This article is dedicated to the work with students in Russian and Chinese theatrical schools, which is structured on the elements of acting techniques determined by the “Stanislavsky system” as the leading theoretical foundation in the training of novice actors. It is noted the assisting methods in the process of actors training is the methods and approaches towards drama training applied by Vsevolod Meyerhold and Nikolai Demidov. Leaning on the national and foreign experiments, the professors are guided by personal long-term artistic experience and theory of acting art, trying to make this course on the basis of substantial scientific theory and practice. The author claims that actors training in China leans on the Meyerhold system, with focus on development of self-control, control over body, voice and emotions, orientation towards manipulation of the character, coupled with random body movements as the basis. Professional acting technique training in Chinese theatrical schools is founded on the basic knowledge of professional skills for improving the laws of physical body movement, emotional control, cognition and interpretation of the character.