Russian Literature Research Articles

Attribute verbalisation of the concept ‘blood’ in M. Tsvetaeva's texts

The relevance of the article is connected with the application of the cognitive-semantic method of analysing epithet paradigmatics in M. Tsvetaeva’s texts. The aims and objectives are connected to the study of the idiostyle specificity of the attribute verbalisation of the conceptual meaning ‘blood’ in M. Tsvetaeva’s texts, in the course of which the role of epithetisation in the individual style system of the poet under study is revealed, the semantic content of this concept in the texts of M. Tsvetaeva, as well as the types of epithet words that verbalise this meaning. On the basis of cognitive-semantic, component, lexicographic and lexical-semantic, as well as statistical methods of analysis, the attribute verbalisation of the concept ‘blood’ in M. Tsvetaeva’s texts is analysed. The comparison of the characteristic nomination was carried out on the basis of the ‘Dictionary of Epithets of the Russian Literary Language’ and M. Tsvetaeva’s texts. The considered types of epithet words that verbalise the attribute nomination of blood in M. Tsvetaeva’s texts made it possible to record a minor coincidence of the qualitative attributes of this object of epithetisation with usage, while the majority of epithet words demonstrate non-usual lexical compatibility. The idiolect epithet paradigm is represented by emotional and psychological characteristics; among the structural and morphological types of epithets, simple adjectival and substantive ones lead. It has been proven that the specificity of the attribute verbalisation of ‘blood’ is associated with the anthropomorphic semantics of this concept as the focus of the essence of the personality, its character. Attributive verbalisation of the qualitative characteristics of an object is one of the peculiarities of M. Tsvetaeva’s individual style. The usual attributes of the concept ‘blood’ as a person’s temperament and vital activity are preserved, but there is a clear tendency towards an occasional interpretation of the signs are realised in its idiolect, but are subject to the author’s reflection and rethought. The i dentification o f a new feature of the c oncept occurs based on the s ubjective perception of reality, awareness of its significance for the author. The qualitative characteristics of the subject, his inner world is one of the dominant features of M. Tsvetaeva’s language.

Диалог по случаю столетия Пушкина: епископ Антоний (Храповицкий) и Т. И. Филиппов (1899)

The article is devoted to a brief epistolary dialogue, the occasion for which was the Pushkin anniversary (1899). Among the many responses to this cultural event contemporaries appreciated the speech of Bishop (later Metropolitan) Anthony (Khrapovitsky), which he delivered at Kazan University. The ceremonial speech became one of his first detailed statements about Russian literature and subsequently served as a pretext for a special article about the poet. In June 1899, Bishop Anthony presented a separate edition of his speech to the prominent statesman and public figure Tertius Philippov (1825/1826–1899). The author of the article clarifies the circumstances that accompanied this gesture of donation and publishes the bishop’s covering letter and Philippov’s response. In addition to the high assessment of the work read, the response letter of the state controller expressed in a concise form a judgment about the spiritual significance of Russian literature. This brief description hiddenly contains the ideas of another writer, equally close to both participants in the dialogue – Dostoevsky. The researcher also notes other points that bring the heroes of the article together. In particular, this is a negative attitude towards the synodal structure of church government.

Владимир Соловьев и Вячеслав Иванов: принципы философской герменевтики и традиция диалогов Платона

The article is dedicated to the problem of comparative study of the hermeneutics principles in religious-philosophical and literary-critical discourse of Vladimir Solovyov and Vyacheslav Ivanov. It is shown that Plato’s dialogue traditions in the works of Ivanov were intellectual reflections and expressed “Plato’s turn” in hermeneutical tradition of text interpretation that outlined in Russian religious philosophy. Special comparative study of this problem had not been conducted. It is proved that Ivanov’s interest to Plato’s dialogues derived from various sources. Solovyov’s works and translations of Plato’s works in Russia played a major role in it. Solovyov was a translator and commentator of Socratic dialogues of the ancient Greek philosopher. His introductory chapters made for Plato’s dialogue translations, his literary and philosophical criticism are considered in the article. Materials form Ivanov’s personal archive are analyzed and they show that he was interested in Plato’s dialogues “Timaeus”, “Phaedrus” and others. His articles, lectures, under-investigated materials and the books “Dionysus and Pre-Dionysianism” (1923) and “Dostoevsky. Tragedy-Myth-Mysticism” (1932) are considered. A.F. Losev’s works on ancient philosophy and his research on Solovyov and works of F. Schleiermache, H.G. Gadamer and became the object of the comparative analysis. It is shown that Plato’s dialectics and dialogues became major source for development of philosophical hermeneutics principles for Solovyov, Ivanov and Losev. It is shown that a myth in Solovyov’s, Ivanov’s and Losev’s works as well as in Plato’s dialogues becomes a category of thinking, a way of religious-philosophical perception, a form of artistic representation of the image-symbol and a basis of hermeneutical dialectic understanding. Solovyov and Ivanov’s view on Plato and Platonism is important for studying the development of hermeneutic ideas in Russian philosophy and literature studies.

