Creation Of Painting Research Articles

Research on the Intervention and Integration of Calligraphy Aesthetics in Oil Painting Creation

From the comparative perspective of Eastern and Western art, this paper discusses and analyzes the unique aesthetic characteristics of Oriental calligraphy. We will focus on the use of brush skills in calligraphy, the clever arrangement of cloth and the layout of calligraphy art, all of which are crucial elements in Eastern calligraphy. Through the detailed analysis of these typical aesthetic characteristics, we will further combine with the current situation of Chinese oil painting creation in the new era and explore how to extract the beauty of form in calligraphy and apply it to oil painting creation. This process not only involves the modern transformation of traditional art forms, but also involves how to find new creative inspiration and expression techniques in cross-cultural artistic exchanges.

Shi Lu and Fine Arts Magazine: Resonance in the Age of Art

Fine Arts magazine paid attention to and discussed Shi Lu for about six years in the 1950s and 1960s. It witnessed his transformation from traditional style to "strange changes in ink and brushwork" and the expansion of his subject matter. It also triggered discussions on the balance between traditional inheritance and innovation, as well as the renewal of critical standards. Through discussing Shi Lu's works, the magazine tries to guide the direction of Chinese painting creation, encourage attention to reality and innovation, construct a new discourse system and image paradigm, and trigger thoughts on tradition, innovation, and standards.

Research on Algorithm of Composite Material Painting Creation based on Image Processing Technology

In the study we proposed a novel approach is called a Customized Convolutional Neural Network (CCNN) to innovate in the field of art creation, particularly in composite material paintings. This research harnesses the power of image processing technology to analyze and synthesize various artistic elements, thereby facilitating the creation of composite material paintings. The core of the study revolves around the development of a unique algorithm that enables the integration of diverse materials and textures into a cohesive artistic expression. The Customized CNN is trained on a vast dataset of images, encompassing a wide spectrum of textures, colors, and patterns, representative of different materials commonly used in art. The network learns to identify and replicate the aesthetic qualities of these materials, thereby empowering artists to explore new realms of creativity. The algorithm not only recognizes the distinct characteristics of each material but also understands how to blend them effectively, maintaining artistic coherence. The results are evaluated to prove proposed performance.

The Representation of Women in Kamnodo of the Chosŏn Dynasty and Its Significance

In the Buddhist paintings known as Nectar Ritual Painting (Kamnodo 甘露圖), which depicts the ritual of food offering (sesik 施食) for hungry ghosts (agwi 餓鬼), there are various representations of women, including nuns and laywomen, engaged in different roles. Although Chosŏn society was built upon Neo-Confucian ideals that imposed restrictions on women's religious activities, Buddhism, which promote religious practice without gender discrimination, offered female practitioners a sense of equality, fulfillment in their vows, and liberation. Of the seventy known works of Kamnodo, around forty feature depictions of nuns, providing valuable historical evidence about Buddhist nuns and their representation. In addition, women in professional roles within Chosŏn society, such as court ladies (sanggung), female shaman and female entertainer (sadang), are depicted as central figures in Kamnodo. Importantly, these women often acted as patrons for the creation of such painting. The continued Buddhist sponsorship from female devotees contributed to the translation of sacred scriptures into Han'gŭl and fostered the development of narrative painting genres like Kamnodo, which were used as visual aids in Buddhist lectures. While Kamnodo is primarily a religious painting aimed at making intangible spiritual beliefs visible, it also serves as a historical record. Created for the salvation of souls, it reflects the ideals, desires, and, at times, the fears of the community, offering key insights into the social conditions of the time. By examining the meanings and transformations seen in Kamnodo, we can gain a deeper understanding of gender perception in Chosŏn Buddhist art.

