Aesthetic Impact Research Articles

The Nature and Concept of Meta-artistic Objects

This paper introduces two concepts useful for the understanding of current trends in art. One of them is the concept of meta-art, which is proposed here because of the perception that contemporary art goes beyond the traditional borders of art, transforming the aesthetic question (is it beauty?) to a more ontological question (what is it?). Diverse elements are identified at the borders of artistic expression, as the question starts to implicate the changes caused by the notion of the meta-artistic. The second concept deals with the other main category of judgement of art, which was formerly defined by beauty, and yet now gets displaced in the limits of the meta-artistic by another process that we call aesthetic impact. This given pair of theoretical instruments help in a better understanding the astonishing objects developed by the artists of our time.

NO SECOND CHANCE FOR A FIRST IMPRESSION: THE ROLE OF AESTHETICS IN EARLY ACCESS VIDEO GAMES

This paper investigates the impact of aesthetics in early game development based on a quantitative analysis of 367 early access games. We identified the relationship between aesthetic perception in early video games reflected in the user reviews, comments, and subsequent positive and negative video game recommendations over time. We find that customer co-creation in product innovation is increasingly negative feedback over time when the game’s aesthetic early impression is perceived as negative. The implications for innovation management are that aesthetics design impacts the response to customer-ready prototypes. Managers should take the aesthetic design and user perception in early development into account and not delay the attention to aesthetics to a later product release stage.

Study of optical, thermal and radio frequency properties of low emissivity coatings with frequency selective surfaces

The use of frequency selective surfaces (FSSs) defined on railcar windows with a metallic low-e coating to improve the reception of mobile communications signals is becoming ever more common. The proximity of the glass to the passenger in this scenario has introduced a new parameter to consider, aesthetics. This paper presents a complete study of the development of a FSS defined by laser ablation, considering all current requirements. The fabricated samples will be characterized in the optical and radiofrequency ranges of the spectrum. Also, by means of an electron microscope, the chemical elements of each area of the samples will be quantified, in order to study the ablation process. New samples will be made using these parameters, and its performance according to specifications verified. These data will be correlated, using digital image processing, to the aesthetic impact of the engraved FSS, as confirmation of the optimal laser configuration.

Aesthetics in a Changing World—Reflecting the Anthropocene Condition through the Works of Jason deCaires Taylor and Robert Smithson

Abstract This article focuses on an important aspect of aesthetics in the context of the Anthropocene: the situatedness of aesthetic techniques and operations within earth’s (changing) materiality. Aesthetics is not only a way of making sensible but also contributes ontologically to the world it makes sensible. In this view aesthetics does not rely on a subject’s capacity to apprehend the world as a perceptually objectifiable entity. Focusing on works by Jason deCaires Taylor (Anthropocene and La Gardinera de la Esperanza) and Robert Smithson (Spiral Jetty), the authors interrogate how artistic engagements with anthropocenic materiality and temporality have the potential to articulate a double bind between aesthetics and ontology. Both artists not only allow recipients to be confronted with complex earthly entanglements but also have a material and aesthetic impact on their respective sites. Discussing deCaires Taylor’s and Smithson’s works, the authors argue that the artists’ aesthetics is not only a way of granting experiential access to an earth that resists objectification but also a manifestation of the processes through which earth’s materiality transforms throughout time.

Movement as a creative language, between functional and technological aspects in internal spaces

Movement is present by nature in all creatures of the Creator, phenomenon or latent within cells, and even the fixed elements change with the passage of time and provide a sense of movement when exposed to factors and influences such as wind or rain, so the movement is a divine gift if it is best used by the designer, it provides an integrated design that carries the characteristics of permanence and flexibility. And sustainability, it is considered the design language of adaptation that enables the designer to reach a realistic design that is functional, aesthetically and technologically aware. Interior design is nothing but an imagination of a set of different and changing scenarios that solve the problems of space to provide the right environment for users. Problem : - The lack of clarity of the correct concept of the movement's design thought and philosophy due to the relative scarcity of reference sources that directly address the movement as a design language, in addition to the lack of clarity of the full impact of its impact on interior design. - Limiting the internal designer to exploiting the movement from the functional and technological aspects and neglecting its aesthetic and psychological impact on the user. Goal: - Shedding light on the correct concept of the movement's thought and philosophy, its value and its relationship to the inner space. - Highlighting the characteristics and value of movement and the importance of its use as a basic factor in designing the internal space from all functional, aesthetic and technological aspects, in addition to its impact on the user. Methodology: The research follows the descriptive method and the analytical method. results: 1- Movement in interior design has two basic types: the moral mental movement and the objective physical movement in the visual field in addition to the movement of linear elements, surfaces, volumes, colors and lighting. The movement is perceived in design through understanding the factors that cause this perception, which are contrast, diversity and unity. And proportion, toning, light and color. 2- Movement in interior design has many philosophical values ​​such as merging, collision, extension, expansion, disassembly ... and others, and those values ​​control movement resulting from linear elements, shapes, surfaces, light and color within the space. 3- Any vacuum that represents an integrated kinematic system that combines formation, functionality and technology.

