Musical Aptitude Research Articles

Innovative Strategies of Tertiary Music Teachers in Teaching Musically-Challenged Students

This study focuses on the innovative strategies that tertiary music teachers (specialist music teachers and experts) employ to help musically-challenged students. Those who have trouble with rhythm, tonal acuity, music theory, and musical aptitude are operationally referred to as musically-challenged. Ten participants were selected through purposive sampling and responded to the interview questions using an interview guide. Thematic analysis was conducted on their responses to generate codes and themes in this investigation. This is a single case study that draws from constructivist and behaviourist learning theories. To help students who have difficulty with music, music and its related components should be valued as an essential part of the curriculum. Devoted teachers should authentically demonstrate all of the subject's contents using innovative teaching strategies, allowing students to immediately grasp the values to be inspired and confident in the subject. As a result, strategies such as identifying the weaknesses of the learners, informal instruction, collaborative learning, repetition, positive reinforcement in learning, technology integration, and patience have proven to be effective solutions to the case being studied.

Frontoparietal network topology as a neural marker of musical perceptual abilities

Why are some individuals more musical than others? Neither cognitive testing nor classical localizationist neuroscience alone can provide a complete answer. Here, we test how the interplay of brain network organization and cognitive function delivers graded perceptual abilities in a distinctively human capacity. We analyze multimodal magnetic resonance imaging, cognitive, and behavioral data from 200+ participants, focusing on a canonical working memory network encompassing prefrontal and posterior parietal regions. Using graph theory, we examine structural and functional frontoparietal network organization in relation to assessments of musical aptitude and experience. Results reveal a positive correlation between perceptual abilities and the integration efficiency of key frontoparietal regions. The linkage between functional networks and musical abilities is mediated by working memory processes, whereas structural networks influence these abilities through sensory integration. Our work lays the foundation for future investigations into the neurobiological roots of individual differences in musicality.

Prosodic discrimination skills mediate the association between musical aptitude and vocal emotion recognition ability

The current study tested the hypothesis that the association between musical ability and vocal emotion recognition skills is mediated by accuracy in prosody perception. Furthermore, it was investigated whether this association is primarily related to musical expertise, operationalized by long-term engagement in musical activities, or musical aptitude, operationalized by a test of musical perceptual ability. To this end, we conducted three studies: In Study 1 (N = 85) and Study 2 (N = 93), we developed and validated a new instrument for the assessment of prosodic discrimination ability. In Study 3 (N = 136), we examined whether the association between musical ability and vocal emotion recognition was mediated by prosodic discrimination ability. We found evidence for a full mediation, though only in relation to musical aptitude and not in relation to musical expertise. Taken together, these findings suggest that individuals with high musical aptitude have superior prosody perception skills, which in turn contribute to their vocal emotion recognition skills. Importantly, our results suggest that these benefits are not unique to musicians, but extend to non-musicians with high musical aptitude.

772 Assessing the Impact of Gaming Skills on Robotic Surgical Skill Acquisition and Learning Curves

Abstract Robotic surgery has rapidly advanced across various medical specialties over the past decade. Extensive research has confirmed the benefits of robotic surgery, leading to improved surgical outcomes and patient satisfaction. Historically, only highly experienced consultants in laparoscopic and open surgery received training in robotic surgery to the detriment of junior surgical trainees. Virtual reality simulators have introduced gamification to enhance surgical skills. Studies have shown that individuals with gaming experience, musical aptitude, and sports backgrounds exhibit improved psychomotor skills relevant to surgery, including hand-eye coordination, reaction time, and visuospatial awareness. Despite this, there is a lack of research on how gaming and musical abilities impact robotic surgical skill acquisition and learning curves. This prospective, observational, and comparative study involved 15 novice surgeons with no prior robotic experience recruited from various UK medical institutions. Participants were divided into two groups based on their video game experience. While statistical significance was not reached (p 0.26), an observed trend favoured the gaming cohort's performance (M 56.29, SD 57.85) on the robotic surgical simulator compared to the non-gamer group (M 38.41, SD 46.77) possibly due to the limited sample size. Gamers exhibited notably superior reaction time scores (p 0.037) Additionally, gamers demonstrated enhanced overall performance in spatial reasoning and the Beat Saber game, assessing hand-eye coordination, though these differences did not reach statistical significance. This study suggests that video gaming experience may provide novice surgeons with certain advantages when beginning training on the high-fidelity dVSS robotic surgical simulator. Further research with larger participant groups may confirm these findings.

