George Ivanovich Gurdjieff (c. 1866–1949) was an esotericist and spiritual teacher whose charisma and authority were recognised and celebrated by his pupils. He attained a measure of fame during his life, and after his death in 1949 several pupils published memoirs that contained literary portraits of their teacher, making it possible for seekers who had never met Gurdjieff to experience his charisma. Over time, fictional portraits of Gurdjieff were created by novelists, playwrights, and authors of short stories, ranging from deferential and ennobling (Peter Neagoe’s The Saint of Montparnasse), to humorous and mocking (Leonora Carrington’s The Hearing Trumpet). The majority of novels featuring Gurdjieff were written during or close to his lifetime, by people who had first-hand knowledge of his teachings, or of his direct pupils. Few of these fictions garnered large readerships, yet they are interesting as they reflect the cultural context in which Gurdjieff lived and taught, and are attempts to transmit, however faultily, those qualities that made him a ‘remarkable man’ in textual form. This article examines several fictional portraits of Gurdjieff, focusing on his image as a ‘remarkable man,’ and his impact on the characters and plots, which authors crafted as evidence of his transformative power.
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