Красный спортивный Интернационал в отечественной и зарубежной историографии

This article examines the main approaches and assessments that were given in Russian and foreign scientific literature to the Red Sports International (Sportintern, RSI). The author shows the context of mentioning the organization in scientific literature and identifies controversial issues in its history. The article analyzes the source base of existing works on the his-tory of Sportintern in the context of the archival revolution of the 1990s. and documents from the Sportintern fund in the Russian State Archive of Socio-Political History (RGASPI). The author shows the differences between Russian and for-eign approaches to the history of Sportintern, differences in assessments of its activities. The author traces how the per-ception of RSI has changed in Soviet and Russian historiog-raphy, notes the peculiarities of the views of individual au-thors on the factors of the creation of the Sport International, the goals and objectives of its activities, the role of individual historical characters in the activities of the Sports Internation-al. Particular attention is paid to the issue of the initiator of the creation of Sportintern and the role of N. I. Podvoisky in the formation and development of the organization. Special attention is paid to the activities of the RSI in Latin America and the Latin American historiography of the work of Sportintern in the countries of the region.

Аскетическая жизнь монашествующих. Фрагмент систематического французско-русского словаря религиозной лексики

This publication is devoted to one of the topics representing the vocabulary of monasticism. In previous issues two parts of the “Monasticism” section were published. This work can be considered a deepening of the previous one, since it contains vocabulary describing the features of the inner life of monastics.Some sections touching on the topic of asceticism appeared earlier (attitudes to prayer, humility, hope in God, love for Him, etc.), but in relation to monastics, the vocabulary takes on a more specific, strict coloring, as it describes vigils, severe fasts, the practice of wearing a hair shirt, self-flagellation (in Catholicism).As in previous publications, archaisms are sometimes used because they are found in religious literature in Russian. As in previous publications, the reader may encounter possible unevenness and unsystematicity in the selection of vocabulary. This is due to the fact that we are not dealing with a translation of a theology textbook, but with vocabulary and concepts most often found in religious literature. At the same time, their relative weight in individual subtopics, as well as in both faiths, may be different: some topics are more emphasized in religious life and attract the attention of writers and speakers of these languages.The work was submitted for review to Archpriest Igor (Vyzhanov), candidate of theology, rector of the St. Nicholas Patriarchal Cathedral in New York, and Bruno Bisson, candidate of philological sciences, simultaneous translator, who made very valuable comments. Since work on the dictionary continues, the author will be grateful for all comments and, especially, corrections.

ОСНОВАНИЯ И КОМПАРАТИВИСТСКИЙ АНАЛИЗ РУССКОГО ЭПОСА

The investigation of Russian folklore has not yet been fully institutionalized in literature, cinema, and theater. In Russian literature, for example, there are no novels about Koshchei the Immortal, Ivan the Prince, heroes of Slavic pagan culture and many other characters of this genre. Meanwhile, these are deep, colorful images organically integrated into an equally vivid context. Many great writers, such as Thomas Mann, have written about such gaps. The goal is to identify the main typological characteristics of the Russian epic, which, in our opinion, has been studied in this sense very one-sidedly. The methodology is a comparative analysis of various approaches (mythological, historical, structural, etc.) closely interconnected with the characteristic features and structure of epics. At the same time, considerable attention is the harmonious combination of various motifs of the epic: heroes, Kalik-passers-by, epic time, pagan influences, hyperbolization, etc. An attempt is made not to accept, but to take into account various influences on such studies (pre-revolutionary, post-revolutionary, inspired by the Marxist approach, structural analysis, which began to be used in the study of Russian epic since the 1970s). The Russian epic, thanks to a huge number of historical, social, and cultural connections, naturally interacts with the epics of the republics (union and autonomous) that were part of the former USSR, which opens up wide opportunities for comparative studies of various types. Paths are outlined for a comparative analysis of the Russian epic with the epics of the East Slavic peoples, as well as with the Yakut heroic epic Olonkho. The authors' further plans involve continuing the study of Russian folklore in the genre of fairy tales and the field of culture of Slavic paganism. The first of them has been studied quite fully, but the structural and systemic approaches to research need to be further developed. The culture of Slavic paganism is a little-studied area where there are still no established approaches, and there are different points of view on many issues. Here you can apply the methodological approaches outlined in our monograph “Philosophy of Olonkho”.