Beyond musical training: Individual influences on the perception of the speech-to-song illusion

When a spoken phrase is repeated several times, listeners often report a perceptual illusion during which speech is transformed into song. The speech-to-song (STS) illusion is often attributed to prosodic elements of speech, though listeners can vary greatly in their STS experience. While previous research established robust links between music aptitude and STS, the present study asks whether other cognitive traits may also influence STS. Individual (in)sensitivity to nonverbal aspects of speech, specifically speech prosody, has been previously linked to autistic traits and emotional intelligence. We test whether the presence of autistic traits, the level of emotional intelligence and musical training, as well as syntactic complexity influence the likelihood, speed, and strength of STS among native British English listeners. The results provide evidence for the involvement of some but not all studied traits. We found sentence complexity to be interacting with a composite score of musical training, and emotional intelligence for the likelihood of STS, whereas sentence complexity influenced the strength of the transformation. These results suggest that individual listener variability may interact with the linguistic parameters of sentences in STS. Crucially, sensitivity to prosody through emotional intelligence or by the presence of autistic traits does not mediate the transformation.

Correlational Study on Musical Literacy Training for Preschool Children and Music Aptitude Development

Correlational Study on Musical Literacy Training for Preschool Children and Music Aptitude Development

Neuromagnetic representation of musical roundness in chord progressions.

Musical roundness perception relies on consonance/dissonance within a rule-based harmonic context, but also on individual characteristics of the listener. The present work tackles these aspects in a combined psychoacoustic and neurophysiological study, taking into account participant's musical aptitude. Our paradigm employed cadence-like four-chord progressions, based on Western music theory. Chord progressions comprised naturalistic and artificial sounds; moreover, their single chords varied regarding consonance/dissonance and harmonic function. Thirty participants listened to the chord progressions while their cortical activity was measured with magnetoencephalography; afterwards, they rated the individual chord progressions with respect to their perceived roundness. Roundness ratings differed according to the degree of dissonance in the dominant chord at the progression's third position; this effect was pronounced in listeners with high musical aptitude. Interestingly, a corresponding pattern occurred in the neuromagnetic N1m response to the fourth chord (i.e., at the progression's resolution), again with somewhat stronger differentiation among musical listeners. The N1m magnitude seemed to increase during chord progressions that were considered particularly round, with the maximum difference after the final chord; here, however, the musical aptitude effect just missed significance. The roundness of chord progressions is reflected in participant's psychoacoustic ratings and in their transient cortical activity, with stronger differentiation among listeners with high musical aptitude. The concept of roundness might help to reframe consonance/dissonance to a more holistic, gestalt-like understanding that covers chord relations in Western music.

Examining Musical Aptitudes and Achievements in the Subjective Version of the Self-evaluation of Teachers’ Work: Current Perspectives

The article is a review which concerns methods of measuring and evaluating the musical aptitudes and achievements of primary school students in the light of the assumptions of Edwin E. Gordon’s music learning theory and in the subjective version of the self-evaluation of the teacher’s work, i.e. the study of the value of his or her own didactic and educational work in music education classes. The authors describe selected tools for measuring musical aptitudes available on the Polish market and methods to objectively verify musical achievements.

Validation and applicability of the music ear test on a large Chinese sample.

In the context of extensive disciplinary integration, researchers worldwide have increasingly focused on musical ability. However, despite the wide range of available music ability tests, there remains a dearth of validated tests applicable to China. The Music Ear Test (MET) is a validated scale that has been reported to be potentially suitable for cross-cultural distribution in a Chinese sample. However, no formal translation and cross-cultural reliability/validity tests have been conducted for the Chinese population in any of the studies using the Music Ear Test. This study aims to assess the factor structure, convergence, predictiveness, and validity of the Chinese version of the MET, based on a large sample of Chinese participants (n≥1235). Furthermore, we seek to determine whether variables such as music training level, response pattern, and demographic data such as gender and age have intervening effects on the results. In doing so, we aim to provide clear indications of musical aptitude and expertise by validating an existing instrument, the Music Ear Test, and provide a valid method for further understanding the musical abilities of the Chinese sample.

