca2+ ions formed enough cross-links for support networks within the structure of the porcine blood hydrogel. Complexation of deprotonated carboxyl groups on the fibrin chains with Ca2+ ions led to the formation of a hydrophobic surface due alterations of the fibrin conformation and increased the adhesive properties of the hydrogel. With the hydrogel used as an ingredient in the preparation of a substrate layer composite, it is suggested that the hydrophobic surface of the hydrogel facilitated mixing with hydrophobic tung oil during preparation of the composite material, and strong adhesion of the hydrogel increased the mechanical strength and crack resistance of the substrate layer.

Computational Approaches for Traditional Chinese Painting: From the “Six Principles of Painting” Perspective

Computational Approaches for Traditional Chinese Painting: From the “Six Principles of Painting” Perspective

Preliminary Study on the Influence of Traditional Chinese Painting on Ceramic Arts and Crafts

Chinese traditional painting and ceramic arts and crafts are two major treasures in Chinese cultural tradition. They blend, complement each other and influence each other in the long process of historical development. This article aims to explore the influence of traditional Chinese painting on ceramic arts and crafts. Through combing the historical origin and development of the two, as well as the analysis of relevant classic cases, it explores the inspiration, shaping and promotion of traditional Chinese painting on ceramic arts and crafts, so as to show the profound heritage and artistic charm of Chinese traditional culture. Force.

Features of the Formation of Artistic Means and Techniques of Traditional Chinese Silk Embroidery

The history of the embroidery art in China is at least two thousand years old. During this time, the methods of performing compositions, their purpose, motives, and means of artistic expression were changing. The plastic and technical transformations that occurred with silk embroidery led Chinese masters to creating works that were close in their characteristics to the images of traditional Chinese painting. Based on the surviving embroideries and their fragments, which were created during the period from the reign of the Shang dynasty to the end of the Qing reign, the author of the paper examines the fi gurative specifi cs, as well as the artistic techniques and methods of their implementation. The main task is to show how the visual language of Chinese masters and the corresponding technical features have changed.

Beyond Boundaries: Painting Re-inscriptions in the Fifteenth to Seventeenth Century China

This paper explores the widespread practice of adding multiple inscriptions to a single artwork at different times in the fifteenth to seventeenth centuries China. Such practices became prominent when literati painters revisited artworks they had previously created or owned, or when paintings had accumulated a multitude of inscriptions over time. Within the realm of Chinese art discourse, this phenomenon is denoted as “re-inscriptions.” By examining re-inscriptions written on extant paintings and embodied in individual anthologies, this paper demonstrates that these texts transcended the boundaries of art and touched upon the painters’ own lives and the society in which they lived. On the one hand, literati painters engaged in a dialogue with their past selves through re-inscriptions, exploring themes of mortality, aging, and the passage of time – topics seldom addressed in traditional Chinese painting. On the other hand, they utilized re-inscriptions as a means of social interaction, with some re-inscriptions becoming formulaic, adaptable to various artworks to meet different social needs. Furthermore, when faced with preexisting inscriptions on an artwork, artists added new ones for a conversation with their predecessors. Throughout this process, the accumulation of inscriptions transformed the artwork into a layered cultural narrative, and enabled the literati painters in shaping a elite community transcending time and space.

The Expressionist Characteristics of Chinese Local Oil Painting Integrating the Freehand Brushwork of Traditional Chinese Painting

Oil painting is a foreign type of painting that was introduced to China in the early 20th century, and has since blended and collided with traditional Chinese culture. In this process, oil painting also formed an independent artistic language different from Western painting, and freehand brushwork was explored by Chinese painters through borrowing, absorbing, and constantly innovating. Starting from introducing the origin and characteristics of the “freehand brushwork” in Chinese oil painting, this article analyzes the main factors that affect the “freehand brushwork” in Chinese oil painting and its future development trends.

The Influence of the Color and Composition in Chinese Painting on the Animation"Cowboy's Flute"

This journal article examines the animation "Cowboy's Flute" produced in 1963 at the animation studio in Shanghai, focusing on its use of coloring and composition influenced by traditional Chinese watercolor and ink painting. By analyzing specific elements within the animation, such as the overall composition, depiction of nature, and the portrayal of a shepherd boy riding a buffalo, this article explores how the film embodies authentic Chinese aesthetics. Drawing upon the symbolism and cultural significance associated with these artistic elements, this article sheds light on the theme and artistic choices made in "Cowboy's Flute." The findings reveal the strong influence of traditional Chinese painting on the animation and its contribution to the portrayal of Chinese cultural values and aesthetics.

Calligraphy and painting scraps of old and new Asian papers, their simulation, performance, sources, and characteristics

This article explores the importance of paper in traditional Chinese calligraphy and painting and investigates the performance differences between a new paper and an old paper. The characteristics of paper, such as texture, absorbency, color, and durability, significantly impact the artwork’s quality and expression. The development of new papers has been driven by the desire to improve characteristics and meet the evolving needs of artists. This research compares a new paper, made using alternative materials and technology, with an old paper, combining a simulation sample and authentic calligraphy and painting scraps. The evaluation considers parameters such as ink absorption, texture, color vibrancy, bleed-through, smudging, and durability. The new paper demonstrated superior ink absorption, a smooth texture suitable for detailed work, enhanced color vibrancy, minimal bleed-through and smudging, and improved durability. The old paper, while offering a unique rough texture, had slower ink drying times, slightly lower color vibrancy, and less durability. Artists seeking precision and vibrant colors may prefer the new paper, while those desiring a textured and traditional aesthetic may favor the old paper. The findings contribute to understanding the performance characteristics of different papers, aiding artists, collectors, and researchers in their selection and appreciation of paper in calligraphy and painting. Several challenges, such as the omission of specific paper types or brands, a limited sample size, and the oversight of long-term paper durability, warrant further exploration. In the context of modern tools, the article underscores the potential role of artificial intelligence (AI) in supporting artists, collectors, and researchers in the selection and appreciation of paper in calligraphy and painting. Integration of AI for tasks such as data analysis, pattern recognition, and recommendation systems could offer valuable insights, fostering objectivity and efficiency in the study and aiding in the exploration of a wider range of paper characteristics.