Application of the electrocardiography method for the diagnosis of foaling in horses

Diagnosis of pregnancy is a responsible and integral procedure in the list of measures aimed at obtaining a healthy horse population. Pregnancy confirmation can be performed using different methods, with ultrasound examination (US) being the most widespread and universal. However, this method has some limitations and disadvantages. An alternative to the ultrasound method for diagnosing pregnancy and monitoring the fetus in the middle and late stages of pregnancy can be the electrocardiography (ECG) method. A description of this method for recording the biopotentials of the fetal heart is found in Soviet and modern foreign literature. However, this method of research is not reflected in modern Russian literature and in practice has been undeservedly forgotten. The purpose of this study is to update data on the described diagnostic method, as well as to assess the possibility and reliability of using the ECG method for diagnosing and monitoring pregnancy in horses.The experiment involved a Hanoverian mare whose pregnancy was confirmed by ultrasound. ECG registration was performed on days 121, 150, 184, 214, 245, 276, 304, 335 of pregnancy.As a result of the research, the following was established. The earliest period of pregnancy at which it was possible to detect a fetal ECG was 150 days. By the 11th month of pregnancy, there was a clear trend towards a decrease in the fetal heart rate and a significant increase in the voltage of the fetal teeth.This type of research is easily reproducible in the field, does not require expensive equipment, is characterized by a high level of objectivity of the data obtained and can be recommended for use in the daily practice of an equine veterinarian. As a research prospect, to identify general patterns and distinguish between states of conditional norm and pathology, it can be recommended to conduct further studies with a larger sample of animals.

Lexical and Stylistic Features of Translating Old Russian Literary Monuments into Russian and English Languages (“The Tale of Igor’s Campaign”)

This article explores the peculiarities of translating military vocabulary from the Old Russian literary monument “The Tale of Igor’s Campaign” into Russian and English languages through the analysis of translations by D.S. Likhachov, O.V. Tvorogov (modern Russian language), V. Nabokov, and I. Petrova (English language). The study employed methods such as the method of complete sampling, contextual analysis method, comparative method, and quantitative analysis method. The research focused on 34 lexical units used in 128 contexts. Based on the conducted study, the following conclusions can be drawn. (1) Translators of the aforementioned work into Russian mostly replaced archaic words with contemporary ones etymologically related to the original word, while preserving archaic words to convey historical color in translations. (2) Translations of the work into English showed translators’ tendency towards fidelity to the original text through the use of full and partial equivalents, approximate translation, and the method of generalization (selecting a word with broader meaning). Thus, the analysis of lexical units and their translation methods into modern Russian and English languages revealed translators' inclination to choose the translation variant closest to the original unit.

Environmental and scientific communications: correlation of concepts

A person perceives the surrounding world through communicative and cognitive processes, where knowledge, emotions, and social norms influence the perception of information about environmental problems. In our opinion, a skillful combination of scientific and environmental communication allows not only to improve the quality of communication, but also to change attitudes towards the environment. We tested this hypothesis by correlating the concepts of environmental and scientific communication presented in Russian and foreign scientific literature, comparing their main characteristics, and identifying the features of interaction. Based on the results of the study, the author comes to the conclusion about the importance of partnership between scientific and environmental communication, which has a positive effect on the effectiveness of management and the preservation of environmental sustainability, and the behavioral intentions of citizens. The scientific component strengthens environmental communication due to the competence of knowledge and balanced decisions, which is reflected in the legitimization of the changes being carried out. Finally, we also propose different action strategies and communication models, the choice of which depends on the goals of the subjects and the current situation.

