History Of Book Publishing Research Articles

The Phenomenon of V.Z. Yaksanov: the Book Publishing Experience of a Private Entrepreneur of Saratov Province (1918—1927)

In the history of book publishing in the Saratov region, the name of Vasily Zakharovich Yaksanov (1887—1935) holds a special place. He was one of the first to combine the functions of author, publisher and printer, playing the role of a link between pre-revolutionary and Soviet book publishing. The printing house he opened in 1910 was nationalized in 1919. In 1922 V.Z. Yaksanov founded a private book publishing house, which produced books until 1925, and in the first Soviet decade was the owner of the bookstores “Druker” and “Virgin Soil”, which also acted as publishing organisations. The range of products of his publishing house included books of scientific, popular science, educational, artistic, information and reference nature. V.Z.Yaksanov paid special attention to supporting the scientific activities of teachers of the Imperial Nikolaev University (since 1923 — the N.G. Chernyshevsky Saratov State University), as well as children’s literature. Being a prominent figure of the Old Believer Church, at the same time he printed materials devoted to the history of the Old Orthodox Pomor Church. Due to the fact that not many studies have been written about V.Z. Yaksanov’s contribution to regional book publishing, it seems important to analyze the factography of V.Z. Yaksanov’s book publishing activities in the first Soviet decade, to clarify the information about the books and brochures that his printing house and publishing house were involved in publishing. If we summarize V.Z. Yaksanov’s competences as a printer, publisher and owner of a bookshop (which is a publishing organisation), we can talk about 38 identified titles of books and pamphlets published with his direct participation and at his enterprise in the period from 1918 to 1927. In 1918 6 titles were identified, in 1922 — 3, in 1923 — 17, in 1924 — 7, in 1925 — 4, in 1927 — 1).

Книжная серия «Есть стать в строй!» как образец советской военно-патриотической пропаганды

The article considers the history of the military-patriotic book series Est’ Stat’ v Stroy! [Back in lines! - Yes, sir!]. This series was published in 1967-1986 in the Molodaya Gvardiya [Young Guard] publishing house of the Central Committee of the Komsomol. The authors of the article set three research objectives: (1) to examine the composition of the studied book series; (2) to study the sociopolitical conditions of its occurrence: (3) to analyze the features of the subject of books and forms of presentation of the material, and to consider the stages of prepress preparation of these publications. The books of the book series were used as sources. Archival materials from the funds of the Russian State Archive of SocioPolitical History (RGASPI) were also involved. The latter are the documents of the Molodaya Gvardiya publishing house, the so-called author’s files for published products. They included author’s applications, publishing agreements between authors and editors, fee sheets, reviews of manuscripts, and correspondence with authors, reviewers, censorship authorities. A significant part of the documents are introduced into scholarly discouse for the first time. The study resulted in the following. The series Est’ Stat’ v Stroy! was the outcome of a political order, as evidenced by the revealed correspondence between the publishing house and political bodies of various types and branches of the armed forces. But the editorial staff also worked on these publications willingly and proactively. Unlike other “custom-made” ideological publications, which were not sold out and occupied the shelves of Soviet bookstores for years, the books of the series very quickly became scarce and inaccessible even in libraries. The work on compiling the collections of the series was a difficult organizational task. It was necessary to coordinate the activities of the authors of sections and essays, reviewers and designers, to obtain visas of political organizations and censors. In some cases, work on books was delayed due to the author’s unreliability or the unsatisfactory quality of the materials. The editors of the publishing house very carefully approached the issue of reviewing the books of the series and involving specialists from leading higher military educational institutions of the relevant profile in this procedure. The books to a certain extent reflected their era, the level of development of both book production technology and propaganda techniques. The books in this series may be of interest to researchers in a number of aspects: as a source on the history of book publishing, on the order of prepress preparation, design of publications; as a source on the forms and methods of military-patriotic propaganda, methods of ideological work in the 1960s and 1970s; and as a source of a general historical nature. The authors declare no conflicts of interests.

