ABSTRACT The literature on women’s participation in genocide and related violence focuses on the actions of women who are either at the very top or at the very bottom of social hierarchies. Exceptional roles played by a select few elite women prosecuted at international criminal tribunals have been recognized. Scholars have also examined the motivations of ordinary women who are swayed by ethnocentric scapegoating or commit violence out of fear and coercion, including social and economic incentives. In-depth analyses of female perpetrators in the professionals category who, along with men in that category, serve as bridgemakers between commoners and leaders are scarce. With the exception of nurses, teachers, and secretaries involved in the Holocaust, the professionals category is gravely understudied in scholarship on perpetrators. This article begins to rectify this gap by examining the case of Valérie Bemeriki who, as a journalist for the Radio Télévision Libre des Mille Collines (RTLM), promoted the genocide against the Tutsi in Rwanda. Valérie is a perpetrator who was intimately close to many Rwandans, including her victims, through the radio, yet she is simultaneously unfamiliar as her motivations have not been widely disclosed. The article provides an interpretive analysis of my interview with Valérie, radio transcripts of Valérie’s hate speech obtained by the International Criminal Tribunal for Rwanda (ICTR), and Rwandan and international newspapers and secondary source materials concerning Valérie. The findings suggest that perpetrators in the professionals category convey a contradictory experience in their motivations during the violence and their grievances in the aftermath. While Valérie minimized her agency in the genocidal machine, emphasizing structural constraints, she actively distinguished herself from powerless commoners, including Rwandan women living in a deeply patriarchal society. The article portrays Valérie as a strategic professional who hoped to excel by catering to powerful political figures.