Farmer Activities In Mekar Jaya Village As An Idea In The Creation Of Painting

Farmer Activities In Mekar Jaya Village As An Idea In The Creation Of Painting

The role of deep neural network in the creation of traditional Chinese landscape painting

The role of deep neural network in the creation of traditional Chinese landscape painting

Application of AI-Assisted Painting Creation Based on AIGC Background

Image generation in generative artificial intelligence has become a hot AI technology in today's new media era. With the civilian development of AI drawing, AI painting is widely used for painters, helping them improve their production efficiency and product quality, and providing them with more design materials and design ideas. But at the same time, the original ecological market environment of art painting has produced confusion, resulting in a substantial reduction of the threshold of the art market, followed by a large number of contradictions and difficulties. There are still a lot of problems waiting to be solved in the auxiliary application of AIdrawing, and there are multiple voices in the definition of its contribution to art, but the development potential of AIdrawing in the AIGC environment is undoubtedly huge. This paper will start from all aspects of its auxiliary application, through examples to help us continue to learn positively, promote its auxiliary application, and promote the faster and better development of the art field.

Artistic Conception In Meticulous Flower-and-Bird Painting

Chinese painting has its own unique form of artistic conception, which aims to convey the inner emotions and spirits of different people. Although more and more people are fond of Chinese meticulous painting, their aesthetic views on it are also constantly improving, and they are increasingly emphasizing the spirit of Chinese meticulous flower and bird painting through the expression of their works. Chinese meticulous painting is an inheritance of China's excellent traditions, and the images displayed through the paintings can allow viewers to feel the true emotions of the creators. "Artistic conception" is the source of meticulous flower-and-bird painting art creation, the "soul" of flower-and-bird painting, and also the rich connotation of meticulous flower-and-bird painting art in various periods, and the key and core of creation. In spite of this importance, there are deficiencies in the analysis of artistic conception in contemporary meticulous flower-and-bird painting in the current literature. This study attempts to fill this gap by organizing and analyzing the relevant content of "artistic conception". This paper focuses on the artistic conception of Chinese meticulous flower-and-bird painting. Firstly, an overview of the artistic conception was provided, followed by an analysis of the constituent elements and expressive techniques of the artistic conception in Chinese meticulous painting. Finally, the artistic conception in the creation of Chinese meticulous flower and bird painting was conducted. The results of research and analysis show that the reality of Chinese contemporary meticulous flower-and-bird painting is not only a collection reflection of the essence of objective things, but also a creation of "the unity of mind and scene, the unity of meaning and context" that integrates with the author's personal feeling experience, and is a total embodiment of the combination of the viewer's inner expectation of artistic conception.

Exploration of the Influence and Development of Grassland Culture on Contemporary Oil Painting Creation in Inner Mongolia

Exploration of the Influence and Development of Grassland Culture on Contemporary Oil Painting Creation in Inner Mongolia

Application of graphene-EDTA nanomaterials in oil painting creation

In the modern art ecology, the situation of oil painting in society urgently requires finding the key to revitalizing its strong vitality, in order to give oil painting new vitality and achieve its new development. As a painting language in the context of oil painting, new materials have become an important means of promoting the development of oil painting. This article explored the development, creation, and material innovation of oil painting. This article elaborated on the types of comprehensive materials and their application in oil painting, and discussed the application of graphene and nanomaterials in art creation and oil painting. Through comparison, it can be seen that the use of nano oil painting materials in oil painting creation was significantly improved the fluidity and coloring degree, with an increase of 0.18 in fluidity and 0.15 in coloring degree. The application of graphene ethylene diamine tetraacetic acid (EDTA) in oil painting has created graphene-EDTA oil paintings that have been loved and welcomed by viewers, enhancing the motivation for oil painting creation.

Resistance or Compromise: A Comparison of Western Mainstream Painting Language Before and after the Invention of Photographic Technology

This paper focuses on the developmental changes in the language of drawing brought about by the invention of the camera. Therefore, this paper takes the time of camera invention as the node. First, we will analyze the common features of the painting language of the famous painting schools before this point in time and the common features of the painting language of the famous painting schools after this point in time. Then we will compare and analyze them to explore the development and evolution of the painting language. Current research on painting before and after the invention of the camera is mostly focused on aesthetic approaches, art criticism, and its influence on popular culture. It adds to the gap in research on the language of painting and provides some insights into the creation and development of today's photography and painting.