Training the musical attention: Towards a new generation of methods in music education

A crucial aspect of musical ability is a music-specific empathic capacity that enables the performer to uncover subjective meanings from musical materials and fully feel them during performance. Based on insights from both theoretical and empirical research into the psychology of music performance and from pedagogical practice, this capacity is thought to rely on a more general empathic ability and can be nurtured easily in most people, including those scoring rather poor on standard musical aptitude tests measuring “melodic”, “rhythmic”, or “harmonic” skills. In my paper, I present the theoretical bases of a new pedagogical approach for nurturing in musicians the capacity of feeling the elements of musical meaning in real time (in the act of performance): I introduce a new theory of musical expressiveness by defining, from a psychological point of view and from the perspective of the performer’s phenomenology, the various layers of musical meaning (the “what” system) and the temporal-attentional abilities that enable to express them in real time (the “how” system). The paper concludes with a short introduction to a novel implementation of the above model of performer’s phenomenological processes into performance teaching: a full training of musical attention called “Practice Methodology”.

클래식 음악을 활용한 음악 감상활동이 유아의 음악적성에 미치는 효과

Objectives The purpose of this study was to examine the effect of music appreciation based on classical music activities on musical aptitude of young children. Methods The subjects of this study were 56 who were 5-years-old children enrolled in D kindergarten located G city. To compare the effects of experimental treatments on young children’s musical aptitude scores of pre-test and post-test were analyzed by independent t-test applying SPSS 22.0 program. Hedges'g values were calcu-lated examine the effect size of music appreciation based on classical music activities on musical aptitude of young children. Results As a result of analyzing music appreciation based on classical music activities on musical aptitude of young children, the experimental group showed greater changes than the control group in term of average musical aptitude(tune, rhythm). Conclusions The result of this study is expected to be a future guidelines to develop teaching-learning method to enhance children’s musical aptitude.

Musical Training as a Continuum: Relationships of Short-Term Memory and Musical Aptitudes

ABSTRACT Introduction This study recruited participants from a range of music training experiences and focused on short-term memory tasks to examine the abilities of trained, informally trained, and those without any music training. Methods Musicianship was measured with the Goldsmith’s Musical Sophistication Index (GMSI). The GMSI is a survey regarding how music is involved in a participant’s daily life. Music training was assessed through the music training subscale of the GMSI, which included a question regarding the years of formal training an individual had received. In two objective measures of musical ability, participants completed the Computerized Adaptive Beat Alignment Test (CABAT) and the Melody Discrimination Test (MDT). The participants also completed an audio and audiovisual span task to measure short-term memory. A correlational analysis was run among the general score of the GMSI subjective task, the GMSI subscales, the span task scores, and the objective measures of musical ability. Lastly, a hierarchical regression was used to predict short-term memory abilities. Results Results of a partial correlation analysis, controlling for the music training subscale, showed that the melodic discrimination task was associated with short-term memory, however, rhythm scores were not. Discussion This study suggested that there is no distinct advantage of formal training over informal training when studying musicians’ memory performance. Future research can benefit from investigating the characteristics of the full sample of participants, and not treating those without formal training as a homogenous group, devoid of any musical abilities.

Music and verbal ability - a twin study of genetic and environmental associations.

Musical aptitude and music training are associated with language-related cognitive outcomes, even when controlling for general intelligence. However, genetic and environmental influences on these associations have not been studied, and it remains unclear whether music training can causally increase verbal ability. In a sample of 1,336 male twins, we tested the associations between verbal ability measured at time of conscription at age 18 and two music related variables: overall musical aptitude and total amount of music training before the age of 18. We estimated the amount of specific genetic and environmental influences on the association between verbal ability and musical aptitude, over and above the factors shared with general intelligence, using classical twin modelling. Further, we tested whether music training could causally influence verbal ability using a co-twin-control analysis. Musical aptitude and music training were significantly associated with verbal ability. Controlling for general intelligence only slightly attenuated the correlations. The partial association between musical aptitude and verbal ability, corrected for general intelligence, was mostly explained by shared genetic factors (50%) and non-shared environmental influences (35%). The co-twin-control-analysis gave no support for causal effects of early music training on verbal ability at age 18. Overall, our findings in a sizeable population sample converge with known associations between the music and language domains, while results from twin modelling suggested that this reflected a shared underlying aetiology rather than causal transfer.