Rhythmic Vitality: Traditional Aesthetics and the Theoretical Vision of Contemporary Chinese Film Aesthetics

Abstract For Chinese films, the ideal of “rhythmic vitality” (气韵生动, Qiyun Shengdong) pursued by traditional aesthetics is of great significance. Traditional Chinese painting and calligraphy stress the pace of flowing (“similar sounds integrate”) and the rhythm of harmony (“different sounds correspond to each other”). Correspondingly, the aesthetic ideal of rhythmic vitality refers to the awareness of life produced by the cinematic medium during its evolution. However, compared with the aesthetic developments that characterize western cinema, Chinese films should not be content with its current approach, which largely disregards this particular aesthetic ideal. Rhythmic vitality originates from a unique national cosmology and methodology, beginning with the resemblances between appearances and spirit and resulting with the “primordial qi” (元气, Yuanqi) that constitutes all living creatures. It signifies the special aesthetic connection between humans and nature, whereby each are subjects of one another and in complete harmony. Arguably, this aesthetic ideal avoids the subject–object dichotomy of western thought that has prevailed since modern times. Additionally, the unique quality of cinema’s rhythmic vitality involves the use of special footage. Practically, through the use of large (small humans in wider landscape), full (the scene), far (the distance), and long-lens cameras for scenarios depicting intense emotion or conflict, cinema may render the holistic ideal of rhythmic vitality.

A diffusion probabilistic model for traditional Chinese landscape painting super-resolution

AbstractTraditional Chinese landscape painting is prone to low-resolution image issues during the digital protection process. To reconstruct high-quality images from low-resolution landscape paintings, we propose a novel Chinese landscape painting generation diffusion probabilistic model (CLDiff), which is similar to the Langevin dynamic process, and realizes the transformation of the Gaussian distribution into the empirical data distribution through multiple iterative refinement steps. The proposed CLDiff can provide ink texture clear super-resolution predictions by gradually transforming the pure Gaussian noise into a super-resolution landscape painting condition on a low-resolution input through a parameterized Markov Chain. Moreover, by introducing an attention module with an energy function into the U-Net architecture, we turn the denoising diffusion probabilistic model into a powerful generator. Experimental results show that CLDiff achieves better visual results and highly competitive performance in traditional Chinese Landscape painting super-resolution tasks.

Concepciones estéticas y símbolos culturales en la pintura tradicional China

Abstract: The aesthetic conception in traditional Chinese painting is an essential concept in ancient Chinese aesthetic thought and serves as the supreme aesthetic criterion pursued in classic painting creation. Artists use unique works to showcase the aesthetic conception in traditional Chinese painting, thereby highlighting the distinctive features of Chinese painting. This article conducts a genealogical analysis of artistic conception in traditional Chinese painting. It combines it with specific cultural symbols for interpretation to unveil the philosophical ideas and cultural concepts concentrated in traditional Chinese painting.

Upholding Tradition and Forging New Paths—On the Application of Sketching in Xu Beihong's Traditional Chinese Paintings

Upholding Tradition and Forging New Paths—On the Application of Sketching in Xu Beihong's Traditional Chinese Paintings

A Comparison of Perspective in Chinese and Western Traditional Painting and the Philosophical Thought behind It

A Comparison of Perspective in Chinese and Western Traditional Painting and the Philosophical Thought behind It

The Role of Traditional Chinese Painting Course in Hexi University

According to the course nature, teaching purpose, teaching content, teaching hours and teaching methods of traditional Chinese painting course in Hexi University, this paper expounds the value and significance of traditional Chinese painting course in Hexi University. As the essence of Chinese traditional culture, Chinese painting has its unique significance. The course of Chinese painting in Hexi University not only carries forward Chinese traditional culture, but also cultivates students' aesthetic interest and moral sentiment. In addition, it can also enable students to understand the history of the development of Chinese painting, which plays an important role in cultivating students' professional skills, improving their professional level, and laying a solid professional foundation for graduation and employment in the future.

The Transformation of Traditional Chinese Painting Elements in Modern Design Contexts

Abstract To ensure the effective preservation and evolution of traditional painting art, it is imperative to integrate contemporary art design concepts and methodologies. This paper focuses on the reconstruction of traditional Chinese painting elements, distilling and adapting its pattern, ink, and calligraphy components into a modern design framework. Specifically, the features of the pattern elements are identified and transformed using a feature point extraction algorithm combined with K-Means clustering. For ink and calligraphy elements, a fusion of self-attention mechanisms and Generative Adversarial Networks (GANs) facilitates the stylistic migration and conversion of these elements through the construction of distinct discriminators. Subsequent evaluation of the transformed painting elements utilized Importance-Performance Analysis (IPA) within a contemporary design context, aiming to assess the practical value of traditional painting elements in modern design. The findings indicate that the clarity of information (C1) and its accuracy and efficacy (C3) in the context of contemporary design achieved importance scores exceeding 3.6. Furthermore, the satisfaction scores for modeling (C10), color (C11), and imagery (C12) each surpassed 3.5, denoting a high level of satisfaction in the IPA of their conversion. The study enriches traditional artistic methods and conceptualizations, thereby enhancing their cultural depth and significance.