Story Writer Research Articles

Trends in the development of the Jordanian short story of the twentieth century

Literature of each nation has its own way of development in the world literary process. The literature of the Arab countries has also taken its rightful place in the world and it has made a significant contribution to the development of world literature. It should be noted that today the Arab East consists of twenty-three states; however, the process of formation and development of new Arabic literature (the end of the 19th century-the beginning of the 20 th century) in individual countries varies. In particular, Jordanian literature has its own way of development. Socio-cultural development of the country is associated with the movement of enlightenment - “an-Nahda” (the Awakening), covering a number of Arab States. But in Jordan, the movement “an-Nahda” arises later than in other countries, and it is formed in the 1920s-1940s. By this period, the short story (al-qissa al-qasira), a genre of short story, had become one of the leading genres of Jordanian literature. By the 1950s - 1960s, the withdrawal of Palestinians from their native lands, the defeat of the Arabs in the Arab-Israeli war in June 1967 led to an even greater appearance of works devoted to the events of the war. As a result, the political processes in the East in many Arab countries, including Jordan, the defeat of the Arabs in the Arab-Israeli war have led to the emergence of even more works revealing a gallery of events related to the war. This theme is considered to be one of the main themes of Arab literature, in particular, Jordanian literature. The political processes in the Middle East have created a new social and cultural environment in the Arab world, including Jordan. The study of short stories in Jordan in the early 60-80s of the 20th century shows that the problem of Palestine is one of the leading topics, received a deeper and more comprehensive coverage in their works. A characteristic side of the short story writers of Jordan 70-80s is that they take a biased anti-Israeli position. During this period, the writers create the short story which possesses a new form and content. It should be noted that the anti-Israeli position is characteristic of the short stories of Ilias Farquh, where the writer’s short story “Abo, illuminating the silence”, discusses the theme of the Palestinians who have become refugees in their homeland.

Structure and Narration in Mustafa Kutlu’s "Bu Böyledir"

Mustafa Kutlu 1980’li yıllardan bu yana Türk öykücülüğünde kendine özgü bir dil ve üslup geliştiren önemli bir öykücüdür. Kutlu diğer eserleri arasında anlatım teknikleriyle öne çıkan Bu Böyledir adlı öykü kitabında, yaşanan toplumsal değişimi, bu değişimin bireyde açtığı çatışmayı sembolik bir dille işlerken geleneksel hikâye anlatma teknikleriyle modern edebiyat tekniklerini bir arada kullanır. Vermek istediği mesajları kitabın ana eksenini oluşturan ve bir bütün olarak dünyayı temsil eden lunapark imgesi etrafında aktaran Kutlu, öykülerde dinî/tasavvufi metinlerin hikâye anlatma geleneklerinin yanı sıra modern tekniklerden eşit biçimde faydalanır. Bu makalede, Bu Böyledir’de esere yapısını veren çerçeve öykücülüğü ile eserde kullanılan teknikler arasında en fazla öne çıkan laytmotif tekniğinin kullanımları ele alınmıştır.

