Symbolic Meaning Research Articles

National-cultural content of Chinese phraseologisms

The article is devoted to analysis of Chinese phraseological units as carriers of the embodiment of universal and unique cultural information. The author explores the national and cultural content of a number of Chinese phraseological units, which are based on the symbolic meaning of plants (meihua, orchid, bamboo, chrysanthemum, pinetree), real and mythical animals (dragon, phoenix, tortoise, qilin, tiger).The relevance of the work is due to the necessity of study Chinese idioms from the point of linguoculturological approach, to define the cultural connotation contained in these phraseological units. Chinese phraseological units containing Chinese characters representing plants and animals are being studied in the aspect of their representation of national and cultural content. Revealing the national and cultural connotations reflected in Chinese idioms, the author actualizes the content of nationally specific concepts that are important in the traditional culture of the Chinese people. The conducted research pragmatically contributes to the effectiveness of intercultural communication, especially in the context of modern global sociocultural transformations. The study of the semantics of phraseological units is illustrated by examples from literary works in ancient Chinese and modern Chinese and examples from Chinese sentence writing sites. The study of the semanteme of phraseological units is illustrated by examples from literary works in ancient Chinese and modern Chinese and examples from Chinese sentence writing sites. The author concludes that phraseological units represent the national and cultural content of the world image of the Chinese people, demonstrating their traditions, customs, history and worldview.

Function and Meaning of Symbols in the Simalungun Ethnic Mangalop Parhorason Traditional Ceremony

This article is entitled Function and Meaning of Symbols in the Simalungun Ethnic Mangalop Parhorason Traditional Ceremony, which aims to describe the implementation process, form, function and meaning of symbols contained in the Simalungun Ethnic Mangalop Parhorason traditional ceremony. The theory used to analyze data is semiotic theory, namely symbols proposed by Charles Sanders Pierce. The method used in this research is descriptive qualitative with field research techniques. The results obtained from this research consist of two stages of implementation, namely: (1) Pre-implementation of custom (2) Implementation of custom. There are five categories of symbols used, including: (1) Traditional food symbols (2) Traditional equipment symbols (3) Time symbols (4) Status marking symbols (5) Place and position symbols. The function and meaning of the symbols used are to obtain blessings, abundant sustenance as well as completeness and order in life. Through regular living and positive thinking, it is hoped that the mother's pregnancy can be maintained well until the baby is born, and the father is also expected to always support and strengthen the mother during pregnancy. Everything will be in order as expected if you have an orderly life. Keywords: Function, Meaning, Symbol, Mangalop parhorason, Semiotics

‘Standing up’ Maḥallu al-Qiyām as cultural expression in Indonesia: A historical approach

This study aims to discuss the historiography of standing up Maḥallu al-Qiyām in the cultural expression in Indonesia. This research is classified as qualitative research with a historical approach method reinforced with documentation, interview and observation. To deepen the meaning of Maḥallu al-Qiyām using analysis using the symbolic interpretive theory of Clifford Geertz. Interestingly, the tradition of Maḥallu al-Qiyām becomes a symbolic meaning of the expression of homage to the Prophet Muhammad and has the content of Maḥabbah teachings to the Prophet. This research concluded that standing up Maḥallu al-Qiyām began when Sheikh Tajuddin as-Subkhi started his stand while reading the Prophet’s Mawlīd as a symbol of respect for the Prophet Muhammad. The Maḥallu al-Qiyām has various forms of celebration as a cultural expression in Indonesia, manifested in various forms of celebration in Javanese cultures, such as muludan, srakalan, kekahan, temu manten, manakiban, sema’an al-Qur’an, and respect for newly arrived ulama.Contribution: This article has contributed to discovering the traditions that developed in Indonesia, which intersected with Maḥallu al-Qiyām, thus identifying some expressions of Javanese culture in whose dialectic with standing Maḥallu al-Qiyām.