Research to Resource: Using Music Aptitude and Educational Psychology Frameworks for Ensemble Part Assignments

It can be difficult to navigate the tasks of repertoire selection and part assignments in a way that produces a successful performance product while also being educationally beneficial to all students. However, researchers have explored methods of ensuring these goals through repertoire selection. In this article, I present ideas for how educators can pair the Zone of Proximal Development (ZPD) with music aptitudes when assigning parts in an ensemble. In doing so, ensemble directors might find themselves better positioned to address the individual needs of every student in the ensemble.

Effect of music education based on Edwin E. Gordon’s Theory on children’s developmental music aptitude and social emotional learning skills

This study aims to determine the effect of music education based on Music Learning Theory (MLT) on children’s developmental music aptitude (DMA) and Social Emotional Learning (SEL) skills. For this purpose, an experimental procedure planned as 16 lessons was applied to primary school first-grade students ( n = 92) aged between 6 and 7. The experimental group received music education based on MLT, and the control group received music education following the current curriculum in Turkey. Also, SEL objectives were integrated into MLT lessons. DMA was measured with the Primary Measures of Music Audiation test, and SEL skills were measured with Social Emotional Assets and Resilience Scale-Teacher Form-Turkish. In the musical dimension of the study, although the difference was not statistically significant, it can be said that the increase in the tonal, rhythmic, and composite scores of the experimental group are higher than the control groups’ scores and noteworthy for a short-term experiment. As for the SEL dimension of the study, the total SEL skills of the experimental group showed statistically significant improvement. These results suggest that music education in this direction can create opportunities and an effective learning environment for acquiring SEL skills; however further research is needed, particularly over a longer instructional period.

Accuracy and Stability of Musical Tempo Memory and the Role of Musical Expertise

Previous studies have demonstrated that musical tempo memory, as the ability to recall a musical tempo without an external reference, is highly accurate. However, little is known about the stability of tempo memory for different genres and reproduction methods over time, and the factors that may influence them. In two longitudinal studies conducted over a 15-day period, we examined the accuracy and stability of musical tempo memory in individuals with different levels of music training. Specifically, we measured tempo memory every three days, and explored various factors including physiological arousal, musical aptitude, and current mood. In Study 1 (N = 111), participants reproduced the tempos of two well-known pieces (one classical and one pop piece) from memory by isochronous tapping, while in Study 2 (N = 61), participants actively performed a self-selected piece of music. Our results suggest that musical tempo memory is generally highly accurate and stable, with even greater accuracy and stability when participants played an instrument to reproduce the tempo. Furthermore, we found no evidence for an effect of arousal and mood. The impact of musical expertise, however, was mixed: individuals with higher expertise performed better in Study 1 but with no statistically significant difference in Study 2.

Neuroanatomical Disposition, Natural Development, and Training-Induced Plasticity of the Human Auditory System from Childhood to Adulthood: A 12-Year Study in Musicians and Nonmusicians.

