<7RONY has often been treated as a device leading towards the subjective assertion of self. Yet this focus is an incomplete one, stressing the corrosive aspect of Socratic wit, while ignoring the equally essential Socratic ignorance and dialectic. These latter factors imply an inherent limitation on the scope of knowledge of any individual subject and the consequent necessity to be involved with and rely on other subjects. It is this latter sort of irony that is particularly operative in the novels of George Meredith, which display an acute awareness both of the intersubjective nature of knowledge and of the linguistic detours through which alone such knowledge can be attained. The Egoist is a striking instance of Meredith's ironic view of human relationships, which permeates his entire work with a concern about the barriers to fully realized discourse. Meredith criticism has traditionally relied on external factors to organize his texts-most often biographical information or Meredith's own fragmentary theorizing.' Like recourse to the Essay on Comedy, however, these approaches can unduly constrict the achievement of his novels to fit an often didactic and narrowly
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