Peace Cranes in a Sanctuary

Back to table of contents Previous article Next article On Mental Health, People, and PlacesFull AccessPeace Cranes in a SanctuaryEzra E. H. Griffith, M.D.Ezra E. H. GriffithSearch for more papers by this author, M.D.Published Online:25 Oct 2021https://doi.org/10.1176/appi.pn.2021.11.19Whenever I am away from home on Sunday, I find it rejuvenating to attend a church service as a visitor. I enjoy observing the rituals and listening to a new preacher. I take note of the level of the music ministry and the lay members’ participation in their faith group. Most recently, I took the one-mile stroll from my lodging to St. John’s Scottish Episcopal Church in downtown Edinburgh. I decided to visit this branch of Protestantism because I had already attended a service at a Church of Scotland, with its philosophy and rituals closer to those of John Knox and the Calvinist Reformers. One glance at the day’s service program and my eyes landed on the claim that St. John’s “seeks to be an open community, walking in the way of Jesus, engaging with an ever-changing world, and living a faith that is timeless yet contemporary, thoughtful, and compassionate.” This declaration of modernity was in striking contrast with the greying mass of stone that characterized the external appearance of the building. The seeming contradiction would come up in my conversation after the service with the associate rector, the Rev. Rosie Addis.Everyone followed the public health rules and wore a mask. The choristers took off theirs while fulfilling their duties, as did the clergy when leading the prayers, preaching, and reading the liturgical texts. Clergy and congregation had found an operational middle ground, a way of functioning while wearing masks and respecting distance. No collection plate was circulated during the service. A member explained that the new method, forced by COVID-19, was for someone to stand at the church door after the service, with the collection plate in hand. I learned that the new method is called “retiral collection.”A mobile of cranes floats above the sanctuary in St. John’s Scottish Episcopal Church in Edinburgh.Brigitte Griffith with permission of the Rev. Rosie AddisIt is hard to explain the Sunday morning peacefulness of an urban church, built almost 200 years ago. With the organ in the hands of an aficionado and the choir chanting the psalm expertly, the 16th-century motet by William Byrd was performed elegantly. The sacred sounds were bouncing lightly off the church walls accompanied by the sun’s rays dancing on the mobiles hanging from the ceiling and light fixtures around the church. The photograph shows an example of the extensive mobile made of thousands of peace cranes handcrafted from origami paper. I learned the cranes were part of an exhibition by artist Janis Hart intended to transform St. John’s Church into a bird sanctuary for peace. The idea was to provoke viewers into thoughts about the victims of the 1945 bombing of Hiroshima. That is complemented by the church’s work for inclusion of LGBTQ people in the life of the church and in society.The Rev. Addis explained the mission of this urban faith group, first by helping me understand better the morning’s sermon. It was about EFM, which stands for “Education for Ministry” or “Exploring Faith Ministry.” She pointed out that this movement is not intended for the education of clergy. It is to help church members explore religious matters and facilitate their theological reflection about what God is asking them to do in service to others. Hence, the mission’s orientation toward peace, abolition of nuclear weapons, and fellowship with nondominant groups such as Blacks, other minorities, and the LGBTQ community. Rev. Addis has also determined her pathway toward serving a unique group. She is an expert in British Sign Language and directs a monthly service for what she calls the “Messy Church.” This meeting is for those suffering the indignities and problems related to hearing disabilities.Several elements in the service collectively framed an ambience of togetherness and concern for others. The play area to one side of the sanctuary welcomed children. The tables and chairs at the rear invited attendees to socialize and enjoy tea and cake at the conclusion of the service. These ideas about caring for others, or for one another, reinforced the aesthetic and moral impact of the multicolored paper cranes fluttering in the air currents above us. The reminder of what we should do for neighbors was powerful. ■Ezra E. H. Griffith, M.D., is professor emeritus of psychiatry and African American Studies at Yale University. ISSUES NewArchived