Auditory perception is fundamental to human development and communication. However, no long-term studies have been performed on the plasticity of the auditory system as a function of musical training from childhood to adulthood. The long-term interplay between developmental and training-induced neuroplasticity of auditory processing is still unknown. We present results from AMseL (Audio and Neuroplasticity of Musical Learning), the first longitudinal study on the development of the human auditory system from primary school age until late adolescence. This 12-year project combined neurologic and behavioral methods including structural magnetic resonance imaging (MRI), magnetoencephalography (MEG), and auditory tests. A cohort of 112 typically developing participants (51 male, 61 female), classified as "musicians" (n = 66) and "nonmusicians" (n = 46), was tested at five measurement timepoints. We found substantial, stable differences in the morphology of auditory cortex (AC) between musicians and nonmusicians even at the earliest ages, suggesting that musical aptitude is manifested in macroscopic neuroanatomical characteristics. Maturational plasticity led to a continuous increase in white matter myelination and systematic changes of the auditory evoked P1-N1-P2 complex (decreasing latencies, synchronization effects between hemispheres, and amplitude changes) regardless of musical expertise. Musicians showed substantial training-related changes at the neurofunctional level, in particular more synchronized P1 responses and bilaterally larger P2 amplitudes. Musical training had a positive influence on elementary auditory perception (frequency, tone duration, onset ramp) and pattern recognition (rhythm, subjective pitch). The observed interplay between "nature" (stable biological dispositions and natural maturation) and "nurture" (learning-induced plasticity) is integrated into a novel neurodevelopmental model of the human auditory system.Significance Statement We present results from AMseL (Audio and Neuroplasticity of Musical Learning), a 12-year longitudinal study on the development of the human auditory system from childhood to adulthood that combined structural magnetic resonance imaging (MRI), magnetoencephalography (MEG), and auditory discrimination and pattern recognition tests. A total of 66 musicians and 46 nonmusicians were tested at five timepoints. Substantial, stable differences in the morphology of auditory cortex (AC) were found between the two groups even at the earliest ages, suggesting that musical aptitude is manifested in macroscopic neuroanatomical characteristics. We also observed neuroplastic and perceptual changes with age and musical practice. This interplay between "nature" (stable biological dispositions and natural maturation) and "nurture" (learning-induced plasticity) is integrated into a novel neurodevelopmental model of the human auditory system.

Influence of music education in college on development of musical talents and creative (divergent) thinking of students (La influencia de la educación musical formal en el talento musical y el pensamiento creativo (divergente) de los estudiantes)

ABSTRACT Professional education formation accelerates implementing specialized areas of developing the right skills and knowledge that a music student should possess in their future career. The purpose of this study is to identify the impact of music education in college on the development of individuals’ musical and creative abilities in comparison to self-taught musicians. The assessment involved the analysis of these aptitudes of the respondents using two separate techniques: Gardner’s Multiple Intelligences Test to identify respondents’ musical aptitudes and Williams’ test battery to investigate divergent thinking. Given the timeliness and correctness of the execution of instructions for each of the tests, the original study sample included 190 individuals. Analysis of the research findings on the two parameters among the majority of respondents confirmed the expected correlation. As for the first factor of the analysis, approximately 53% of the respondents with musical intelligence demonstrated the expected correlation of this indicator with attendance of educational institutions. This being the case, 57% of respondents have a high level of creative thinking given attendance of a college of music.

Closed-field Auditory Spatial Perception and Its Relationship to Musical Aptitude

Introduction: Musical aptitude is the innate ability of an individual to understand, appreciate, improvise, and have a good sense of pitch and rhythm, even without undergoing formal musical training. The present study aimed to understand the effect of musical aptitude on auditory spatial perception. Method: Forty nonmusicians were subjected to a musical aptitude test Mini Profile of Music Perception Skills (Mini-PROMS) based on which they were divided into two groups. Group I included 20 nonmusicians with good musical aptitude (NM-GA) and Group II comprised 20 nonmusicians with poor musical aptitude (NM-PA). Auditory spatial tests included interaural time difference (ITD) and interaural level difference (ILD) threshold tests and a closed-field spatial test called virtual acoustic space identification (VASI) test. Results: Kruskal–Wallis test revealed a significant difference between Group I (NM-GA) and Group II (NM-PA) in ITD (p < 0.001), ILD (p = 0.002), and VASI (p = 0.012) tests, suggesting the role of musical aptitude in auditory spatial perception. Correlational analyses showed a moderate positive correlation between Mini-PROMS scores with VASI (r = 0.31, p = 0.04) and a moderate negative correlation with ILD (r = −0.3, p = 0.04) and ITD (r = −0.5, p = 0.001). Conclusion: This study defines a positive association between musical aptitude and auditory spatial perception. Further research should include a comparison of spatial skills among musicians and nonmusicians with good musical aptitude.

A replication study of genetic variants associated with high-level musical aptitude

A replication study of genetic variants associated with high-level musical aptitude