Abstract

Landscape painting was independent from figure painting in the Sui Dynasty of China. At first, it was “Blue-and-Green Landscape” which was characterized with color expression. It matured in the Tang Dynasty and developed in the Song Dynasty. Then, the literati painters in the Tang Dynasty pioneered literati painting, with “Light Crimson Landscape” or “Ink Landscape” to lead landscape painting from realism to freehand, and established a combination of poetry, calligraphy, painting and seal. Then the literati in the Song Dynasty lent sparkle to the replacement of heavy green color with light crimson ink painting, and that became the mainstream of landscape painting. On this basis, the Yuan Dynasty painters developed a complete landscape painting formula, pushing the landscape expression to the peak. In the Ming and Qing dynasties, imitating the ancient style dominated the landscape painting world. At the same time, some painters pursued originality, forming the situation that the two forces were opposed in the same literati painting category. In modern times, due to the influence of Western culture, the traditional landscape painting has undergone great changes, and the new social life has prompted major changes in the content, form and method of landscape painting creation. Traditional techniques are combined with scientific modeling while ink and color complement each other, and the development of landscape painting has presented a diversified, rich, positive and prosperous appearance.

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