Person and place names in Ömer Seyfettin's works

Ömer Seyfettin, modern Türk öyküsünün kurucu isimlerindendir. Balkan coğrafyasındaki siyasi gelişmeleri yakından izlemiş, askerlik izlenimlerini özellikle Balkan Savaşlarının siyasi ve sosyal sebep ve sonuçlarını öykülerinde işlemiştir. İstanbul merkez olmak üzere Osmanlı coğrafyası ile Balkan coğrafyasındaki siyasi ve sosyal gelişmelerin izleri bütün öykülerinde görülmektedir. Bu devrin ortaya çıkardığı insan tiplerini de öne çıkan özellikleriyle eserlerinde işlemiştir. Olumlu insan tipleri yanında olumsuz tipleri de bu devrin sosyal ve siyasi durumlarını yansıtıcı özellikte seçilmiştir. Yazar, bu tipleri bilinçli olarak seçmiştir. Öykülerinin konularını genellikle gerçek hayattan alan yazar, millî bilinci uyanık tutmayı amaç edinmiştir. II. Meşrutiyet döneminde toplumun aksayan yönlerini öykü kişilerinin bazen doğrudan bazen dolaylı olarak eleştirmesini sağlamıştır. Gerek Batı (Fransız) gerekse Doğu (Arap-Fars) etkisinde yaşam süren tipleri çok dikkat çekici anlatım yöntemleriyle öykülerinde yansıtmıştır. Konularını anılarından, tarihî olaylardan, efsanelerden ve devrin günlük hayat tarzından seçmiştir. Gerek lakaplar gerek unvanlar gerek kişi adları gerekse eserlerinde kullanılan yer adları tarihsellik açısından son derece önemlidir. Kişi ve yer adları, dilbilimsel antropoloji açısından önemlidir. Adlar, ait olduğu kültürün bir tür aynası sayılabilir. Bu açıdan edebî eserlerde kullanılan adlar da yazıldığı dönemin birçok özelliğine ışık tutmaktadır. Türk edebiyatının önemli öykü yazarı Ömer Seyfettin’in ölümünün 100. yıldönümünde anılması, tanıtılması ve gelecek kuşaklara aktarılması amacıyla 2020 yılı “Ömer Seyfettin Yılı” ilan edilmiştir. Bu düşünceyle Ömer Seyfettin’in eserlerini ad bilimsel olarak ele alan bu çalışmada, Ömer Seyfettin’in öykülerindeki kişi ve yer adları ele alınacak, yazarın öykülerinde iletmek istediği mesajlar bu açıdan daha somut hâle getirilecektir.

POETICS OF SHERKHAN MURTAZA'S STORY "ТАУЕКЕЛ ТОЙ"

One of the talented writers who made an invaluable contribution to the development and development of modern Kazakh fiction is Sherkhan Murtaza. In the literary heritage of the writer, a special place in literature is occupied by stories of small genres, in which he described the tragic fate of the past and present people with his pen. More than a quarter of a century has passed since our country gained independence and received wide recognition. Serving the truth of the life experienced up to this time by the nation in order to turn it into an artistic reality is the main task of the writer. Because the noblest ideal of a writer is the interests of the people [1,14]. With this in mind, Sherkhan Murtaza's stories written after the dawn of independence, problems and disappointments in the life of the Kazakh people, individuality and prerogatives are expressed realistically, with obvious sarcasm, with a mysterious and attractive accent. The article analyzes the writer's story " Тауекел той " based on the theory of literature. Through the analysis of the plot and compositional structure of the narrative, the ideological content of the work is deeply analyzed. Defines the relationship of the author's idea in the work with the reality of life. To determine the concept (worldview) of the writer, embedded in the narrative, a study of the artistic world of the work, the significance of events and imagery, language and style of the work.

