Inverse Research Articles

Factores de riesgos psicosociales y estrés percibido en docentes universitarios

<p>Los docentes universitarios están involucrados en un ámbito laboral donde interactúan con personas (jefes, colegas, estudiantes, etc.) y situaciones que pueden causar estrés. La presente investigación tuvo como objetivo central conocer la relación entre los factores de riesgos psicosociales y el estrés percibido por los docentes universitarios. El enfoque del trabajo fue cuantitativo, el diseño fue correlacional y transversal; la muestra estuvo constituida por 117 docentes universitarios de Lima, Perú. Los resultados indicaron que el estrés percibido se relaciona positivamente con las exigencias psicológicas, trabajo activo, compensaciones y doble presencia del docente; sin embargo, se encontró una relación inversa entre el estrés y el apoyo social recibido. Los datos muestran que los docentes contratados presentan mayor nivel de estrés y que los principales síntomas experimentados son el cansancio, no poder dormir, dolores de cabeza, poca concentración y variación del apetito. No se encontraron diferencias relevantes en cuanto a la edad y sexo.</p><p> </p>

«THE EAST» IN POETRY BY V. BRUSOV (ON THE ISSUE OF BRUSOV’S ORIENTALISM POETICS)

According to the paper’s author, in the late XIX-early XX century symbolists were enchanted with the Eastern culture. Significantly, the East was a pillar of V. Brusov’s poetic world view. The paper analyzes the Eastern motives, images and topics in the poet’s creative heritage, in particular, in his collections of verses «Chefs d’oeuvre», «Me eum Esse», «Tertia Vigilia», verses «A Scholar», «On Easter Island», «A Priest», «Esarhaddon», as well as in his verses devoted to Alexander the Great, Cleopatra, etc. The analysis concludes that V. Brusov created a concept of historic and aesthetic synthesis of the West and the East.

EMBODIMENT OF V. BRUSOV’S ARTISTIC QUEST AND VIEWS ON SCIENCE AND PHILOSOPHY IN HIS COLLECTION OF VERSES «SEVEN COLORS OF THE RAINBOW» (CYCLE «ORANGE»)

The author of the paper quotes V. Brusov, whose works are based on «the words, sounds, colors». In particular, the color is an aesthetic equivalent of the existent and non-existent. The author substantiates the use of colors, in particular, orange, as art technique in a collection of verses «Seven Colors of the Rainbow». The paper concludes that orange symbolizes virile personality, being the sigil of the sun, the flame, the passion and pleasure. Consequently, the poet uses the color to reveal the zest for life.

SCIENCE AND IMAGE OF A SCHOLAR IN WORKS BY V. BRUSOV

The paper deals with «science poetry» concept developed in the late XIX-early XX century by René Gillet and Valery Brusov. The concept was disclosed in V. Brusov’s lectures, his works on literary theory and two collection of verses: «Mea» and «Distant Territories» («Дали»), which are replete with the scientific terms. The paper considers two scholars depicted in «The Fiery Angel», a novel by V. Brusov, Agrip-pa von Nettesheim and Faust, as well as in his other works, primarily, «A Night Trip», etc. The paper concludes that V. Brusov’s creativity pre-empted science fiction.

FOLKLORE IN V. BRUSOV`S AESTHETIC CONCEPT

The paper considers V. Brusov’s works on the theory of folklore, his reviews of collection of verses influenced by folklore motives, and his research on peculiarities of the Russian epic verses. The paper also deals with archaic folklore motives in the poet’s works. The author concludes that folklore is an essential component of the poet’s aesthet-ic world view.

Erotical Signs in The Poetry of Ismail Kadare

The motive of love, not only Kadare's poetry, but generally throughout the contemporary Albanian and world poetry, is one of the fundamental, general and extremely universal motifs. Such a motive has also prompted the poet Kadare to write poems that propose the aesthetics of one of the most general motives of man - the motive of love. The first and the first love in the verses of Kadare is described and emerges as a part of human life and as such comes out of special dimensions. Kadare, being a good builder of a full and complete poetry, would say, even if his poetry, if we can say erotic, we have a remarkable use of such signs, although in general the poetry of love does not occupy any remarkable place in Kadare's poetry, naturally in comparison to the poetry of other motifs, though it is quite manifested.
 But, however, love in Kadare's poetry marks, among other things, a particular poetic word in general, and even in this regard, it is also a multiple pluralist expression, using words, expressions and figures unused by others, also giving different words and meanings, from everyday life, to various functions, marking high aesthetic and literary uplift, but also figurative. He is a good builder of various artistic figures, an innovator of creating new words and expressions, and a sublimant of the ideas he poses and realizes in his poetry.
 Although it is a whole set of signs that Kadare uses in his poems, which are motivated by the feeling of love, we will in this case stop the signs he uses most, as well as those signs which make a special significance for his poetry. On this occasion, we will dwell on the signs, coinciding with the poetry, which appears as a poem of love, and which in Kadare occupies a place, though not deserved, we would say, like love, moon, flower, bride , the heart, the lips, the eyes, the cheeks, the throat, the heart, the soul. There are also a number of other signs that reinforce and sublimate the poetic ideas of Kadare's love motifs, but we believe that these are the signs that strengthen our conviction of the artistic achievement of his poetry as well as those that make up innovation in Albanian poetry generally, whether in terms of poetry, or in terms of the breadth of poetic figuration.
 Key words: Poetry, Kadare, Love, Signs, Figure, Poet, Structure, Verse, Aspect, Erosion, Devotion, Sublimation, Heart, Eyes, Soul, Flower, Wax.

