Performance Style Research Articles

Accenting Songs in an Afro-Brazilian Festival: Song Structures, Performance Styles, and Ludic Capital in the Bumba-meu-Boi of Maranhão

Abstract This article compares songs in the bumba-meu-boi of Maranhão, Brazil, to reframe discussions of sotaque (“performance styles”). Songs structure performances and have a high symbolic value. Focusing on songs emphasizes the annual re-creation of performance styles and encourages further exploration of singing and songs as exemplars of ludic (cultural) capital.

霍洛维茨二次改编曲中的真实性偏离与个性化风格研究

The evolution of music performance styles in the 20th century gave rise to trends stemming from RMP, MSP, and HIP. Within this evolution, certain performers exhibited distinctive and personalized style choices. Using Horowitz’s reimagined version of Liszt’s Danse Macabre as a case study in piano music, the author delves into aspects such as the composer's departure from authenticity, the extreme manifestation of personal style, the dichotomy in self-expression and evaluation. By examining his departure from the conventional MSP and HIP styles, along with the intense expression of his unique style, the exploration culminates in an examination of the controversy surrounding these expressions in performance practice, ultimately shaping Horowitz's music performance style preferences.

School Principal Leadership Style and Organizational Performance in Improving the Quality of Education

Leadership means the process of influencing group activities in the context of formulating and achieving organizational goals. There are two things that characterize leaders in carrying out achievements, namely openness and willingness to serve. Leadership always gives an interesting impression because leadership requires a style and attitude that is appropriate to the organizational climate and educational unit where this cannot be separated from performance. Organizational performance is the result obtained by an organization, whether the organization is profit centric or non-profit centric, which is produced over a period of time and is work performance that can be measured in relation to the ability and strength of the organization as a whole to achieve organizational goals. This research aims to describe the leadership style of school principals and organizational performance in improving the quality of education at MI Ma'arif NU Teluk Purwokerto Indonesia. This research is a qualitative descriptive type of research. The results of the research show that in improving the quality of education, MI Ma'arif NU Teluk has attempted to optimize teacher performance which is supported by the leadership of the school principal through strengthening the cognitive, psychomotor and affective competencies of teachers and supported by the existence of a teacher certification program.

Bound to the Banana: Re-Evaluating the Discourse Surrounding Josephine Baker’s “Banana Dance”

This paper dissects one of Josephine Baker’s early performances at the Folies Bergère, the "Banana Dance," to evaluate the effectiveness of the subversive modes Baker employed to garner cultural capital in the Western market. Through staged environment, ecological props, physical gestures, and alterations to her appearance, the paper's analysis will show how Baker utilized Western standards of Black bodies through her exterior to perform a subtextual image of Black counterculture to her awaiting audiences. The paper will also detail opinions expressed by various groups who observed her work and how these conflicting views help portray the depth and complexity of Baker’s performance style.

Gentlemen rappers: Masculinity and traditional style in Korean popular music performance

Across its history, K-pop has put traditional Korean elements to a diversity of uses, including in music, dance and visual style. This article investigates the use of traditional elements in the sub-genre of Korean hip hop and rap performance. In this strongly masculine sub-genre, the cultural meanings invoked in the incorporation and remediation of traditional Korean elements take on a more particular generic significance, one that highlights the hegemonic masculinity enjoyed by the referenced figure of the ‘gentleman scholar’ ( seonbi). With this narrower scope of investigation, I argue that the use of traditional cultural elements in Korean popular music can simultaneously function as an element of attraction for global audiences, as has previously been argued, while still maintaining local, genre-specific meanings. In particular, I argue that the gentlemanliness of the ‘gentleman scholar’ comes from and expresses a position of power and privilege.