Ethnical Identity and Ethno-Cultural Needs of the Russian Urban Population in the Republic of Tatarstan

This article considers the features of “ethnic culture” and its place in the everyday and spiritual life of the Russian urban population of the Republic of Tatarstan. Its symbolic and functional importance for various sociodemographic groups is explored. The population of Tatarstan is viewed as a single historical and ethnographic community descending from the Great Russians of the Volga region. The structure of the social identity types and the characteristics of ethno-cultural group practices are described. Special attention is paid to how social space and ethno-cultural needs are related. The comparative analysis of different social groups of the urban and rural Russian residents of Tatarstan is carried out. The study employs the hermeneutic approach to decipher social phenomena with symbolic meanings. The theoretical insights and generalizations are based on the materials of a comprehensive ethno-sociological study performed on the modern Russian population of Tatarstan in 2022 with the help of both quantitative (mass survey) and qualitative (in-depth interviews, focus group) methods. The results obtained show a direct relationship between the type of ethnic identity and the level of ethno-cultural needs among the Russian urban population of Tatarstan. It is also concluded that many ethno-cultural practices, from the ritualized tradition to personal interiorization, have transformed under the influence of the socio-cultural landscape of the city.

Meaning construction in Nigerian multilingual hip hop: a study in sociology of music

Abstract The wide acceptability of Nigerian hip hop music, home and abroad, indicates increasing value of the inclusion of local popular languages in the composition and performance of the music. In the text of many of the award winning singles and albums are mixtures of different languages ranging from English, Pidgin English, Yoruba, Igbo and other local dialects. Drawing on Ferdinand de Saussure’s theory of structuralism, this study examines meaning construction in hip hop music in Nigeria. By focusing on the Nigerian hip hop artists, who adopt different slangs embedded with codes considered absurd within the mainstream cultural milieu, the study closely investigates constructed meanings in the lyrics of four Nigerian award winning hip hop artists. All the artists adopted multilingual codes-switching from one language to another in presentation of their messages. The codes in the songs generally symbolise and present messages or meaning that appears out of the mainstream cultural meanings. Listeners and artistes meet at the level of interpretations. The article argues that Nigerian artists creatively present a sub-culture where they and their fans can relate through codes and words embedded with symbolic meanings shared by both artists and fans.

The impact of privacy violations on subsequent consumer preferences for anthropomorphized products

In the mobile Internet era, the widespread use of portable devices seamlessly connects consumer decision-making scenarios, potentially leading to the spillover of the impact of privacy violations into subsequent consumption decisions. Results from five experiments demonstrate that those consumers who experience a privacy violation (vs. a non-privacy violation) exhibit a lower purchase intention and preference for anthropomorphized (vs. non-anthropomorphized) products due to the symbolic meaning of “social others” embedded within the product and messages. Perceptual boundary invasion and social avoidance tendency are sequential mediators in this process. Yet, the negative effect diminishes when a product is anthropomorphized as a family member (vs. anthropomorphized with a general social role). The findings provide valuable managerial insight into comprehending and mitigating the spillover effects of privacy violations in anthropomorphized product design and online encounters.

National Identity and Attachment Among Overseas Chinese Children: Diaspora Tourism Experiences

Immigrants’ national identities in relation to their homelands have received considerable academic attention. Although childhood plays a substantial part in national identity, studies on diaspora tourism and immigrants have often overlooked children’s experiences. Ethnic and cultural symbols are embedded in place and contribute to one’s attachment to a territory for identity development. This study explores the nexus between diaspora tourism, national identity, and place attachment from children’s perspectives. Metaphor elicitation technique and participant observations were used to examine how overseas Chinese children make sense of their “homeland” national identity and place attachment in a diaspora tourism context. Findings address how overseas Chinese children’s cultural pride, social connections, and self-representation intertwine with meaningful symbols tied to China and Chineseness. Major theoretical implications derived from the research include delineating how children’s diaspora tourism experiences influence their place attachment and national identities, and revealing the corresponding relationship between place attachment and national identity.