A General Inversion Pair and p-deformation of Askey Scheme

The present work incorporates the general inverse series relations involving p -Pochhammer symbol and p -Gamma function. A general class of p-polynomials is introduced by means of this general inverse pair which is used to derive the generating function relations and summation formulas for certain p -polynomials belonging to this general class. This includes the p -deformation of Jacobi polynomials, the Brafman polynomials and Konhauser polynomials. Moreover, the orthogonal polynomials of Racah and those of Wilson are also provided p-deformation by means of the general inversion pair. The generating function relations and summation formulas for these polynomials are also derived. We then emphasize on the combinatorial identities and obtain their p-deformed versions.

Ideal Module Amenability of Triangular Banach Algebras

Let A and B be unital Banach algebras and M be an unital Banach A,B-module. In this paper we define the concept of the (n)-ideal module amenability of Banach algebras and investigate the relation between the (2n-1)-ideal module amenability of triangular Banach algebra Τ = [A M B ] (as a Τ = {[α α] : α ∈u}-module) and (2n - 1)-ideal module amenability of A and B (as an u-module), where u is a (not necessarily unital) Banach algebra such that A, B and M are commutative Banach u-bimodules. Finally, in the case that A = B = M = l 1 (S) and u = l 1 (E), for unital and commutative inverse semigroup S with idempotent set E, we show that T as an u-module is (2n - 1)- ideal module amenable while is not module amenable.

On the Upper Bounds for the Degree Deviation of Graphs

Let G be a simple connected non-trivial graph of order n, size m, and vertex degree sequence ($$d_1, d_2,\ldots , d_n$$). The first Zagreb index $$M_1$$, forgotten index F and inverse degree ID are the graph invariants defined as $$M_1(G)=\sum _{i=1}^n d_i^2$$, $$ F(G) = \sum _{i=1}^n d_i^3$$ and $$ID(G)=\sum _{i=1}^n \frac{1}{d_i}$$, respectively. A graph is said to be regular if all of its vertices have the same degree and otherwise, it is called a nonregular graph. For the quantitative topological characterization of the nonregularity of graphs, the graph invariants $$s(G)=\sum _{i=1}^n\left| d_i-\frac{2m}{n}\right| $$ and $$Var(G)= \frac{1}{n}\sum _{i=1}^n \left( d_i - \frac{2m}{n} \right) ^2$$ may be used. In this paper, some upper bounds for s(G) that reveal connections between s(G) and $$M_1(G)$$, F(G), ID(G), Var(G) are obtained.

POEM vs. Pneumatic Dilation for Initial Achalasia Treatment

In patients with an acceptable risk profile, achalasia treatment can be accomplished surgically via laparoscopic Heller myotomy (LHM) or endoscopically

EEG source localization using spatio-temporal neural network

Source localization of focal electrical activity from scalp electroencephalogram (sEEG) signal is generally modeled as an inverse problem that is highly ill-posed. In this paper, a novel source localization method is proposed to model the EEG inverse problem using spatio-temporal long-short term memory recurrent neural networks (LSTM). The network model consists of two parts, sEEG encoding and source decoding, to model the sEEG signal and receive the regression of source location. As there does not exist enough annotated sEEG signals correspond to specific source locations, simulated data is generated with forward model using finite element method (FEM) to act as a part of training signals. A framework for source localization is proposed to estimate the source position based on simulated training data. Experiments are done on simulated testing data. The results on simulated data exhibit good robustness on noise signal, and the proposed network solves the EEG inverse problem with spatio-temporal deep network. The result show that the proposed method overcomes the highly ill-posed linear inverse problem with data driven learning.