THE USE OF THE AESTHETIC POSSIBILITIES OF COLOR IN THE INTERIOR IN THE EDUCATIONAL PROCESS OF TRAINING AN ARTIST-DESIGNER

The article examines the main aesthetic possibilities of color in the interior. As a result of the analysis, the main conditions for the aesthetic impact of the coloristics of the interior space have been determined, which depend on the selected functional type of interior, a given scale, composition of space, general color, geometric plane and volumes, lighting, textured qualities of the material, harmonization of the surface color of the materials used, the relationship of structural elements and forms in the interior, informative possibilities of color. The interrelation of color with physiological, psychological and associative reactions in inflammatory processes and emotional sensations has been analyzed. Taken into account the understanding of color - color preferences and color culture issues. The associative possibilities of color as a means of emotional, aesthetic and symbolic impact have been determined. As a result, the main aesthetic possibilities of coloristics in the interior have been developed and proposed, which consist of logical sequential stages in order to implement the coloristic interior design and which are necessary in the educational process of training specialists in the specialty 022 "Design" in the discipline "Design workshop. Coloristics in the interior" (Department of Design, Faculty of Architecture of KNUSA), as well as necessary for their future professional activities: 1) solution of the creative concept and image of the interior; 2) a comprehensive solution to the overall color of the interior; 3) taking into account the emotional impact of color on a person; 4) creating expressiveness of the interior and determining its utility, functionality and expediency.

AESTHETIC INSTRUMENTATION FOR FORMING IMAGINED COMMUNITIES: THE PHENOMENON OF THE NATIONAL ANTHEM

The article is devoted to the study of the experience of using aesthetic tools in the formation of national groups. The object of the research is the state anthems, as a concentrated manifestation of the self-interpretation of the political community. The methodology of this article is based on constructivism, which interprets nations as imaginary communities and focuses the attention of the researcher on the practice of using soft technologies of collective integration.
 It`s addressed to the problem of using literary texts in the processes of collective integration made it possible to include not only representatives of political, but also creative elites in the list of subjects of social engineering.
 It has been proved that the political significance of the national anthem is manifested through "texts` violence". It`s the ability of the ruling circles to transmit group values to the subordinate array, which is achieved due to the legislative consolidation of a generally binding status for a certain text and due to the aesthetic impact on the consciousness of members of the community.
 The research methodology is presented by the using the procedures of the comparative method. It was carried out in such clusters as: justification of the right to exist (source of legitimation), "We are the image" of the commonality, common heroes, imaginary geography. It was achieved the identification of statistical patterns and features of the studied text arrays with analytical procedures for critical content analysis of the national anthems of European states. The results of the study confirmed the effectiveness of the procedures and tools of social engineering as one of the scenarios for the creation of national collectives in the European cultural area, substantiated the expediency of using the approved methodology to identify the cultural means of the nation-building process within the borders of Europe, and revealed the prospects of its application in relation to countries of the non-European cultural area.

Esthetic impact of maxillary midline diastema and mandibular crowding in children in the mixed dentition

This study aimed to investigate the esthetic impact of mandibular crowding and maxillary midline diastema in children in the mixed dentition. The sample for this cross-sectional study comprised 785 children, aged 8-10years, in the late mixed dentition. Mandibular crowding and maxillary midline diastema were evaluated clinically with the Dental Aesthetic Index. Mandibular crowding and maxillary midline diastema were evaluated to determine tooth size-arch length discrepancies. The sample was stratified as group 1, children without maxillary midline diastema or mandibular crowding (n=177); group 2, children with maxillary midline diastema (n=256); group 3, children with mandibular crowding (n=208); and group 4, children with maxillary midline diastema and mandibular crowding (n=144). The subjective esthetic impact was evaluated using the Orthodontic Aesthetic Subjective Impact Score. Descriptive and exploratory analyses of the data were performed. A generalized linear model was applied, adjusted for the possible confounding variables (age, gender, and race) with a significance level of 5% because the Orthodontic Aesthetic Subjective Impact Score did not meet the assumptions of analysis of variance. Children in groups 2 and 3 showed greater esthetic concern than group 1 (P<0.05). Children in groups 2 and 3 did not show a significant difference with children in group 4 (P>0.05). Children with mixed dentition with mandibular crowding or maxillary median diastema reported significantly more esthetic concern than children without these conditions.