Ethnomedicine in the USA: Aesthetics of Performance and Organic Wellness as a Posthuman Construct In the ‘Ifa’ Ritual of the Santeria

Performances across time have promoted human wellness, especially as we continue to incorporate the lived experiences of healing rituals into our contemporary artistic practices. Audience members practice good physical, emotional, social, and psychological health through their ability to create an illusion of mental escape, enlightenment, and entertainment. The paper comments on a specific shamanistic practice – “Ifa Ritual,” practiced by the African diaspora of the Americas as a metric for evaluation. I shall explore documented research on the performance expressions noticeable in the Yoruba Ifa ritual exemplary in the Santeria and their communal benefits to Afro-Cubans in the USA. The Afro-Cuban Yorubas called Lucumi are believed to have migrated as slaves from the Yoruba subgroups of Africa to the New World, and there they introduced a cultural practice called the Santeria. The Santeria is an attempt to decolonize the impact of Western religious ideologies on their spiritual and social life by performing Ifa rites as a mode of worship and healing. I interrogate how the performative styles and elements of “Ifa” including the divination techniques contribute to promoting the well-being of contemporary Ifa practitioners. Theoretically, the study considers rituals as a fundamental approach to performance and wellness that seeks to reinforce and provoke discourses in post-humanism. The scope of this study is confined to the branch of humanities and soft sciences devoted to prevalent research on the Yoruba belief system and Lucumi Santeria, aiding the discussion of "Ifa" as a post-humanist construct of performance and wellness.

EXPLORING THE STAGES IN THE EVOLUTION OF PRIMA-KOBYZ PERFORMANCE

The article presents a structural analysis of the dynamics of the development of the prima-kobyz instrument, alongside methodological advancements. The aim of the research is to identify the distinctive features of the evolution of playing techniques on the prima-kobyz. The research tasks included studying the program for teaching the prima-kobyz and structuring the development of the school for playing this instrument by analyzing performance data and employing performance analysis methods to gain a comprehensive understanding of the history and development of performance technique. The result of this research is a synthesis of performance analysis, demonstrating the main trends in the development of this national instrument. The comparative analysis allowed to identify characteristic features of the dynamics of development of modern performance techniques. The peculiarity of performance style has been disclosed and analyzed. Clear examples of research illustrating the development of performance technique are presented. The main conclusions of the research are that although the school for playing the prima-kobyz borrowed violin playing techniques and cello bowing techniques, while adapting national compositions and techniques of various string instruments, it has achieved the status of a national instrument. This study represents promising material for further investigation into the development of the national instrument.

MECHANISM AND PEDAGOGICAL SKILLS OF TEACHING STUDENTS TO PLAY A MUSICAL INSTRUMENT

This scientific article describes the mechanism of teaching a musician with pedagogical competences to develop a student's musical talent, forming performance skills using the national performance style, and giving direction to the student for independent practice.

Cultural Roots and Artistic Growth: Traditional Elements and Innovation in Modern Yue Opera Productions

This paper delves into the intricate interplay between tradition and innovation in Yue Opera, a traditional Chinese performing art form with roots tracing back to the early 20th century in the Zhejiang province. By exploring the historical development and key features of traditional Yue Opera, including its distinctive performance style, musical elements, and visual aesthetics, the study establishes a comprehensive foundation. The cultural roots of Yue Opera, deeply embedded in Chinese folklore and mythology, are unveiled, revealing its role as a living repository of timeless tales and profound symbolism. Beyond narrative content, the art form is intricately connected to regional Chinese culture, playing a vital role in local traditions and celebrations. The paper also examines the challenges and criticisms faced by Yue Opera as it navigates the delicate balance between preserving traditional elements and embracing contemporary innovation. In exploring case studies and noteworthy productions, the research sheds light on successful instances of blending tradition and innovation, providing valuable insights into the dynamic evolution of Yue Opera. The conclusion emphasizes the significance of this delicate equilibrium, calling for continued exploration and development to ensure the enduring vitality of Yue Opera in the ever-changing landscape of Chinese performing arts.