Scour around Spur Dike in Sand–Gravel Mixture Bed

Scour is the main cause of failure for spur dike. The accurate prediction of scour around spur dike is essential to design a spur dike. The present study focuses on the maximum scour depth in equilibrium condition and parameters, which influence it in a sand–gravel mixture bed. Outcomes of the present experimental study showed that the non-dimensional maximum equilibrium scour depth increases with critical velocity ratio (U/Uca), water depth-armour particle ratio (h/da), Froude number for sediment mixture (Frsm), water depth-spur dike length ratio (h/l), and decreases with increase in armour particle-spur dike length ratio (da/l). The maximum scour depth is proportional to dimensionless parameters of U/Uca, h/da, Frsm, h/l, but the scour depth is inverse proportional to da/l. Scour around spur dike in a sand–gravel mixture is mainly influenced by the property of the sediment mixture. The scour increases with decrease in non-uniformity of the sediment mixture. A non-linear empirical equation is proposed to estimate the maximum scour depth at an upstream nose of rectangular spur dike with a maximum error of 15%. The sensitivity analysis indicates that the maximum non-dimensional equilibrium scour depth depends on Frsm, followed by the secondary sensible parameters da/l, h/l, and h/da.

Situação epidemiológica da malária em uma região de Garimpo, na região da Amazônia brasileira, no período de 2011 a 2015

Objetivo: Analisar os aspectos epidemiológicos e ambientais da maláriaem uma região de mineração na Amazônia brasileira. Métodos: Estudo ecológico, retrospectivo, realizado em Itaituba - Pará. Os dados epidemiológicos foram coletados dos bancos do Sistema de Informação de Vigilância Epidemiológica – malária e do Instituto Brasileiro de Geografia e Estatística, do período de 2011 a 2015, e de 28 localidades do munícipio (dados de campo). Os dados ambientais foram coletados do Sistema de Informação Meteorológica Automática de Superfície, do Instituto Nacional de Meteorologia e Sistema de Monitoramento do Desmatamento na Amazônia Legal do Projeto e dados do Sistema de Mapeamento da Degradação Florestal da Amazônia Brasileira, do Instituto Nacional de Pesquisas Espaciais. Resultados: A malária predominou no gênero masculino (71,9%), na faixa etária de 20 a 39 anos (56,5%). A incidência de malária teve uma relação inversa com os níveis de precipitação. Conclusão: Oconhecimento sobre a epidemiologia da malária pode auxiliar na implementação de políticas públicas para diminuir a prevalência da malária e ajudar a comunidade a aprender como usar a floresta de maneira sustentável.

Veine de marbre et veine poétique: Clésinger, Baudelaire et la chair de la Présidente

Apollonie Sabatier, surnommée « la Présidente », a servi de modèle, entre autres, à la statue de la Femme piquée par un serpent de Clésinger, et inspiré le poème « À celle qui est trop gaie » de Baudelaire, deux œuvres jugées scandaleuses lors de leur exposition et publication. La statue de Clésinger a ainsi donné lieu à un âpre débat dans la presse en 1847, alors que le poème de Baudelaire a été censuré à la suite du procès des Fleurs du Mal en 1857. Or, les scandales suscités par ces œuvres présentent des analogies frappantes: le sculpteur et le poète sont accusés d'avoir transgressé les frontières de leurs arts respectifs, en contaminant leurs œuvres avec la chair du modèle. Cet article examine, à la lumière du débat critique et des actes du procès, comment ces œuvres, qui ont préfiguré, bien malgré elles, la querelle du réalisme, thématisent cette contamination de l'art par la chair, tout en la dissimulant.

Conversations on the fringes of art + education (a found poem)

conversations on the fringes of art + education (a found poem)

Vers, vermines, vermisseaux et autres bestioles contaminantes dans l'œuvre poétique de Charles Baudelaire

On connaît bien le bestiaire de Baudelaire pour ses grands oiseaux chargés de symboles (hiboux songeurs, cygnes égarés ou albatros spleenétiques), ses « bons » chiens ou « toutous » frétillants, et surtout ses « chats » tout empreints d'une mystérieuse et fascinante félinité. On connait moins en revanche la petite faune rampante qui semble avoir élu domicile, pour l'infester et le vivifier tout à la fois, dans le poème baudelairien. Vers, vermines, vermisseaux, mais aussi mouches, punaises, araignées, fourmis, chrysalides et autres insolites « helminthes », grouillent et prolifèrent dans les alvéoles des « vers » homonymes puisqu'aussi bien c'est dans ceux des Fleurs du mal, bien davantage que dans les proses du Spleen de Paris (en dépit de la reptilienne dédicace à Arsène Houssaye), que ce grouillement infectieux et contaminatoire parait s'exercer. Notre présente contribution, après avoir dressé rapidement l'inventaire de ce micro bestiaire vénéneux, s'attachera à en dégager la portée symbolique et surtout poétique si l'on veut bien considérer que des Memento mori comme « Une Charogne » ou « Le Flacon » sont aussi d'authentiques arts poétiques où s'opère, dans le terreau du texte, l'oxymorique travail de décomposition / recréation porté par ces « infâmes » petites bestioles. « De la vaporisation et de la centralisation du Moi. Tout est là », proclamera le premier fragment de Mon cœur mis à nu. Rien de tel en effet que de « noirs bataillons de larves » pour effectuer ce paradigmatique retournement de l'organique putréfié et pulvérisé au poétique reconfiguré et sublimé.