القصَّة فى المملکة العربیَّة السُّعودیة الکاتب( ظافر الجبیر) أنموذجًا

الملخص القص قديم قدم الإنسان، ومنتشر مع انتشار خطواته على أي أرض. وسيظل مفهوم القص الفني وأبنيته وعناصر تکوينه موضع جدل طويل بين النقاد والباحثين والمبدعين، فهو کغيره من الأجناس الأدبية يتعرض إلى عمليات تطور وتحول عارمة. والمعيار النقدى لفنية القصة کجنس أدبى له خصوصيته وتميز ملامحه، لم يتحدد إلا بعد انتشار القصة القصيرة بشکلها الفنى الجديد فى أرجاء أوروبا وأمريکا. ومنذ هذا الظهور المقنن لها حتى الآن، وجهود کتاب القصة القصيرة فى مختلف أرجاء العالم واجتهاداتهم لاتتوقف لإنضاج هذا الفن وتطويره وتمکينه من تجسيد الملامح الفنية والفکرية ، ومع انطلاق القصة القصيرة فى الصحافة المصرية وانتشارها والتفاف القراء حولها وتقصي النقاد لکل خطواتها، کانت هناک فى أرض الجزيرة العربية رايات جديدة ترفع، وترفع معها بدايات حقيقية للأدب الحديث فقد حرص الملک عبد العزيز(1924-1344)على إنشاء دور العلم، والصحف، وتصدرت المشهد جريد (صوت الحجاز 1350) وجريدة المنهل، وکان للاثنين الفضل والسبق في نشأة القصة فى المملکة العربية السعودية–تحديدا- ملازمة لظهور الصحافة. نقاط البحث:- المقدمة :- تستعرض مراحل القصة في مصر والمملکة العربية السعودية، والمعيار النقدي لها وتحليل النقاد والأدباء لبداية القصة السعودية . الأديب ظافر الجبير أنموذجا :-تحليل الأعمال الأولى -الناضجة -البناء القصصي -شعرية القصة القصيرة -الحالة الشعورية والإنسانية التي تتمحور حولها القصة . الصورة الفنية :-ترکيبة وجدانية تنتمي في جوهرها إلى عالم الوجدان . نهايات القصة القصيرة جدا :-تسلک مسلک درامي غير متوقع ، فيصطدم القارئ بنهاية هى بداية. المکان :-ليس له مکان بعد هيمنة قانون القصر على النص القصصي ذاته وعلى الزمان . الشخصيات :-إجمالا لاتحمل ما يقر بها للقارئ حتى يظل مستفزا على الدوام .وهى مضغوطة بلاصفات محددة تخلو من الأبعاد وليس لها وظيفة ولا انتماء ولاجنسية محددة. اللغة :-تتجدد لتحمل الجديد من الشحنات التعبيرية . الزمان:- ينفتح على مستقبل ممکن ، متداخل الماضي بالحاضر في لحظة واحدة الخاتمة Abstract The story is as old as humans, and is pervasive with its steps spread over any land. The concept of artistic storytelling, its structures and components of its formation will remain the subject of long debate among critics, researchers and creators, as it is, like other literary genres, subjected to massive development and transformation processes. And the critical criterion for the art of the story as a literary genre that has its own peculiarities and features, was not determined until after the short story in its new artistic form spread throughout Europe and America. Since this codified appearance of it until now, and the efforts of short story writers in various parts of the world and their efforts do not stop to mature and develop this art and enable it to embody artistic and intellectual features, and with the launch of the short story in the Egyptian press and its spread, readers gathered around it, and critics investigated all its steps. New Arab flags are raised, and with them are raised real beginnings of modern literature. King Abdul Aziz (1924-1344) was keen to establish the role of science and newspapers, and the scene topped the scene by Jarid (The Voice of Hijaz 1350) and Al-Manhal newspaper, and the two had the merit and precedence in the origin of the story in Saudi Arabia Specifically, it is inherent in the emergence of the press. Research points: - Introduction: - It reviews the stages of the story in Egypt and the Kingdom of Saudi Arabia, its critical standard and the analysis of critics and writers for the beginning of the Saudi story. The writer Dhafer Al-Jubeir is a model: - Analysis of the first works - mature - Structure fiction - Poetry of the short story - The emotional and human condition around which the story is centered. The artistic picture: an emotional combination that, in essence, belongs to the world of conscience. The very short story endings: - Behaves in an unexpected, dramatic course, so the reader collides with an end that is a beginning. The place: It has no place after the rule of the palace law over the story itself and over time. Characters: - In general, they do not carry what they acknowledge to the reader so that he will always be a provocation. They are pressed with specific qualities that are devoid of dimensions and have no function, affiliation, and specific nationality. Language: Renewed to bear the new expressive charges. Time: opens up to a possible future, intertwining the past with the present in one moment - Conclusion

AN EXAMINATION OF THE REPRESENTATIONS OF NATURE IN THE SHORT STORIES OF AWARD WINNING ZAMBIANS

The short story scene of award winners in Zambia is dominated by female writers. Chicken, by Efemia Chela, was nominated for the Caine Prize for African writing in 2014. A Hand to Hold, by Mali Kambandu, won the 2018 Kalemba Prize, a local award for Zambian writers. The Sack, by Namwali Serpell, won the Caine Prize in 2015 and Madam’s Sister, by Mbozi Haimbe, was the African regional winner of the Commonwealth Short Story Prize in 2019. Studies between literature and the physical environment have become an area of interest for many writers. Following the United Nations Decade of Education for Sustainable Development (2005 – 2014) and Agenda 2030, this study examines the representations of nature and ecocritical issues in the works of four award winning Zambian short story writers. Using the model by Glotfelty (1996), the examination addresses two issues (1) how nature is represented in four award winning short stories (2) the ecocritical issues raised in the short stories. Through a qualitative, textual analysis of the short stories, the findings highlight contributions that literature by Zambian writers can make towards the discourse on sustainability issues and raise awareness about nature and environmental concerns of the 21st century. 
 