The Impact Of Deforestation As An Idea In The Creation Of Painting

This thesis contains a description of the creation of a work of painting with the theme "The Impact of Deforestation as an Idea in The Creation of Painting" which was inspired by reading a book which reminded the author of his visit to Kalimantan. This will discuss the impact of deforestation in Indonesia. Indonesia is the largest archipelagic country in the world, with its vast territory, Indonesia is known for its very diverse cultural, ethnic and natural riches, and as the Lungs of the World. However, the serious problem currently facing Indonesia is deforestation. Deforestation is the activity of cutting down forests where the land is converted for non-forest use. This change in forest land causes disruption of environmental conditions such as natural disasters, extinction of flora and fauna, global warming and climate change. The aim to be achieved in creating this work is to understand the impact of deforestation in Indonesia through creativity and imagination in the form of paintings using various techniques, media, considering the elements and principles of fine art. From the theme above, there are 6 (six) works that can be realized from the impact of deforestation which can provide an overview of the impact of deforestation in Indonesia.

Canggu's Batu Mejan Beach As A Source Of Inspiration For The Creation Of Painting Works

The author discusses the history and atmosphere that the author experienced when creating the work as inspiration for painting. This topic was chosen as a means of conveying to the public what the history and atmosphere of Batu Mejan Beach is like and how the author created it in a work of painting. Creation of works is carried out through the steps of research, creation and presentation of art. This research is qualitative in nature by collecting data through journals related to Batu Mejan Beach. The method used is the Hawkins creation method, namely: idea exploration, improvisation/experimentation and realization. The originality of the work is carried out by the author from the basis of the emergence of an idea to the creation of a work of art using the visual source of coral rocks at Batu Mejan Beach and the addition of objects that have meaning/symbols. The visualization of the work emphasizes the elements of the idea and the techniques in which it is developed, accompanied by a spirit of taste that is built to give an aesthetic impression through the presentation of forms, as well as concepts that are used as references in each work. The result of the creation is a form of visualization of a painting by emphasizing the elements and principles of painting. The creation of this painting work is entitled "Canggu's Batu Mejan Beach as a Source of Inspiration for the Creation of Painting Works" with the output being a final thesis work and six works of painting art. Using palette techniques and acrylic paint materials with an expressionist flow.

Virtual reality painting: A structured review of a decade of innovation

<p>Various studies have widely utilized virtual reality (VR) in painting creation. However, there has been few conclusive studies on VR painting. The present systematic literature review describes the current state of knowledge and practices using VR in painting and provides guidance for painters and scholars focusing on human computer interaction design by critically appraising and summarizing the existing research. It also outlines a wide range of results yielded by quantitative, qualitative and mixed-method studies to investigate potential benefits, difficulties, and effectiveness of VR painting. Overall, 44 studies published from 2013 until 2023 were analysed, with 16 articles introduced the hardware technology and interaction mode of VR painting, 17 articles introduced the beautification method of VR painting, and 11 articles focused on the application of VR painting in different fields. Implications for practice and research are discussed in detail, as the hardware selection, interaction, and physical simulation in VR painting scenes.<strong></strong></p>

The Application of Comprehensive Materials in the Course of Oil Painting Creation in Universities

The continuous development of modern art concepts has brought increased attention to the application of comprehensive materials in oil painting. These materials not only enrich the expression of oil painting but also offer artists more creative space. In Chinese universities, the utilization of comprehensive materials has emerged as a significant teaching content and research focus within the oil painting creation course. This paper aims to explore the application of comprehensive materials in university oil painting creation courses and its impact on teaching methodologies. The goal is to offer new perspectives and practical approaches to oil painting instruction in Chinese universities.

Brushes and brains: Does handedness influence surface topography of art painting?

Distinguishing between right-handed and left-handed painters in the realm of painting is a question approached from various angles across different disciplines. Each approach, whether it's from neuropsychology, the study of the artwork itself, or the artist's imprint on the work, contributes insights to the burning question of whether the myth of the left-handed painter being more talented than their right-handed counterparts holds true. In this study, we introduce an experimental method involving both left-handed and right-handed painters to determine if the surface topography of brushstrokes presents relevant parameters for differentiating handedness. After conducting an analysis of variance (ANOVA), we isolated relevant roughness parameters, the most significant are the mean hill roundness (Shrn) and the maximum dale aspect ratio (Sdarx). These parameters exhibit significant differences based on the painter's dominant hand. Other parameters also provide insights into the reliability of our study, specifically the texture direction (Std), which shows no difference among the painters. The results are discussed. These findings pave the way for a more comprehensive understanding of the painter's stroke in the process of art painting creation.