La Possession du traducteur: Poe, Baudelaire, et d'autres contaminés

Comment penser la relation d'un traducteur au texte à traduire dans le cas de Baudelaire, qui publia la première grande traduction de Poe en français alors même qu'il affirmait à qui voulait l'entendre ne pas être traducteur? Partant d'une lecture de quelques poèmes des Fleurs du Mal, notamment « Le Voyage » (1859), cet article propose quelques pistes pour réfléchir sur les conditions et les modalités de la contamination de l'œuvre de Baudelaire par celle de Poe – possession inquiétante qui fut constatée et interrogée par les plus pénétrants de leurs premiers lecteurs, Stéphane Mallarmé et Paul Valéry.

القيم الاجتماعية المستنبطة من سورة الطلاق وتطبيقاتها التربوية

تناولت هذه الدراسة بيان القيم الاجتماعية التي انفردت بها سورة الطلاق، من خلال دراسة موضوعية، وبين سورة الطلاق في موضوعاتها وقضاياها التي عالجتها، من أجل الوقوف على أثر موضوع السورة، ومن ثم اقتراح بعض التطبيقات التربوية لتلك المضامين في واقع مجتمعنا. كما اتبعت المنهج الاستنباطي وتمثلت بدراسة السورة الكريمة كاملة ثم تحديد مجموعة من الآيات بطريقة انتقائية، ثم قسمت الآيات إلى أبواب تماشياً مع أهداف الدراسة، كما تم الرجوع إلى كتب التفسير المعتمدة، وكتب التربية لاستنباط تلك القيم منها، واقتراح صيغ تطبيقها في مجال مجتمعنا، فخرجت الدراسة بمجموعة نتائج أهمها: 1. سورة الطلاق من بين السور التي تخصصت بموضوع الطلاق تفصيلا ولم تتكرر في السور الأخرى 2. إن سورة الطلاق لها أهمية كبرى في شؤون الأسرة المسلمة بجوانبها المختلفة الوجدانية والمهارية والنفسية. 3.إن دراسة القرآن الكريم للمتخصص في التربية تفتح له آفاقاً تربوية مهمة وواسعة، يستطيع أن يستنبط منها مضامين علمية وعملية توسع من رصيده النظري والتطبيقي، وتعزز له ثقافته. 4. التكرار من أهم الأساليب التربوية الواردة في السورة، المفيدة في ترسيخ المعلومة وفي سرعة استذكارها. 5. القيام بالمسؤولية الملقاة على الإنسان حق القيام، سواء تجاه نفسه، أو من يعوله، يكفل له الفوز والنجاة في الدنيا والآخرة. 6. أظهرت السورة حقيقة الجزاء على العمل، فمن أحسن جُوزي خيرا، ومن أساء فجزاؤه عذاب أليم

Inverse and forward surrogate models for expedited design optimization of unequal-power-split patch couplers

Inverse and forward surrogate models for expedited design optimization of unequal-power-split patch couplers

Jean-Claude Pinson : une « poéthique » du « poétariat »

Poeta y filósofo contemporáneo, Jean-Claude Pinson explora a menudo su doble enfoque filosófico y poético, que es precisamente el que otorga su especificidad a su trabajo con las palabras.En este artículo estudiaremos dos de las nociones más evocadas por Pinson, la de la “poética” (poesía y ética), con la que intenta explorar la parte de existencia que la poesía trata de captar, y la de “poetariado”, que describe al ser capaz de resistir al surgimiento del capitalismo cultural y al gran desarrollo de las tecnologías de la comunicación. Para estudiar dichas nociones, recurriremos a diferentes ensayos filosóficos y teóricos de Pinson, así como a algunos fragmentos de sus poemarios, que nos permitirán concluir que su trabajo desea mantener una relación permanente entre la poesía y la filosofía para así captar la dimensión existencial en el poema, y conseguir de esa manera refundar un vínculo más tangible con la realidad y con los individuos, en un contexto contemporáneo en el que tenemos tendencia a la pérdida de experiencia con la realidad.