Tradisi Makan Berhadap Adat Melayu Deli dalam Perspektif Al-Qur'an

The Deli Malay tribe is one of the Malay ethnic groups originating from North Sumatra. The majority of the Deli Malay people are located in Deli Serdang, around Medan Madya City. The tradition of eating face-to-face rice began from the past lives of the very Islamic Malay people, where marriages were arranged through matchmaking and family introductions through the tradition of eating face-to-face rice. The purpose of this research is to understand the tradition of eating face-to-face in the Deli Malay tradition from the perspective of the Qur'an. Eating face-to-face is eating together or eating from the same dish. This research uses a descriptive qualitative method to deeply examine eating face-to-face, or what is commonly called face-to-face rice. The research found communication patterns through interviews with one of the researcher's friends. Eating face-to-face rice is one of the highly anticipated customs of the Malay people by both sides of the bride and groom in the marriage process. Eating face-to-face rice is not only for the customary process, but also has many symbolic meanings taken from this customary process. The research results show that the tradition of eating face-to-face is allowed as long as it does not violate religious rules according to Islamic law.

The Role of Bishop Sofron Mudryi in Shaping the Exposition of the History of the Church in Galicia at the Museum of the History of Halych

The article explores the history of the origin of objects of Christian worship and personal piety of Bishop Sofron the Wise of Ivano-Frankivsk, the essence of their functional purpose, the material from which they are made, artistic features, the nature of iconographic images on them, and their symbolic meaning. A typological classification and systematization of the items kept in the exposition of the Department of Church History in Galicia is made.

Archetypal Resonances Between Realms: The Fractal Interplay of Chaos and Order

The intricate balance between chaos and order has fascinated humans for centuries, serving as a recurring theme in culture, psychology, and science. Carl Jung’s insights into archetypes reveal cultural patterns that emerge nearly universally across the globe, independent of history. This paper connects archetypal psychology with contemporary mathematical and quantum concepts. We focus on the profound interconnectedness at the interface between chaos and order, by demonstrating how the Mandelbrot set from contemporary fractal geometry circles round to embody the Oroboros, an ancient symbol of recursive dynamics. Our research bridges micro and macro realms, symbolic meanings, and empirical data, as well as psychological and physical dimensions. By merging age-old symbols with cutting-edge mathematical and quantum ideas, we shed light on the intricate dance of chaos and to underscore the unified nature of existence.

Dubliners: The Story of A City in Paralysis

The city's image acquired special prominence in many literary works related to modernist literature. In these works, the writers used the city details simultaneously to serve as symbols and references to the themes and issues that can appear in the works. This fact is especially actual in the case of James Joyce's Dublin - the permanent setting of most works by this great Irish modernist. It is worth noting that Joyce took the steps forward to discuss his city with the bright and dark sides. Dubliners, the collection of short stories, belonged to this type of modernist literature focused on the city. James Joyce wrote this collection in the early period of his writing career, and its title highlighted the significance of Dublin – as a city and its people. In each story of the collection, the capital of Ireland was not a mere setting but a unifying factor to portray a complete and comprehensive image of the collection. In every story, Joyce presented a single issue or a merged collection of obstacles found in Dublin and affected the people. In general, Joyce represented the capital city as the center of paralysis, affecting its citizens despite their age. This paper examined the prominence and symbolic meaning of the city in the text. Joyce demonstrated detailed descriptions while mapping his city. For instance, the writer presented the characters while meandering around Dublin's different types of streets. These incidents offered symbolic importance that the people of Dublin moved in circular routs in vain attempts to break the different layers of circles imposed over them at that time. Implicitly, this reference demonstrated the inability of the people of Dublin (the Dubliners) to escape the physical, cultural, political, and religious paralysis. Joyce's portrayal of paralysis in his collection mirrored the entire country of Ireland's broader social and political context during that time. Ireland was undergoing significant changes, yet it seemed imprisoned in inertia and stagnation. The characters and their stories served as microcosms to reflect the broader and extensive social condition, highlighting the challenges faced by the Irish people in breaking free from the paralysis that held them back without tangible outcomes.