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The Works Of Modern Jordanian Writer Ilias Farquh

The study of short stories in Jordan in the early 60-80s of the 20th century shows that the problem of Palestine is one of the leading topics, received a deeper and more comprehensive coverage in their works. A characteristic side of the short story writers of Jordan 70-80s is that they take a biased anti-Israeli position. During this period, the writers create the short story which possesses a new form and content. It should be noted that the anti-Israeli position is characteristic of the short stories of Ilias Farquh, where the writer’s short story “Abo, illuminating the silence”, discusses the theme of the Palestinians who have become refugees in their homeland.

Cora Coralina: uma poética sobre lugares e sabores

Cora Coralina (1889-1985), poeta e contista, possui uma obra rica em representações sobre o cotidiano do interior brasileiro. Ao escrever sobre os becos e ruas da Cidade de Goiás (GO), a autora foi construindo uma narrativa sobre a própria vida, com versos carregados de um sentimento topofílico. Tendo também trabalhado como doceira por muitos anos, a autora retrata em alguns dos seus textos a questão alimentar com a mesma afetividade. A partir desse contexto, o presente trabalho apoia-se em nove poemas da escritora, com o objetivo de abordar a geopoética dos versos de Cora Coralina, percorrendo por lugares da/na poesia da autora, assim como a descrição dos sabores presentes em sua escrita.

Mark Twain in Context

Mark Twain in Context

Lawrence’s Ideology of Education

H. Lawrence was not only a novelist, poet, short story writer and essayist but also a philosopher, sociologist and educationist. His contribution in the field of education is not less than a milestone. In this article my approach is to analyze his ideology of education which was child centric. Through his novels, poems and essays Lawrence always propagated his vision of education.

Picture Stories, 1840-1860, or Problems with Photographs

“Picture” stories, a whole genre of short fiction denoted by the central role of a picture, were common in the middle decades of the nineteenth century, from the 1840s to the 1860s. They featured in periodicals publishing fiction aimed towards middle- and lower-class readers, such as Ainsworth’s Magazine, Chamber’s Edinburgh Journal, Bentley’s Miscellany, and Sharpe’s London Magazine of Entertainment and Instruction for General Reading. Titles usually made the genre obvious: e.g. “The Story of a Picture” (1842), “The Fatal Picture” (Elder 1843), “The Adventures of a Picture” (Medwin 1843), “The Unfinished Picture: A Reverie” (Kenney 1845), “The Lost Picture” (1853), “The Unowned Picture” (1856), and “Memoirs of an Old Picture” (1859). Many of the “pictures” in these stories of the 1840s, 1850s, and 1860s are paintings, but not all. Picture stories about photographs often worked in radically different ways from those stories about paintings, with photographs posing a new set of problems for viewers. This essay is about how writers of picture stories explored those problems, and aims to uncover how and why paintings and photographs work differently within this genre of short fiction.

The Icons in the Story of Al-Zill Al-Ari [The Naked Shadow] A Semiotic Study

This paper aims to present a semiotic reading of the Icon in the story of Al-Zill Al-Ari [The Naked Shadow] by the Yemeni short story writer and novelist Mohammed Al-Gharbi Imran. This paper is grounded in the critical semiotic approach to seeks to reveal the meaning of the Icons represented in the story by tracing the process of signification and the dynamics of importance within the story discourse. The study explores the implications of the Icons to produce general significance and to embody them in the context of the story discourse where its elements intermingle to reveal close and far meanings. The story of Al-Zill Al-Ari revolves around the character Alwan, who strives for a better life for himself. Still, he faces several obstacles that prevented him from fulfilling his aspirations.The story has an implicit criticism of the situation in Yemen. The writer implicitly criticizes the economic, social, and political life in Yemen. The study aims to highlight the importance of the Icon and the semiotic analysis of the literary texts.