Pertumbuhan Musik Klasik Barat di Kota Medan

Edward Van Ness is a violinist, conductor, writer and teacher who has lived and worked in Indonesia cumulatively for more than forty years. Composition and world music studies were completed at Wesleyan University, conducted at the Eastman School of Music, with further graduate studies also at Boston University. He undertook research on South Indian Classical Music, was a concert player in the Carnatic Vina, and founded the Madras Chamber Orchestra. He founded the music department in 1986 at the Medan International School and became head of the music and technology department at the Indonesian Music Academy, University of North Sumatra and HKBP Nommensen University. A founder of the Indonesian Promusik group. Also known as the conductor and artistic director of the first complete performance of Handel's historic Messiah with the Ensemble Nommensen and Promusika in 1987 (in the original Baroque performance style). He is also known as the first musician invited by the institution and the Vietnamese government by leading the orchestra with cellist Cecylia Barczyk from the Ho Chi Min Conservatory Orchestra in Vietnam in April 2005. Since 2003 he has led the Nusantara Symphony Orchestra in many concerts. . Most recently he was the music director and conductor of the Indonesian National Christmas celebration in December 2018 in Medan. Until now he is a Music Teacher at the Sumatra Conservatoire.

Communicative Behavior of Mass Culture Icon Villain and the Influence on Destructive Behavior in Youth. Joker’s Case

This article examines the potential influence of iconic characters—villains of mass culture—on destructive and aggressive youth behavior. The cultivation of certain societal groups and individual media characters can lead to the normalization of hostility and violence. This study analyzes the communication styles, intelligence, motives, aggression levels, and violent actions of famous villains from films, television, and literature. Particular attention is paid to the Joker’s communicative behavior, dialogues, and language, examining how he psychologically manipulates others and conveys his destructive views through unconventional techniques. Using textual examples from comic books and films, it analyzes how the Joker’s language choices and performative style reflect his background and moral-anarchic worldview. His rhetoric provokes violent reactions from allies and enemies alike, highlighting his ability to destabilize situations. The presented portrait reveals a multi-layered understanding of this legendary creation in different epochs and contexts. The findings indicate certain villain traits that could potentially encourage impressionable youth to engage in harmful behavior. Overall, provocative fiction has a double-edged significance as it can both shape and mislead developing minds. Recommendations are made to reduce the negative effects of glamorizing villains in entertainment media.

Retracted: Using a Solution Construction Algorithm for Cyclic Shift Network Coding under Multicast Network to the Transformation of Musical Performance Styles

Retracted: Using a Solution Construction Algorithm for Cyclic Shift Network Coding under Multicast Network to the Transformation of Musical Performance Styles

ENACTING THE GODS: THE PERFORMANCE OF HAOBA NURABI EPISODE IN THE LAI HARAOBA OF MANIPUR

This paper examines the performance of the Haoba Nurabi episode in the Meitei Lai Haraoba of Manipur. It attempts to delve into the intricate rituals of Lai Haraoba, a celebration that combines elements such as dance, music, sports, and sacred ceremonies to honour the presiding deities. The paper also provides insights into the performance space known as the laipung, shedding light on the staging and realisation of this traditional performance style. Throughout this paper, the terms drama, theatre, and performance are used interchangeably with due emphasis on spectator experience rather than the technicalities of the terms and methodological challenges. The episode under consideration reenacts the interactions between the divine lovers Haoba and Nurabi, who initially fail to recognise each other, which offers moments of humour and clever dialogues while performing activities like tilling, sowing, and harvesting. With multiple constituent elements making this propitiatory festival an entity unto itself, Lai Haraoba holds significance within India's broader landscape of performance traditions. And Haoba Nurabi sets itself apart within the ritual-rich ambience of the Lai Haraoba festival by exhibiting structural and presentational similarities to contemporary drama.

Chinese Children's Choir The Artistic Style of Northern Children's Choir

The aim of this study is to explore the artistic styles of Chinese children's chorus - Northern children's chorus. Firstly, the acoustic characteristics, repertoire selection and arrangement, as well as performance styles and techniques of northern children's chorus are discussed. Then it analyses the song forms, stage images and costumes, as well as stage sets and lighting effects of northern children's chorus. It then discusses the teaching methods and teaching materials, vocal training and skill development, and artistic quality and team consciousness of Northern children's chorus. Then the development history of children's choir in the north is reviewed, successful cases are analysed and evaluated, and future trends and challenges are discussed. Finally, a conclusion is made, including a summary of the study and a prospect of the existing problems.