Makna Simbolik dalam Upacara Adat Sedekah Bumi Desa Pelem Kecamatan Gabus Kabupaten Grobogan

This research explores the symbolic meanings within the traditional ceremony of "sedekah bumi" in Pelem Village, Gabus Subdistrict, Grobogan Regency. Employing a phenomenological approach, data was gathered through interviews and documentation, with focused data analysis involving reduction, presentation, and conclusion drawing. The findings indicate that the traditional ceremony serves as an expression of gratitude and a harmonious connection with nature. The community engages in collaborative activities, rituals, and prayers as a form of reverence to God and the surrounding environment. Despite perceptual differences between the younger generation and elders regarding the relevance of the tradition, the traditional ceremony persists to preserve cultural identity and heritage values. The impact of differing societal perceptions creates social dynamics reflecting generational conflicts and cultural changes. This research provides profound insights into the importance of communicating cultural values to maintain a balance between tradition and positive development in a multicultural society.

The Meaning of The Shen Nong Da Di's (神农大帝Shen Nong Da Di) Birthday Ceremony at Ngo Kok Ong Temple Cibarusah, West Java

<p>This article discusses the meaning of the tradition Shen Nong Da di’s birthday ceremony (sejit) at Ngo Kok Ong Temple, Cibarusah, West Java. Ngo Kok Ong temple put Shennong Dadi in Hokkien dialect is called Sin Long Tay Te which means Agricultural Emperor as the main deity. The research methodology and data collection techniques used are qualitative methods. Data collection by indepth interviews and participant observations. Observations and participant observation carried out during the ceremony of Shen Nong's birthday from 26 June 2019 to 29 June 2019 with a descriptive analysis design. The purpose of this research is to describe the meaning of traditions at the Shen Nong’s birthday ceremony. The results of the research show that there are various traditions during this ceremony, prayer together, mediumship such as making amulet, slashing the tongue, stamping on coals lion dance and liong performances, and the tradition of electing locu. These various traditions have religious functions, social functions and psychological functions. Apart from that, the contained meaning in this tradition is the symbolic meaning and philosophical meaning for every Chinese community.</p>

Reading the Meaning of the Realization of a Residential House in Tenganan Pegringsingan Village, Bali using the Hermeneutic Method

Discussion of traditional architecture is still interesting to do because of the high meaning in it. Including traditional Balinese architecture, more precisely the house in Tenganan Pegringsingan Village. The house for the indigenous people of Tenganan Pegingsringan Village consists of several building periods, including Bale Buga, Sanggah, Bale Meten, Bale Tengah and Paon. The aim of the study was to analyze the meaning of the embodiment of a residential house in Tenganan Pegringsingan Village, Bali using the hermeneutic method. The research method used is a qualitative method with primary data from direct observation in the form of photographs, interviews and secondary data from literacy which is then compiled, the two data can be analyzed using a hermeneutic approach to obtain results and conclusions. The meaning of the house in the village of Tenganan Pegingsringan was born from the activities of its users who have the same values and expressions. Different users from community groups based on village manners have the same residential meaning. The meaning of the house form in Tenganan Pegingsringan Village has ritual, symbolic, ethical, religious and sustainable meanings.

The Meaning of Symbolic Aesthetic of Basic Shapes in Sundanese Culture

This paper aims to examine the symbolic aesthetic concepts that exist in Sundanese society and culture in West Java, Indonesia. The symbolic meaning that exists or is applied to forms that are known in art and design. With the method of interpretation and using Sundanese as a source of research, several expressions and proverbs are found that use the basic shapes, namely squares, triangles and circles. The results of this study indicate that there are symbolic meanings of the three basic forms which indicate that in Sundanese culture there is awareness of the existence of these basic forms and give them symbolic meanings. These basic forms are generally sourced from objects found in nature. The meaning of this basic form refers to a certain function that is applied according to the character of the basic form in its implementation. This symbolic meaning generally refers to efforts to create cultural values towards perfection. The meaning of this basic shape can be used for the meaning of the basic shape used in designs with a local cultural approach, especially in areas where the culture grows and develops.