Ancient Vilnius - 700: history of book publishing, book rarities, historical libraries

Ancient Vilnius - 700: history of book publishing, book rarities, historical libraries

Me enamoran en Jaén: XXV aniversario del Festival de Música Antigua de Úbeda y Baeza ed. by Javier Marín-López and Ascensión Mazuela-Anguita

Reviewed by: Me enamoran en Jaén: XXV aniversario del Festival de Música Antigua de Úbeda y Baeza ed. by Javier Marín-López and Ascensión Mazuela-Anguita Leonardo J. Waisman Me enamoran en Jaén: XXV aniversario del Festival de Música Antigua de Úbeda y Baeza. Edited by Javier Marín-López and Ascensión Mazuela-Anguita. 2 vols. Jaén: Diputación Provincial de Jaén, Área de Cultura y Deportes, 2021. [ 510 p. and 596 p. ISBN 9788415583622 (vol. 1), €30; ISBN 9788415583639 (vol. 2), €30.] Illustrations, tables, graphs, bibliography, index. "Impressive" is the first word that comes to mind when one looks at these two thick, handsome volumes. But the adjective is nonetheless a paltry assessment of the early-music festival being described. The sheer number and importance of the activities listed, the quality of the participating performers, the significance of the repertories unearthed, and the sociocultural impact of the festival strikes this reviewer as the monumental achievement of a major cultural enterprise. The Festival de Música Antigua de Úbeda y Baeza (FeMAUB), initiated in 1997 with four concert programs, [End Page 389] each played in both cities, has developed into an important, multifaceted event, with twenty-four concerts and academic events in 2019 (a number slightly reduced in 2020, in a pandemic environment). It seems significant that the latest budget for the festival was only slightly over €100,000—a modest figure compared with the millions spent on other major festivals. A contributing aspect to this financial frugality seems to be the eagerness on the part of local and foreign artists to participate in an event that goes beyond musical show. This monumental compilation in book form represents the festival's ideals and accomplishments most accurately, since it has been edited by Javier Marín-López, its director for the last fifteen years, and Ascención Mazuela-Anguita, adjunct director for the last five. The carefully crafted organization of the texts, images, and tables of information is neatly divided between the two volumes, the first containing studies and a directorio (directory), the second encompassing an assortment of assessments by institutional authorities, participants, and the press, followed by a gallery of images and a list (with QR code) of live recordings from the different editions of the festival. Less conventional, perhaps, although anchored in the history of book publishing, are two poems and two musical pieces written as offerings or homages to the Fe-MAUB. In this brief review, I will sidestep the testimonies of volume 2 and comment only on scholarly articles, drawing on diverse disciplines. The essays are neatly and symmetrically presented as an introduction, seven sections of two articles each, and a final single-article section. The introduction by the editor is not limited to a presentation of the contents; it adds significant accounts of the origin of the project, its distinguishing marks, and the musical pedigree of the beautiful cities that house it, designated by UNESCO as a World Heritage Site. As Marín puts it, "the identity marks that define the festival [are] the orientation, rigor and independence of its artistic project, the recovery and airing of Iberian-American musical heritage, its dedication to education, its links to the monumental architecture of the cities, its projection to the entire provincial territory, the support of emerging performing groups, [and] the closeness between artists and audiences" (1:22, my trans.). The introduction also sets up a framework for the insertion of the ensuing texts within the emergent discipline of festival studies. The historic-geographic context of the FeMAUB is presented in two perspectives: one is a selective recounting of the history of early-music encounters in Europe, going back to the eighteenth century but highlighting the "rebellious, countercultural, or at least 'subcultural' context in which the birth of [these] festivals must be located" (1:40). After outlining the major developments in northern Europe in the mid-twentieth century, Isaac Alberto de Molina describes the extension of the phenomenon to Italy, Spain, Portugal, and Eastern countries in the 1990s. But his account refuses to close on bare data; his statement that "at the nucleus of Early Music...

Book history studies: Some interventions from colonial Punjab

This essay seeks to study print cultures, history of book publishing, and language formations in colonial Punjab in the context of debates in the new historical fields of Book History Studies and Print Culture Studies. Historical studies of late-19th and early-20th centuries in Punjab have focused on the formation of communal public and print spheres and the rigidification of religious identities that culminated in Partition in 1947. Rather than assume the formation of fixed and homogenized religious and linguistic identities, this essay seeks to understand the complexity of language formations, traffic between languages, hierarchies of language systems implicated in State support and pedagogy, and other factors that inflected the world of publication in colonial Punjab.

