As though from a sudden awareness of the ethical void in which we have been living since the first World War, a growing number of scholars, several among them Americans, have lately been turning their attention eagerly and fruitfully to the doctrine of the gentleman. They have studied its varied aspects in different national environments and have examined painstakingly its effects upon human conduct as this is reflected in the various literatures of Western Europe. A large segment of that vast aggregation of dust-laden volumes bearing the forbidding name “didactic literature” has been taken from library shelves and scanned anew in this effort to lay bare the minutest details of the doctrine. The initiator of this contemporary revival of interest in the ideals which nourished the gentleman appears to have been Maurice Magendie, whose study of the doctrine in seventeenth-century France gave rise to a healthy polemic regarding the appropriate scope and methods of literary history. This work was followed by Ruth Kelso's Doctrine of the English Gentleman in the Sixteenth Century, a model of erudite scholarship especially rich in bibliographical lore. Fittingly enough in a German work of the totalitarian period, August Hoyler's Gentleman Ideal and Gentleman Erziehung, dealing with the doctrine in England, sets up the Führerprinzip as the nucleus of the ideal. J. E. Mason's Gentlefolk in the Making continues Kelso's investigations down into the eighteenth century. The Italian contribution to the doctrine has been summarily discussed by F. R. Bryson. Written in semi-popular vein, In Praise of Gentlemen expresses the nostalgic longing of H. E. Sedgwick for a return to the social ideals of our forefathers. Perhaps the most complete analysis of the workings of the doctrine is found in E. Wingfield-Stratford's Making of a Gentleman. The number of these investigations is alone sufficient to show the interest which the subject holds for the literary and social historian, in spite of the doubt cast in some quarters on the present vitality of the ideal of the gentleman as an active social force. There is good reason to believe that we shall presently witness attempts, based upon these studies, to reinterpret the literature of the Renaissance as a reflection, in part, of the workings of the doctrine upon the minds of authors as disparate as Rabelais and Shakespeare or Spenser and Cervantes. Recalling the fruitful results obtained during the past half-century from the application of the investigations of Renaissance Platonism to literary interpretation, who can doubt that a similar success awaits the scholar who will launch forth upon a similar quest concerning the literary influence exerted by the concept of the “perfect gentleman,” of which concept Platonic love was but a part, however important?
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