Pushing the boundaries: an evaluation of the use of profanity and its relevance in Indian stand-up comedy

Stand-up comedy performances in India are undergoing significant changes, marked by transformations in linguistic choices. One noteworthy shift is the inclusion of profane words in the repertoire of Indian stand-up comedians. Given the context that obscene and vulgar content in a public performance may be punishable by imprisonment under Indian laws, this development demonstrates a crucial cultural shift in a conservative society like India’s. This study employed critical discourse analysis to analyse videos (n = 82) of stand-up comedy uploaded on YouTube of Indian stand-up comedians, to understand the content delivery styles and the usage of profanity. The findings revealed that many Indian comedians purposefully incorporated Hindi and English profanity into their stand-up acts, either as an inherent part of their performance style or to amplify the impact of certain portions of their discourse. Interestingly, these videos were also published online without censoring the profanity, indicating a departure from strict self-censorship practices. The results demonstrate the integral role of profanity and its increasing relevance in the discourse of Indian stand-up comedy within the Indian urban subcultural context.

“Everything Arrives Energetically, at First”

ABSTRACT New narratives can emerge and arrive when categories and concepts can be radically reimagined. This essay is a collection of notes that play with the concept of object relations, considering the presence of non-object relations, which may appear in the form of vibration and/or sound. As a way of offering the reader examples and possibilities for non-object relations, these notes draw on theories of classical Chinese medicine, the concept of the fade-out in music, and the performance style of Pansori, a traditional form of Korean music.

Comment on “Influence of traditional Chinese thought on the performance style and creation of piano music works”

Comment on “Influence of traditional Chinese thought on the performance style and creation of piano music works”

The linkage between leadership style of project manager and project performance: Evidence from telecommunication industry

The linkage between leadership style of project manager and project performance: Evidence from telecommunication industry

The Practice and Application of Enterprise Leadership Strategic Management Based on Fuzzy Decision Model

Abstract This paper gives a pseudo metric between any two hesitation fuzzy elements based on the closeness of the hesitation fuzzy elements; based on the hesitation fuzzy pseudo metric, a hesitation fuzzy multi-attribute decision-making method based on the pseudo metric closeness is proposed. Understanding the level of strategic management ability and enterprise leaders’ ability level can be achieved by measuring the size of fuzzy weighted closeness. From the perspective of group consistency analysis, a hesitation fuzzy attribute weight optimization model based on group consistency index maximization is established, and a hesitation fuzzy multi-attribute decision-making method based on group consistency and grey correlation analysis is proposed in combination with grey correlation analysis. Enterprise leaders’ strategic management abilities are assessed during the application stage using the hesitation fuzzy multi-attribute decision-making method. Analyzing the relationship between the strategic stage and the match between different types of strategic styles of business leaders and business performance is done using cross-linkage. The analysis results show that the distance value between the comprehensive fuzzy assessment value of each level of the leader’s strategic management capability and the semantic variable of each assessment value is at least 0.052, which is consistent with the overall assessment results of the five experts on the leader’s strategic management capability. The match between the strategic style of the business leader and the strategic stage in which the enterprise is located has a significant interaction effect on the performance indicators of the enterprise P=0.007<0.01. The results verify the accuracy of the evaluation method of this paper and the existence of a correlation between the strategic leadership of the business leader and the performance of the enterprise.

Reinhardt’s Modern Concept ofEclecticismin Theatreat Variancetothe Production Philosophies of Grotowski and Brook, A Critical Review

Eclecticism intwenty-first-century theatre is fast becoming an influential directorial ideology dueto the effects of globalization and digitalization. However, some theatre critics will argue in favor of a wide variety of non-traditional styles of performance that emerged during the avant-garde theatre of the 1900s. The main objective of this paper is to applya comparative approach to assess Max Reinhardt‟s directorial concept of „eclecticism‟ and its numerous benefits to traditional theatre, while juxtaposing it with the production philosophies of Jerzy Grotowski and Peter Brook. This articleinvites the reader to an exposition of the directorial styles of three great theatre exponents as case studies of the Modern stage. The research addresses the aesthetic features of Reinhardt, Grotowski, and Brook‟s theatre that have encouraged and stimulated a greater exploration of a variety of diverse and inclusive approaches todirecting performances for the ever-evolving contemporary audience. The summary and findings are deduced from the critical examination of the three case studies.