Ethel Carnie Holdsworth: General Belinda, Co-operation and the Servant Problem

In July 1920, ‘Belinda: The Story of a Domestic Servant’ first appeared in the co-operative periodical, the Wheatsheaf. It was penned by one of its regular short story writers, Lancashire mill-woman Ethel Carnie Holdsworth (1886–1962). Encouraged by Percy Redfern, the Wheatsheaf’s editor, Carnie Holdsworth returned to the character of Belinda over the next couple of years, and in 1924, General Belinda became her sixth published novel. General Belinda is an episodic adventure about the trials and tribulations of domestic service. Belinda is a maid-of-all work who, like P. G. Wodehouse’s Jeeves, puts her employers’ lives and affairs to right. Comedy is the striking note, but Carnie Holdsworth was adept at putting popular fiction to work for feminist-Marxist politics. This article explores the novel as a radical feminist critique of early twentieth-century domestic service and the devastation of World War One, written from the rare perspective of a working-class woman. General Belinda is also an important example of co-operative ideals. Redfern was a key proponent of consumer socialism between the wars, and Belinda shows her employers the power of consumerism as a rational force for good, preaching against debt and fiscal irresponsibility. The article illustrates how Carnie Holdsworth’s plot intersects with wider debates in interwar women’s print culture on how British women shoppers were encouraged to be good home-making citizens. Belinda shows readers how to practise domestic economy and shop for co-operative good. In doing so, she suggests a new way of conceiving of the labour of domestic service and of positive social relations post-war, based on a co-operative understanding of dignity, mutual association and self-help.

Marooning on Islands of Her Own Choosing: Inscribing Place and Instability in Alice Munro’s “Deep-Holes”

The essay analyzes Alice Munro’s “Deep-Holes” which features real, singular and apparently unconnected places, arguing that as a geomancer Munro inscribes place, highlights gaps in the referential process, and reveals instability of meaning, through shifts in the perception of space and place. “Deep-Holes” is one of the Canadian short story writer’s geoliterary stories in which she uses space to comment on her writing, to foster a double vision in readers and encourage them to draw connections between place and fiction, within a single story and from story to story.

A Translation into English of Khalil I. Al-Fuzai’s “No Rendezvous”

This is one of the stories that illustrate the failure to marry the woman that a man chooses to marry. Bassim and Salwa love each other, but due to his economic status, he cannot afford the marriage requirements. Like his other stories, Khalil I. Al-fuzai, a Saudi Arabian short story writer, addressed “many social, political, and religious aspects he found in his society” (Dohal, 2013). In this story as it is the case with many other stories written by Al-fuzai, Bassim “struggles to overcome the financial difficulties he faces” (Dohal, 2020). In translating this story, Khalil I. Al-Fuzai (1940- ) will be introduced to new readers as an author of a different culture who has done his utmost to discuss the social issues found in his saudi 1970’s environment. 
 Here, like Khalil I. Al-fuzai’s other protagonists in his collection of stories, Bassim struggles with his economic reality; in his society, marriage requires wealth; without money, a male should not consider getting married. Bassim has a job, yet his job does not provide him with enough money to marry and have a family. 
 Here, like Khalil I. Al-fuzai’s other protagonists in his collection of stories, Bassim struggles with his economic reality; in his society, marriage requires wealth; without money, a male should not consider getting married. Bassim has a job, yet his job does not provide him with enough money to marry and have a family.

Cultural Inheritance and Subjugation in Mahasweta Devi’s Water

This paper focuses on the cultural inheritance and the Subjugation of the oppressed in Mahasweta Devi’s play, Water (Jal), which was translated by Samik Bandyopadhyay. Mahasweta Devi, a Bengali writer, was a committed social activist, dramatist, novelist, short story writer and winner of many prestigious awards for her contribution to the field of literature and cultural studies. She has written several novels and short stories in her native language, almost half of which were later translated. Her works are based on the marginalised and the oppressed, projecting her concern for the downtrodden. In the play, the basic consent was denied for a particular group of people which in turn exploded into a rebellion.The use of characters, plot construction and structure paves way for the exploration of the conflict between the oppressor and the oppressed. This paper also focuses on the myth and the agrarian society of the post-colonial India in regard to the play.