О необходимости изучения профильной классической литературы студентами юридических вузов и факультетов

Purpose. The purpose of this article is to substantiate the need for students of legal specialties to study fundamental literary works in order to understand social, psychological and legal categories. It is impossible to imagine the formation of a person without the influence of works of classical Russian and world literature. This article is devoted to the importance, significance and expediency of studying works of fiction that affect the interaction of people and the functioning of society by students of law specialties. Methods: general scientific methods (analysis, synthesis, generalization) and special methods of legal science (comparative law, formal law). Results: education as the foundation of every person›s life and as a consequence of the development of society as a whole is the most important branch of government activity. Legal education, like no other, lays down the moral, psychological and social components of future law enforcement officers. The quality of legal education is based on a balanced combination of knowledge and application of the colossal historical experience of our country, the richest cultural heritage and modern achievements of science, technology and technology. Discussion: the author has developed and proposed the concept of analyzing the plots of classical literary works from the point of view of modern judicial proceedings, including the interaction of participants in the process, evidence, and motivation of decisions. The article proposes a list of works of classical fiction, systematized taking into account the course of study and the disciplines studied within it, from the point of view of the importance of mastering the relevant discipline. The list is arranged in chronological order based on the plot and analyzed legal categories of interest in the framework of the study of a particular discipline. The author›s justification is based on the approach of the author›s criminology course of Professor O.Ya. Baev.

Whence the Samovar?

Professor Smith, of the Department of Russian Language and Literature in the University of Birmingham, is writing a historical survey of food in Russia. This article contains material from his study of how tea came to Russia and leads on to a discussion of the origin of the samovar. (See page 68 for a definition of a samovar.)

Metalanguage in the Reflection of Its Functions

The research is devoted to the topical issues of linguistics, determined by the necessity of clarifying the scientific approaches to identification of the natural language functions, systematization of data on its metalanguage function, and the construction of a scientifically grounded representation of the metalanguage function implementation in a modern text (discourse). The relevance of the work is explained by the increased number and diversity of metalanguage contexts in modern communicative practice. The paper represents the results of a comprehensive study and description of the content and variants of manifestation in the text (discourse) of the metalanguage function of the language. The taxonomy of metalanguage functions is presented on the material of modern Russian literature works. The metalanguage is revealed to perform two basic functions: information research and modelling. The information and research function has an ontological basis and is characterized by a substantial heterogeneity, which made it possible to identify a number of specific functions: metaphatic, explanatory, characterizing, evaluative, searching, connecting and categorizing. The modelling function has psychological foundations, meaningfully aimed at creative understanding of the code for the purpose of its subsequent processing and creative use in speech activity, which provides a new modelling of reality. It is shown that when updating this function, the potential of pun, or play on words, is widely used. It is established that the modelling function is characterized by the implicitness of its realization in the text.

Sergei Aksakov in England (on the problem of national identity)

The article presents the assessment of S. Aksakov’s artistic heritage by English critics and writers. We prove that the Russian writer unites European cultures by using universal content. Along with the classics of Russian literature – I. Turgenev, L. Tolstoy and F. Dostoevsky, S. Aksakov’s prose has worldwide significance. The year 1991 was declared by UNESCO the Year of Sergei Aksakov. Aksakov’s “The Family Chronicle” was translated into German by Sergei Rachinsky and was highly praised by A. Herzen. After James Duff translated Aksakov’s trilogy into English, the writer, along with Turgenev, Tolstoy, Gogol and Chekhov, entered the “golden fund of world literature”. The special interest to Aksakov in England was noticeable both in the early 20th century and in the 1980, when his works became bestsellers along with the works of famous Victorians. The article reveals the role of Dmitry Mirsky in popularizing Russian classics, as well as Virginia Woolf, according to whose testimony books by Russian authors Aksakov, Chekhov Turgenev and Dostoevsky found the most enthusiastic response among English readers. The article also touches upon the translation specifics of Aksakov’s works into English.