Вспоминая учителя

In the article, the author recalls his mentor, an outstanding personality, our contemporary Aziz Pulatovich Kayumov, who played a big role in his life and destiny, as well as other researchers. In the course of joint work in various scientific areas, he, as the author of a study of the history of the book of Uzbekistan in the 20th century, recommended the creation of the necessary textbooks on Central Asia and Uzbekistan. Kayumov said that fate itself orders to study the 2.5 thousand-year history of the book culture of the Central Asian region and Kazakhstan. When in 1979 Aziz Pulatovich was appointed director of the Institute of Manuscripts of the Academy of Sciences, they continued to closely deal with the vast topic of recreating the history of writing, handwritten and first printed (lithographic) books, the art of the book, the history of book publishing, library, bibliographic, book trade of the last 25 centuries. Thus, the scientific monograph “History of the book in Turkestan. Antiquity. Middle Ages», which was published by the publishing house of the National Library of Uzbekistan

Gustavo Sorá, A History of Book Publishing in Contemporary Latin America

Gustavo Sorá, A History of Book Publishing in Contemporary Latin America, Nueva York/Londres, Routledge, 2021, 246 páginas

Padrões de Encarnação Mediática e Circularidade Textual entre Livro e Filme na Edição: o caso da editora Romano Torres

This paper explores the modalities of book production based on patterns of intertextual circularity and media transfer from cinema, that is, films whose script is adapted and rewritten as a novel, undergoing a novelization process (even if the script that was adapted and turned into a novel-like readable book was itself already originally inspired in a book or text). The history of book publishing is plentiful in examples in which the text published in a book is inspired by a film script or in which a film was based on a previously published book. The textual migration thus uncovered also questions the very meaning of originality and authorship of a book, insofar as that book results from successive processes of media incarnation. Book publishers such as the Portuguese house Romano Torres, with activity between the end of the 19th century and the end of the 20th century, are the backdrop for the study and illustration of this ever changing process of textual and media mutation. This presentation seeks to demonstrate the existence of several books capable of raising questions about their status as an object, showing how the intervention in the text can be correlated with avatars that transform it as a product destined to be framed, thought and consumed in many ways, subjecting itself to a cycle of reconfiguration and appropriation.

Middle Volga Cooperative Publishing House in 1918—1919 (Based on the Documents of the Central State Archive of Samara Region)

The history of book publishing in Russia during the Civil War is studied extremely insufficiently, especially in the territories that left the Russian Soviet Federative Socialist Republic in the summer of 1918. Among the “white spots” there are activities of the Middle Volga Cooperative Publishing House, opened in Samara in July 1918 after the capture of the city by the parts of the Czechoslovak Corps. The article, for the first time on the basis of the analysis of documents of the Central State Archive of the Samara Region (CGASO) and published sources, attempts the reconstruction of the history of this institution, shows the main stages of its formation and development in the context of confrontation of two models of statehood: Bolsheviks and SR-Mensheviks. The author provides materials showing that the Middle Volga Cooperative Publishing House was created from the very beginning as an interregional one, since it was supposed to serve schools in four provinces (Samara, Simbirsk, Ufa and Orenburg) and the Ural Region, controlled by the government of the Committee of Members of the Constituent Assembly. In the face of shortage of textbooks, that publishing house, being isolated from Moscow and Petrograd, became a temporary centre for supplying educational institutions in the Volga region and the Cis-Urals with textbooks and writing accessories. Analysing the documents preserved in the CGASO, the author shows the self-sacrificing activity of board member Nikolay Andreevich Kalugin, who, after the return of Soviet power to Samara, was able to defend the publishing and bookselling base of the city’s cooperative associations from the encroachments of the Provincial Department of public education. The article reveals the repertoire of books published by the Middle Volga Cooperative Publishing House in 1918—1919 and estimates the degree of rarity of individual publications, not all of which are revealed in the collections of modern Russian libraries.