Medical conditions of Omer Seyfettin (1884-1920), the father of Turkish short stories, enshrined as a mystery.

Born in 1884 in Balıkesir, Turkey, Ömer Seyfettin was a leading figure among modern Turkish short story writers whose death in 1920 at the age of 36 led to long-term speculations about his fatal illness. In order to pay homage to his memory in the centennial of his death and to shed light on his later medical condition, this paper seeks to reexamine his last days from a medico-historical perspective. Our findings indicate that there was a notable decline in his health occurring after 1917 when he was confined to social isolation. A carbuncle was diagnosed in his posterior neck when he was 35-years of age and not satisfactorily treated. In late February 1920, he developed progressive symptoms over two weeks consisting initially of a headache, followed by fever, delirium, hallucinations, and diplopia. These clinical signs and symptoms are clinically suggestive of a septic encephalopathy presumably caused by staphylococcus aureus infection secondary to the carbuncle, or perhaps by one of the myriad causes of viral meningoencephalitis.

Representações marginais na escrita de João Antônio: do malandro ao marginal

O termo marginal comporta nuances de significações que reverberaram nas teorias sociais para explicar os processos de marginalização e exclusão forjados pelo capitalismo na América Latina, bem como a noção também ecoa na crítica literária. Desse modo, a noção de marginalidade reveste-se de enredamentos que movem a acepção por dimensões estéticas, políticas e sociais. Numa abordagem estritamente artística, marginais são as produções que rompem com normas e paradigmas estéticos, afrontando o cânone literário. Mas é possível situá-la no deslizamento de sentido que irá se referir àqueles classificados de bandidos e delinquentes, que vivem à margem da lei, excluídos e marginalizados social, econômica e culturalmente. O presente estudo faz um recorte dentro da obra do escritor paulista João Antônio, observando a temática da marginalidade que se mostra por meio dos seus personagens marginais à sociedade e à literatura, pois João Antônio vai narrar a história do submundo, daquele que é invisibilizado. O recorte deste estudo privilegia narrativas do contista que, entre as décadas de 1960 e 1980, produziu obras em que os marginalizados entram definitivamente nas páginas de nossa literatura como verdadeiros protagonistas. Para problematizar a questão da marginalidade na obra de João Antônio iremos analisar dois contos: “Malagueta, Perus e Bacanaço”, que integra a coletânea de mesmo nome, primeiro livro publicado por João Antônio, em 1963, ganhador de vários prêmios, inclusive o Jabuti; e o conto “Paulinho Perna Torta”, do livro Leão de Chácara (1975).

Doris Lessing’s Science Fiction

Doris Lessing, the Nobel Laureate (1919-2007), a British novelist, poet, a writer of epic scope, playwright, librettist, biographer and short story writer. She was the “most fearless woman novelist in the world, unabashed ex-communist and uncompromising feminist”. Doris has earned the great reputation as a distinguished and outstanding writer. She raised local and private problems of England in post-war period with emphasis on man-woman relationship, feminist movement, welfare state, socio-economic and political ethos, population explosion, terrorism and social conflicts in her novels.

A VIAGEM SEM VOLTA DE JOSÉ ALFERES EM “O CONVIDADO”, DE MURILO RUBIÃO

Neste artigo, analisamos o conto “O convidado” de Murilo Rubião, abordamos os principais elementos da narrativa, com ênfase ao tempo e ao espaço. Apoiamo-nos, para isso, nos críticos Moisés (2007), Reuter (2002) e Lins (1976), a fim de classificar os recursos utilizados no conto. Porém, é com base nas epígrafes que abrem cada obra do contista mineiro, que direcionamos a nossa análise, pois elas podem nos ajudar a refletir sobre o sentido final do texto. Também destacamos algumas intertextualidades encontradas em determinados personagens da mitologia grega e, para finalizar, comparamos a obra de Murilo Rubião ao mito de Sísifo, com base nas versões encontradas em Hacquard (1996) e Grave (1955).
 
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