The myth of Russia in “Dialogues of the Dead” by Mikhail Muraviev

This article focuses on the processes of development and change in the philosophical and rhetorical genre of “Dialogues...” in Russian literature of the last quarter of the 18th century. A given phenomenon goes back as far as the heritage of ancient thinkers; for instance, “Parallel Lives” by Plutarch was relevant to Russian writers of the years 1700-1800. Initially, under new conditions, the national writers were mostly interested in this genre by reason of the general problems of knowledge distribution as a metaphysical beginning of existence (A. Belobotsky, V. Tatitshev). By the last quarter of the 18th century, a key aspect of consideration had been shifted to the issues of a new personal education and the state and moral doctrine of Russia. Mikhail Muraviev (1757 - 1807) was a famous Russian literary man and enlightener, the founder of sentimentalism and pre-romanticism in national literary culture, a philosopher and historian. In the years 1780-1790, on a personal invitation of Empress Catherine the Second, he taught moral philosophy and history to her grandchildren – tsesareviches Alexander and Constantine. It was the period when “Dialogues of the Dead” were contemplated as part of the writer’s teaching activities. M. Muraviev’s central goal was to show two key ideas: the development of Russia in Modern Period and the development of a new educated person.Using a well-known allusion technique, the writer chose symbolic figures of the world history and culture, transferred two contrasting characters to one period of time and turned them into interlocutors, holding a discussion. Moreover, Russian public figures of different epochs could meet both the leaders of the world historical and cultural process and each other. So far, “Dialogues of the Dead” by M. Muraviev have been studied fragmentarily in scientific research. The researchers’ attention has been focused mainly on the range of sources used by the writer, as well as on some language features, style and general moral ideas of the outstanding Russian enlightener. According to our hypothesis, the original “myth of Russia” is in the centre of this work. The distinguishing features of this phenomenon are: firstly, the synthesis of various spheres of socio-cultural life, from policy to literary culture; secondly, a clear correlation of “the state glory” phenomenon with conceptions of the internal moral creed both of the ruler of the state and every man in the country.

The book as a genre phenomenon in modern prose of the Russian abroad (“Venice. Quarantine Chronicles” by E. Margolis)

The article studies the book as a special type of artistic unity, representing an original model for expressing artistic consciousness in modern Russian literature abroad. The article proves the productivity of this genre phenomenon, identifies the main trends in book creation associated with an appeal to the sacral text, with the actualization of the autobiographical, diary and memoir prose traditions. The representative sample is analyzed on the basis of the modern literary scholarship provisions, which conceptualize the book as an original genre phenomenon. Using the example of E. Margolis’ book “Venice. Quarantine Chronicles” (2020), we analyze the mechanisms of constructing the artistic world, organically embodied in book format. The article reveals the nature of the artistic integrity of the book, conditioned by the interaction of verbal and visual components, the motif complex associated with the Christian tradition (which includes motifs of insight, internal movement, silence and healing of the soul), and reveals the features of the palimpsest, which serves as the principle of genre modeling. The conceptual and formal anchor in the book is the image of Venice, which connects everyday and metaphysical, visible and invisible aspects. The article proves that the book represents a form of the world harmonization and a space for a dialogue between different cultural codes at whose junction the author’s hybrid identity is formed.

National cultural and religious mythologems in the ethnic image creation in Russian literature of the 19<sup>th</sup> century

The article examines the functional purpose of foreign cultural and religious mythologems in conveying an ethnic image in the Russian literary process of the 19th century. We analyze the reception of the confessional Muslim text in the artistic system of “Travels to Kazan, Vyatka and Orenburg in 1800” by M. Nevzorov who contributes to the description of the Tatar layer of life. Religious archetypal ideas are conveyed by means of religious-mythological codifiers, appearing in such a triad as the muezzin’s call to worship, the mullah’s sermon, the epigraphic inscriptions of tombstones representing the “Word of the Lord” and the prayerful appeal of believers as a confessional text. In the system of literary text, the apperception of a different religious consciousness creates a bright, unique image of Russian “foreign culture” in its dominant manifestations. In the works of P. Kudryashev and T. Belyaev, the ethnic Bashkir realities of life are identified by religious and historical mythologems: the constants of the Koranic paradise, “Sataniel” Dadzhal, “Bashkir people of seven generations” are involved in the interpretation of the events of the Patriotic War of 1812 as an eschatological event in history. In conveying the ethnic aspects of life, A. Herzen and N. Leskov resort to pre-Christian mythologems of the pagan worldview: the national deities of the Mari and Udmurts are found in the creation of the Russian “past” in the article “Votyaki and Cheremis” and the essay “The Past and Thoughts.” In “The Enchanted Wanderer” by N. Leskov, the explication of pagan views on the world conveys the syncretism of the character’s worldview: the mythologems of the old Chuvash faith function in creating the image of the Chuvash on a par with Christian saints.