СПІВПРАЦЯ О. ЛОТОЦЬКОГО Й Б. ГРІНЧЕНКА ЩОДО СТВОРЕННЯ ТА ПОШИРЕННЯ УКРАЇНОМОВНОЇ КНИЖКОВОЇ ПРОДУКЦІЇ У 1894–1900 рр.

The cooperation between a prominent Ukrainian scientist, writer, publicist, publisher Oleksandr Lototsky and prominent Ukrainian writer, educator, lexicographer, literary critic Borys Grinchenko have been analysed in this article. The epistolary of Oleksandr Lototsky’s , heritage located in the fund of the Institute of Manuscripts of V. I. Vernadsky National Library of Ukraine was used as a background for the study by the author. The study of Оleksandr Lototsky’s correspondence with Borys Grinchenko enables to determine that their active cooperation began in 1894 and was aimed, first of all, at the distribution of Ukrainian printed products, that had been published by Borys Grinchenko in Chernihiv. In the article for the first time it is pointed out on to the archival materials that revealed detailed information of Grinchenko books distribution in Kyiv and showed the difficulties of their sale in the bookstores. It is revealed that the further sale of books published in Chernihiv by Borys Grinchenko was made by Musiy Kononenko under the patronage of Oleksandr Lototsky. The cooperation of the writers in the publication of the collection «Vik», in which Grinchenko, who sent his works for publication, was involved, is enlightened in the article. The content of Grinchenko works published in the collection are discussed by the writers. In particular, the format of the collection «Vik» (photos, biographies, types of paper, printing), as well as payment and forwarding it to Chernihiv city, were subject for the discussion with Oleksandr Lototsky, who was true adviser for Borys Grinchenko. In this respect it has to be emphasised that the selfless and painstaking work of Oleksandr Lototsky with an aim of gathering materials to the collection «Vik», often in spite of adverse circumstances (censorship and prohibitions) formed the basis of a national culture. New names and information about important historical events have been brought to the scientific circle, some facts about the history of book publishing in Ukraine have been clarified, cultural and publishing relations of Ukrainian leaders have been revealed. Important information has been found, which opens new perspectives for further in-depth analysis of their lives and literary activities, tearing back the curtain and revealing the difficulties of the historical environment of those times. It is found out that relations of both cultural leaders behind the cooperation in the literary and publishing areas during the 1894–1900 years were attentive and friendly despite the various “inconveniences” that arose from time to time.

XIX Pavlenkov Readings: Book Publishing in Russia in the 19th - early 20th century

The article presents information on the International scientific conference XIX Pavlenkov Readings held on 13-15 October, 2015 in the National Library of Russia, traditionally considering the history of book publishing in pre-revolutionary Russia of the 19th - early 20th century. The conference was devoted to I. Frolova - the historian-bibliognost, a quarter of century having led the Sector of bibliology of the National Library of Russia. At the plenary session and three sections (“History of publishing, History of book collections and rare books”, “History of censorship”) there were highlighted various aspects of book culture history of the Russian Empire: issues of publishing, bookselling, history of censorship, libraries, readership, bibliophilism, and book publishing in the province. Conference

Yaroslav Isaievych as a researcher in the history of book publishing in Ukraine

The scholarly achievements of the prominent Ukrainian scientist Y. Isaievych in the field of history of Ukrainian publishing are traced. Y. Isaievych has a number of monographs and numerous articles on the book-publishing of medieval fraternities of Ukraine, sources for the history of Ukrainian culture of the 16th–18th centuries, the development of printing in Ukraine during the 16th-20th centuries, significant contribution to the creation of The History of Ukrainian Culture as a fundamental five-volume work.

In from the Edge: The Progressive Evolution of Publishing in the Age of Digital Abundance

The forces for change in the 600 hundred-year history of book publishing have never been more powerful and fundamental than in 2011. Barely 12 months ago, what publishers viewed as “innovation” was the creation of digitized versions of physical books to be ‘consumed’ on e-reading devices. As 2011 begins, that change is largely regarded as accepted business practice, and the edge of “innovation” is moving in more complex directions. Publishing finds itself in the midst of a ‘phase shift’ from the scarcity model of print to a complex, new world of digital abundance. The dimensions of change, moreover, its speed, and its extent are still unknown. While book publishing begins with the creative work of authors, digital technologies are turning the business models inside out. Among the forces for change acting on book publishing, this article examines several phenomena that are working their way in from the edge to the center of the industry, including complex interwoven considerations around container, context, and customer.