OOO Sound Art and Technology as Speculative Realism

This article presents a conceptual elaboration that was created from an interview with the philosopher Graham Harman. It makes linkages between art, technology, communication and philosophy while focusing on object-oriented ontology philosophy applied to sound art. The argument involves aesthetics and social contextual ideas such as post-digital, techno-cultural, and post-techno aesthetics. Examining how technology, as a technical, symbolic and contextual dominant object of material and symbolic meaning, affects society and the arts and impacts perception, by pointing out the analytical and philosophical differences between events as spectral, immanent forces with performative qualities and technological things as materials with atomic vibrations. The aim is to promote perspectives on hybrid-materialism and event with conceptual linkage in hybrid creative art forms focused on sound as the virtual nominator in both the analog and digital environments of an expanded reality. The analysis focuses on sound studies and digital media art, supporting those artistic mediums that employ hybrid materialism to varied degrees, as shown by the artistic examples that build specific conceptual reformulations of space, score and performativeness art research by creating metapolitical distinctions and extrapolations that are able to inspire notions about time, event and place that are crucial for time-based artists that rely on technology and computational infrastructures for performativity and theoretical exploration about time, sound , image and place.

The Symbolic Meaning In Minangkabau Bukittinggi Traditional Wedding : Semiotics Studies

Minang or Minangkabau is an ethnic cultural group that adheres to a distinctive customary system, namely the family system according to female lineage which is called the matrilineal system. In Minangkabau culture, marriage is one of the important events in the life cycle and is a very significant transitional period in forming a new small family group for offspring. The purpose of this research is to find out the symbolic meaning in Minangkabau traditional marriage. This research uses a qualitative method and uses the Peirce’s theory. The informants of this study are people who understand Minangkabau culture, such as the coconut of the Minangkabau tribe. Data collection techniques through observation and direct interviews to the field and obtain information from several books and websites. the results obtained were: maminang (applying), rapek sumando (consultation of traditional leaders), malam bainai (attaching henna to the bride), Manjapuik marapulai (picking up the groom), basandiang (side by side). Then the researcher compiles, describes, and writes the symbolic meanings that exist in the traditional Minangkabau wedding steps.

Cultural Metaphor in Oboo Worship: A Religious Anthropological Study Based on Mongolian Nationality

This paper explores the cultural and spiritual significance of Mongolian Oboo sacrifices from an anthropological perspective. Oboo, traditional cairns or shrines assembled from stones and wooden materials, often located on hilltops or mountain peaks, serve as media of spiritual communication and ceremonial offerings. The practices reinforce communal bonds and tradition continuance and carry several symbolic meanings related to both natural and spiritual realms. The study explores the form and content of Oboo sacrifices, demonstrating how they embody Mongolians' religious ideologies and symbolize the interconnection between humans and the natural world. Furthermore, the paper studies how the rituals form collective memory and a sense of group identity for Mongolians. Through this investigation, the research illuminates the enduring resilience and sophistication of Mongolian traditional customs, underscoring their cultural significance.

The White Qia 帢 in the Wei-Jin Period

The qia hat has a complex history in medieval China. Since its emergence in the early third century CE, the hat appeared in various contexts and was imbued with a range of symbolic meanings. The white qia especially garnered associations relating to its color, including its participation in new aesthetic paradigms, its condemnation as an inauspicious political portent, its adoption as mourning dress, and its appearance as a narrative symbol connoting death, loss of privileged status, or non-human identity. An investigation into the hat’s history in the Wei-Jin period (220–420) indicates that attitudes towards and uses of the hat were influenced by changing aesthetic, philosophical, and political frameworks. Narrative depictions of the hat were also informed by the genre and provenance of the sources in question. In its literary transmutation as the hat of non-human figures, including ghosts and animal deities or spirits, the white qia’s narrative associations suggest fascinating points of similarity and divergence with respect to its continued usage as a human article of mourning dress. This symbolically rich piece of clothing, whose usages and meanings sometimes seem contradictory, or at the very least various, has not been adequately explored and contextualized. This article aims to provide such a study to contribute to the on-going work of deciphering the messages and meanings of dress in the early medieval period.

Symbolic meanings of a caged parrot in Nikos Kazantzakis’s Zorba the Greek

Symbolic meanings of a caged parrot in Nikos Kazantzakis’s Zorba the Greek