Integrated probabilistic-fuzzy synthetic evaluation of drinking water quality in rural and remote communities

An integrated probabilistic-fuzzy synthetic evaluation (PFSE) approach was developed for assessing drinking water quality in rural and remote communities (RRCs) through the lens of health risks and aesthetic impacts. The probabilistic health risk assessment can handle aleatory uncertainty raised by the variation of contaminant concentrations, and fuzzy synthetic evaluation (FSE) can address vagueness and ambiguity in human perception of risks and aesthetic impacts. The PFSE approach was applied to five RRCs in British Columbia, Canada where different drinking water quality issues, including high metal(loids) concentrations, the presence of coliforms, and poor aesthetics were reported. Cancer, non-cancer, and microbial risks assessed, as well as both quantitative and qualitative aesthetic impact assessment outcomes, were aggregated into synthetic water quality indices for water quality ranking. The probabilistic health risk assessment results revealed significant health risks for a community with relatively high arsenic concentrations (mean value = 7.0 μg/L) in the water supply. The microbial risks were also found significant (disability-adjusted life years >1 × 10−6) for all communities because of the presence of coliforms in the water. The FSE results indicated that the drinking water quality of five RRCs was associated with high aggregated impacts, which concurred with the “poor” water quality ratings according to the Canadian Water Quality Index. The water quality of the five RRCs was ranked based on the synthetic water quality evaluation indices. The PFSE approach can help decision-makers prioritize RRCs in effective resource allocation for addressing drinking water quality issues.

Periorbital Filling With The MD Codes™ Algorithm: A Narrative Review and a Practical Guide.

The hyaluronic acid dermal fillers are employed to bring balance and facial harmony, improving the proportions and asymmetries of the structures, besides acting to reverse the signs of facial aging. The periorbital region is one of the first to show the signs of aging with periocular wrinkles, deepening of the nasojugal and palpebromalar folds, prolapse of the fat bags, excess palpebral skin, ptosis of the eyelashes, disappearance of the upper eyelid crease due to excess skin and hollowing of the upper eyelid. To describe the lines and grooves of the periorbital region and present a practical guide to the MD CODES™ algorithm for filling this region based on a narrative review of the literature. The literature research considered published journal articles (clinical trials or scientific reviews). Studies were identified by searching electronic databases (MEDLINE and PubMed) and reference lists of respective articles. MD CODES™ algorithm maps anatomical points of the face (anatomical codes) that, when treated with fillers, promote instantaneous lifting and rejuvenation. In addition to defining the points for treatment, this method identified the order of the points to be treated, that is, which points should be prioritized to cause greater aesthetic impact. The MD CODES aim to standardize facial rejuvenation and is of particular interest for young as well as more experienced physicians. Was presented in detail the regions, the aesthetic effects of the application, the technique, the volume, and the target structure undertaken in the remodeling of the tear trough, periorbital, temporal, brow, and frontal regions.

Altered passive eruption: A case report

Altered passive eruption is defined as a developmental abnormality in the passive phase of the eruption. It has an aesthetic impact such as the gummy smile and short teeth. The management of the gingival smile associated with altered passive eruption presents a real challenge for the practitioner, who must know the different signs of this anomaly to make the right diagnosis and to establish an appropriate treatment plan. The purpose of this article is to expose, the therapeutic modalities of management of altered passive eruption through a clinical case.