A história do livro e da edição: um observatório privilegiado do mundo mental dos homens do século XVIII ao século XX

Esse artigo pretende associar a história do livro com a da edição, analisando-as no período compreendido entre o nascimento da edição, no final do século XVIII e início do século XIX, particularmente na França e Inglaterra. É ao abordar o universo mental dos homens dos quais se examina as práticas culturais que se constrói a história do livro, da edição e da leitura na época da impressão.

Literary patronage in Medieval England, 1350‐1550

PurposeThe purpose of this paper is to describe the change literary patronage underwent in England after the introduction of print, and attempt to explain the causes for the shift.Design/methodology/approachProvides a historical review of the period.FindingsThe practice became more of a marketing tool in bookmaking. The patronage of printed books was one of endorsement. It was a patronage that came from the use of a prestigious or powerful name, not from the financial support of a wealthy personage. Literary patronage of late Medieval England was a practice of financial support. A person of wealth would accept the financial responsibility involved with the production of literary materials. The patron became an important part of the bookmaking process and without the contributions of a patron most books would not have been produced. After the invention of the printing press, the role of patronage changed.Research limitations/implicationsAnalyses an era in the history of book publishing in England and should be of interest to scholars of Medieval England, and publishing and library history.Originality/valueProvides a review of patronage in an important era for changes in publishing.

The Boundaries of American Religious Publishing in the Early Twentieth Century

The Boundaries of American Religious Publishing in the Early Twentieth Century Joan Shelley Rubin (bio) In 1923, Helen D. Bragdon, a recent graduate of Mt. Holyoke who was serving as the general secretary of the college’s YWCA chapter, proudly informed her classmates that she and her camp director, Laura I. Mattoon, had been working on a book. At the behest of their publisher, the Century Company, the two young women had traveled to Manhattan to read proof. Bragdon’s decision to mention the trip resonates with her excitement at gaining access, albeit briefly, to the glamorous world of New York publishing—the world that was, at that moment, turning out the novels of Sinclair Lewis and Fannie Hurst. Yet the volume of Mattoon and Bragdon’s that issued from that milieu was, as Bragdon self-deprecatingly remarked, “nothing big and author-like,” but, rather, a collection of interdenominational Protestant worship services for summer camps and similar gatherings. 1 The provenance and purpose of that collection, entitled Services for the Open, alert the historian of the book to two points. The first is in the nature of a reminder: that American Protestant publishing in the early twentieth century consisted of more than the periodical output of denominational houses. The second is that the uses of texts—the settings in which readers appropriated them—conferred upon them religious meanings they did not possess in every context. The Protestant universe was a wide one, encompassing Mennonites and Pentecostals as well as liberal or mainline Methodists and Baptists—a diversity that makes generalizations hazardous. Yet, at least with respect to the nonfundamentalist denominations on which this essay concentrates, both points together argue that “religious publishing” may be a more capacious term than scholars have consistently recognized. [End Page 207] The first proposition is virtually self-evident if one counts as “religious” certain best-sellers of the 1920s: Henrik Van Loon’s The Story of the Bible (Boni & Liveright, 1923); Giovanni Papini’s Life of Christ, translated by Dorothy Canfield Fisher (Harcourt, Brace, 1923); Bruce Barton’s The Man Nobody Knows (Bobbs-Merrill, 1925). Yet emphasizing such popular texts (as cultural historians have done in the case of Barton especially) still leaves largely invisible the range of the general book trade’s religious titles. Nor do existing studies supply much help in recovering that range. For the most part, works analyzing “Christian communication” have slighted book publication altogether, focusing instead on magazines and newspapers. The essays in Martin E. Marty et al., The Religious Press in America (1963), for example, use the term “press” to denote a “field” separate from the one encompassing both books and scholarly journals of theology. Similarly, Paul A. Soukup’s bibliographical survey of Christian mass media contains only a handful of entries that refer to book production, whereas many of the authors he cites equate print with journalism. Furthermore, the few accounts that do document trade publishers’ activities have their own limitations. The most detailed overview, John Tebbel’s encyclopedic A History of Book Publishing in the United States (1975, 1978), is by its nature superficial. Judith S. Duke, in Religious Publishing and Communications, usefully highlights two commercial book publishers with large religion departments, Doubleday and Harper & Row, but writes merely as an observer of those firms as they functioned in 1981. The brief but insightful survey Hendrik Edelman assembled for Christian Book Publishing and Distribution in the United States and Canada (1987) locates religious publishing within the context of the book industry as a whole. Yet the relatively obscure volume in which Edelman’s essay appears (a photo-offset paperback produced by a consortium of Christian groups) mirrors the marginal status historians have accorded his subject matter. Finally, the otherwise invaluable Bowker compilation Religious Books, 1876–1982, alphabetically organized by subject, does not readily yield an inventory of what individual publishing concerns brought out in a given year. 2 In the pages of such older reference tools as the United States Catalogue or the Cumulative Book Index, however—compendia that make it somewhat easier to track annual production in subject categories for a manageable sample of years—the role of nondenominational houses as religious publishers becomes clearer. In...