Effectiveness Study on Mind Mapping Approach to Students’ Operation Position Performance and Creativity on Traditional Chinese Painting

Under current diplomaism, students’ painting ability is cultivated, but the creativity development is restricted. Students mainly learn painting skills that technique training is mostly emphasized. To improve such a problem, it is necessary to build the operation position performance ability and the value and attitude towards creativity, cultivate creativity with multiple intelligences as the structure, stress on the creativity process and taking pressure in the experience, and integrate creativity into course teaching. Using experimental design model for this study, 202 art major students of a university in China, as the experimental subjects, are preceded the 18-week (2 hours per week for total 36 hours) experimental teaching research. The research results show that 1.mind mapping approach would positively affect operation position performance, 2.mind mapping approach would positively affect creativity, and 3.operation position performance shows significant and positive effects on creativity. According to the results to propose discussions, it is expected to provide students with the learning strategy of creative thinking through teachers’ teaching model, cultivate students’ operation position performance and creativity on traditional Chinese painting with the system structure and divergent thinking of mind mapping symbolism, as well as actually apply to the artistic creation of traditional Chinese painting.

Integrating Miao Traditional Elements into Chinese Figure Painting: Exploring Significance and Cross-Cultural Exchange

This paper endeavors to investigate the utilization of Miao traditional elements in Chinese figure painting, assessing its significance and potential value in the realm of Chinese painting creation. The study examines the contemporary landscape of Chinese figure painting, identifying its prevailing issues, while also delving into the fundamental characteristics and application techniques of traditional Miao elements. By analyzing the works of prominent artists Pang Xunqin, Liu Quanyi, and Feng Yuanming, who have adeptly incorporated Miao traditional elements into their paintings, this research aims to bolster the preservation and perpetuation of Miao cultural heritage, augment the artistic expression within Chinese paintings, and foster cross-cultural exchanges and dialogues. Employing a qualitative research approach, this investigation adopts literature review and artwork analysis to discuss the integration of Miao traditional elements in Chinese figure painting. The research findings illustrate that the traditional elements inherent to the Miao ethnicity exude unparalleled artistic allure and cultural significance within Chinese figure paintings, thereby presenting novel creative resources and modes of expression for the wider domain of Chinese artistic creation. This research contributes to the enrichment of Chinese artistic heritage while facilitating a harmonious exchange of cultural values between the Miao minority and the broader Chinese cultural landscape.

Color Expression and Mood Creation in Imagery Oil Painting

Oil painting is a traditional Western painting form. With the introduction of China and the influence of China’s traditional painting and aesthetics, the painting style became more distinctive, expanding a new development direction of oil painting, and thus imagery oil painting came into being. Color, as the most important element in imagery oil painting, mainly plays the role of mood creation and emotional expression. Many creators are good at injecting their thoughts and emotions into the paintings through color matching, so as to enhance the artistic expression of the paintings. This paper analyzes the color expression characteristics of imagery oil painting and explores the color expression techniques in imagery oil painting and mood creation of imagery oil painting from several aspects.

Analysis of the Technique and Morphological Language of Modern Painting Creation Based on Generative Adversarial Networks

Abstract With the development and progress of society, traditional painting creation techniques cannot realize the development needs of modern society for paintings, and it is necessary to constantly innovate and improve the painting creation techniques. Based on the structure of the generative adversarial network, this paper utilizes the one-dimensional midpoint substitution method and dichotomous method to generate the rock outline in painting creation and combines the generative adversarial network to establish the style migration model of modern painting creation techniques and morphological language. Unity was used to construct the validation dataset, and for the style migration of painting creation techniques, we verified it in terms of stroke curvature, FID value, and peak signal-to-noise ratio, and analyzed the evolution of painting creation techniques and morphology language. The results show that the difference in stroke curvature before and after the contour migration of painting creation techniques is 3.27, the peak signal-to-noise ratio reaches 25.43 dB, and the evolution of comprehensive painting in creation techniques is in an upward trend, with an average annual growth rate of 13.07% from 2012 to 2020. Generative adversarial networks can be used in modern painting creation techniques to increase the richness of paintings and establish a spiritual connection between painters and audiences.