The impact of cover image authenticity and aesthetics on users’ product-knowing and content-reading willingness in social shopping community

Entitled cover images are used widely in social shopping communities to induce content reading, a prerequisite for product purchasing. However, it is still unclear which features of cover images affect users’ product-knowing willingness and content-reading willingness and how. To address this research gap, this paper draws upon the stimulus-organism-response framework and takes a mixed-method approach by conducting 1) a Delphi study to identify two image features (authenticity and aesthetics) as important triggers for content reading and 2) a scenario experiment to reveal the mechanisms through which image features impact users’ product-knowing willingness and content-reading willingness. The results confirm the positive effects of both image authenticity and image aesthetics on viewers’ beliefs toward the corresponding textual content (i.e., expected content credibility and usefulness) and product (i.e., perceived product attraction and expected product value). We also find negative interaction effects between these features on product-related beliefs. This paper has important implications for both research and practice.

Hypodontia and its impact on a young person's quality of life, esthetics, and self-esteem

The impact of hypodontia on quality of life is a relatively unexplored area. The limited research shows that the issues of importance for people with hypodontia can vary from those of patients undergoing routine orthodontic treatment. This research aimed to use generic and condition-specific scales to evaluate the impact of hypodontia on a young person's oral health-related quality of life, self-esteem, and aesthetics. This prospective cross-sectional hospital-based study recruited 97 participants with hypodontia, aged 11-18years. The following questionnaires were completed before the start of any planned treatment: child perception questionnaire, Bristol condition-specific questionnaire for hypodontia, child health questionnaire, and Oral Aesthetic Subjective Impact Scale. A priori sample size calculation determined a minimum of 65 participants were required, at the 5% level of significance, and with a power of 80%. The number was inflated to allow for dropouts/loss to follow-up by 30%. A total of 323 teeth were missing; 58 subjects (36 female) showed mild (2 absent teeth), and 39 subjects (25 female) showed moderate to severe (>2 absent teeth) hypodontia. Forty-one (42%) patients were missing anterior teeth, with absent maxillary lateral incisors predominating. Significant differences were found for the overall child perception questionnaire (P=0.01), emotional (P=0.005), and social (P=0.003) well-being; scores were highest in the moderate to severe hypodontia group, revealing the greatest negative impact. Similarly, overall Bristol condition-specific questionnaire for hypodontia (P<0.001), treatment (P=0.001), appearance (P=0.013), and other people's reaction (P<0.001) domains were all significant, with the moderate to severe group reporting higher levels of negative impact. No significant differences were observed in self-esteem or esthetics. Hypodontia in young people appear to have a negative psychosocial impact, both in terms of its presentation and planned care.

Фонетико-лексические средства и способы перевода в поэме «Кыз Дарыйка»

Research relevance in this study, according to Kadyrkul Alimanov, phonetic and phonological means of translating the Kyz Daryika poem into other languages is the phonetic harmony in poetic speech. Research purposes: using phonetic and lexical means, and determine the structure of the place in the sentence, function, place in the sentence and comprehensively identify their features in order to attract the reader’s attention. Research materials and methods: in this work, phono-stylistic means used not only in the organization of rhythm and rhyme, but also in the poetic category, organizing aesthetic impact and melodiousness in Kyrgyz poetry, both folklore and professional written literature, were considered. Research results: Translation is important both for introduction with life, culture and history of other people as well as in the process of exchanging with their literary and scientific achievements. Conclusions: Translation contributes to the development of people culture, to emergence of all-round communication and simultaneously performing social function in language when connecting with other peoples.

English

BACKGROUND Clear aligners are orthodontic devices that are transparent, a plastic used to correct malaligned teeth. Here patient wears a series of customized clear, removable aligners that gradually move the teeth to the desired position. The clear aligner system is a modern adaptation of the systems described since the middle of the 20th century, therefore there were different devices and philosophies that have led to its creation and the system has evolved a lot over the decades. Clear aligner therapy has been a part of the orthodontic practice for years, but, popularity was increased since the introduction of Invisalign appliances (Align Technology) in 1998. There are almost 27 different clear aligner products currently on offer for orthodontic treatment. Nowadays, more people prefer clear aligner treatment because it is aesthetically superior to brackets and lingual orthodontics. The superiority of clear aligners lies in their aesthetics. The optical properties of the clear aligner material play a major role in aesthetics. The rising demand among adult patients for “invisible” orthodontic treatment has led to an exponential growth in the clear aligner market. Indeed, these aligners have a low aesthetic impact, as well as being able to effectively and progressively guide the teeth into their programmed positions. They are also removable and therefore do not hamper oral hygiene maintenance, in turn reducing the risk of white spots, caries, gingivitis and periodontal disease. All the materials do not possess the same chemical composition. The properties change before and after wear. In this article, we bring out the different materials used for the manufacture of clear aligners and their various properties. KEY WORDS Clear Aligners, Optical Properties, Thermoplastic Material, Mechanical Properties