ПРЕЦЕДЕНТНЫЕ ФЕНОМЕНЫ В СОВРЕМЕННЫХ МЕДИАТЕКСТАХ (НА ПРИМЕРЕ ТВОРЧЕСТВА Н. В. ГОГОЛЯ)

This study is devoted to examining the texts of modern mass communication that contain elements of intertextuality in the form of precedent phenomena. Using the example of N.V. Gogol’s work precedent names, situations, statements were identified, and we analyzed their semantic and grammatical features established in the current media space. The material for the study were precedent units identified by the method of continuous sampling from modern media texts of various directions. As a result of the study, it was proved that journalists give preference to precedent phenomena associated with classical Russian literature with the works of the famous satirist N.V. Gogol. These works as a powerful tool for the formation of metaphorical models and scenarios, with the help of which parallels are drawn between the author's negative images and vices of modernity. Precedent units dating back to the work of N.V. Gogol are identified and described. We determined their semantic and pragmatic features, peculiarities of implementation in the current media space.

Comparative analysis of fables in the context of studying Russian literature in a foreign language audience

Comparative analysis of fables in the context of studying Russian literature in a foreign language audience

Stages of formation of the interior of a modern passenger railway carriage: historical overview

Passenger transportation in rolling stock railway carriage on Russian railways in the last third of the 19th – early 21st centuries are considered from the point of view of comfort for passengers created by the arrangement of the railway carriage body. The distinctive features of the interior of passenger cars of classes I, II, III and IV in pre-revolutionary Russia (1872–1916) are considered. Comparison of the interior of cars of different classes on railways of the late 19th – early 20th centuries. With the interior of compartment and second-class carriages used for transportation in Soviet Russia, and carriages of modern Russia, allows us to trace the evolution of technological solutions in the internal arrangement of carriages.The characteristics of the main interior detail are given — the seating and lying areas for passengers, which is taken as the main indicator of comfort for passengers. The review of reference and historical data is supported by excerpts from works of Russian classical literature of the last third of the 19th century, and additional information about the seating areas for passengers.The emphasis is placed on the use of information about the interior of passenger cars of classes I, II, III and IV, drawn from works of Russian literature of the last third of the 19th century, as illustrative material, in the course of students mastering the topic “Roads of pre-revolutionary Russia” when studying the discipline “General course of railway transport” for higher and secondary vocational education programs.

SCHILLER’S MOTIFS IN THE IMAGE OF LENSKY IN A.S. PUSHKIN’S NOVEL EUGENE ONEGIN

When creating the image of Lensky, Pushkin combined two concepts of how Schiller was perceived in Russian culture of the 1820s: “sublime”, freedomloving, idealistic (as a figure of Sturm und Drang) and “pseudo-romantic”, elegiac, dating back to translations of Schiller’s elegies and ballads by Zhukovsky. At the same time, Pushkin himself in Eugene Onegin, obviously, does not completely separate them and does not oppose them, updating one or the other if necessary. The projection of both in the novel ranges from ironic reduction to sympathetic acceptance, which, along with their latent conflict with each other, creates a dialectical tension of Lensky’s image. It is Schiller’s motifs that give this image depth. In the draft versions, the exposition of Lensky’s image, the expressiveness and passion of his nature, rebellion and political engagement of the poet are much more strongly emphasized. But the author, while working on the text, “shifts” the image of Lensky towards a dreamy elegiac, while maintaining a recognizable Schiller appearance. The description of Lensky’s ideals moves entirely along the lines of Schiller’s philosophy and creativity. In this regard, the article for the first time examines possible reminiscences to the image of Lensky from Schiller’s poems “Die Hoffnung”, “Die Ideale”, “Die Freundschaft”, “Der Triumph der Liebe”, “Das Geheimnis der Reminiszenz. An Laura”, “Die Künstler”, “Das Glück”, “Das Ideal und das Leben”, “Der Flüchtling”. Having parodied the tradition of “dull” elegy on the example of Lensky’s dying poems, the author unexpectedly places two similar elegies as lyrical digressions. Despite the predominance of the Byron ideological and artistic context in the novel and Pushkin’s apparent irony in relation to the Schiller tradition, it represented for him a possible reference point for the development of Russian literature.