Ever since the Republic of India became an independent nation in 1947, the Indian state has strived to keep its territorial integrity, in spite of the numerous territorial claims made by neighboring states. Firstly, the Kashmir region is home to both Muslim and Hindu populations; therefore, when the Indian and Pakistani states were created, the region was split between the two new states. However, both states hold the belief that the entirety of the Kashmir region should be part of their territory. This situation sparked numerous local conflicts and four local wars (1947, 1965, 1971, and 1999). Secondly, another disputed area is located on the border with the People’s Republic of China, as the Chinese state does not recognize the McMahon Line, which was agreed upon by British India and Tibet. This led to the conflict in 1962 and to a tension-filled relationship between China and India. This paper approaches both the historical evolution of the conflicts and the way in which these two conflict areas are portrayed in literature. While Veera Hiranandani, in The Night Diary (2018), and Khushwant Singh, in Train to Pakistan (1956), focus on the conflicts between Muslims and Hindus after the partition of India and Pakistan, Salman Rushdie, in Midnight’s Children (1981), analyzes the traumas of the conflict in Kashmir. Furthermore, Jon Cleary, in Pulse of Danger (1966), presents the context of the Sino-Indian war. The most disturbing novel about the Indian conflicts is Humphrey Hawksley’s novel, Dragon Fire (2000), because the author presents an apocalyptic war between the Republic of India, on one side, and the Islamic Republic of Pakistan allied with the People’s Republic of China, on the other side.