Art? Science? .... Alchemy: The materiality of spiritual expression in artistic creation revealed through the analytical techniques of a heritage conservator

To the uninitiated, it is quite probable that the results that art conservators derive from analytical techniques, may resemble alchemy, but they do not create gold from lead. Instead, they represent the composition of an object as its chemical components. X-ray fluorescence spectroscopy (XRF) has long been used for the compositional determination of minerals and metals in the mining and manufacturing industries, and over the past few years the applications in art and conservation increased rapidly. In addition, technical photography (in which filtering determines which wavelengths of light reach the camera) has the ability to create a new art form – one that, apart from being visually appealing, can provide information on the materials which had been used by the artist. In this manner, a whole new layer of information may be revealed, adding to the aesthetic and spiritual impact of the work. In this article, two objects of African art, namely a century-old prayer scroll from Ethiopia and a twodecades old sculpture by South African artist Lucky Sibiya, are investigated to see if this ‘alchemy’ can reveal that which even the artists were unaware of.

Synergistic freshwater and electricity production using passive membrane distillation and waste heat recovered from camouflaged photovoltaic modules

A sustainable supply of both freshwater and energy is key for modern societies. In this work, we investigate a synergistic way to address both these issues, producing freshwater while reducing greenhouse gas emissions due to electricity generation. To this, we propose a coupling between a photovoltaic (PV) device and an innovative desalination technique based on passive multi-stage membrane distillation. The passive distillation device is driven by low-temperature heat and does not need any mechanical or electrical devices to operate. The required heat is recovered from the back side of the PV device that, for the first time, mitigates the aesthetic and environmental impact thanks to an innovative surface texture. The aim is to demonstrate the feasibility to generate PV electricity from the sun and, simultaneously, freshwater from the waste heat. The solution is studied by numerical simulations and experiments at the same time, achieving a good accordance between these two approaches. The device is able to produce up to 2 L m−2 h−1 of freshwater under one sun irradiance. Furthermore, a relative photovoltaic efficiency gain of 4.5% is obtained, since the temperature of the PV module is reduced by 9 °C when coupled with the desalination technology. This work paves the way to compact installations made of such passive units, which may easily provide energy and safe water with low environmental and visual impact, especially in off-grid areas and emergency conditions.

Assessment of the Visual Impact of Existing High-Voltage Lines in Urban Areas

This article proposes a novel methodology to evaluate the visual impact of high-voltage lines in urban areas based on photographic images. The use of photographs allows for calculating the overall aesthetic impact while eliminating the subjective factors of the observer. To apply the proposed methodology based on photographs, the impact of the position and angle where the photograph was taken was analyzed, and a sensibility analysis was carried out. Moreover, it was applied to an application case, and a comparison with results from a previous study of a visual impact was performed. The methodology shows good performance and a better resolution of the indicator.

Impact of apps aesthetics on revisit intentions of food delivery apps: The mediating role of pleasure and arousal

Online food delivery (OFD) apps are changing the way we consume food. Despite increasing the popularity of OFD apps, limited studies have explored the reason behind popularity which contributes to the revisit intentions. This study investigates the drivers of revisit intentions by adopting stimulus-organism-response (SOR) theory and pleasure arousal dominance (PAD) theory as a theoretical lens. A model is conceptualized by including aesthetic formality and aesthetic appeal of OFD apps as stimuli, pleasure, and arousal as the internal state of the organism, and revisit intentions and word of mouth (WOM) as a response. Data is collected from OFD app users through a survey questionnaire. Findings indicate that aesthetic appeal is associated with pleasure and arousal. Aesthetic formality is associated with pleasure, word of mouth, and revisit intentions. Further, pleasure influences arousal, word of mouth, and revisit intention. The findings also confirmed the mediating role of pleasure and arousal. The study contributes to the practice and theory in the context of online food delivery apps.