The Coming of Age of Book Publishing and Indexing in Nigeria

The history of book publishing in Nigeria is outlined and the different kinds of publishing houses are reviewed. The quality of book indexing by these publishers is reviewed and a study is reported which examines in detail the indexing practices of the publishers in relation to internationally accepted criteria. The results show a generally high standard.

Publishing History in (and out of) Perspective

Publishing History in (and out of) Perspective Brian Alderson (bio) John Tebbel . Between Covers: The Rise and Transformation of Book Publishing in America. New York and Oxford: Oxford UP, 1987. The first volume of John Tebbel's History of Book Publishing in the United States appeared in 1972 and may be seen as something of a portent. Originating as it did in a teaching program, it helped to point the way to "Publishing History" as a territory ready for exploitation by academic colonists; and as its three subsequent volumes emerged during the next nine years they coincided with much busy-ness among the professional classes. (True, commemorative volumes and hagiography died hard—witness the recent journalistic celebration of the centenary of The Bodley Head—but with the founding of the journal Publishing History in Britain, and with the growing effort to trace, preserve and record book trade archives, a more coherent notion of what the subject demands is beginning to emerge.) From such an enlightened standpoint therefore we can see that John Tebbel's History was not quite as portentous as its vast bulk suggested. There are signs right at the start that he realized this himself, for in his Preface to Volume I he ruefully acknowledged the existence of Thomas Tanselle's "Historiography of American Literary Publishing" which had appeared in Studies in Bibliography as long ago as 1965. In that essay Tanselle had called for the very opposite of what Tebbel was doing: seeking a more intensive study of the business activity of individual publishing houses, and remarking that "further general histories would, at this stage, be pointless." John Tebbel could hardly be dissuaded from his enterprise by that belatedly discovered admonition-and indeed, when his four volumes were finally complete, they did contain an immense quantity of facts and references which make a helpful starting-point for beginners in the subject. But as a "history of publishing," they suffer from the central defect that their author did not fully grasp the implications of what he was about. For John Tebbel, "publishing" seems to be an activity which is an end [End Page 147] in itself, like playing tennis, or joinery. Fascinated by the colorful, the buccaneering—or the just plain stupid—adventures of the participants in the trade, he perceived his History as being primarily a collection of stories about lots of companies, coupled end-to-end like so many railway carriages. Implicit in Professor Tanselle's essay, however, and in several works that preceded Tebbel (like Royal A. Gettman's study of the Bentley papers A Victorian Publisher, Cambridge UP, 1960) is a different view. For publishing is not an end in itself, but a pivotal operation, subject to a highly complex array of forces. To understand it, and to delineate its history, requires the articulation, on one side, of such disparate matters as capitalization, negotiations with authors, production methods etc., with, on the other side, publicity, marketing, distribution, and—always and always—the fickle community of book-buyers, be they single persons or large institutions. By weighting his History so heavily toward the rise and fall of individual firms, and by neglecting the continuity of events outside those firms, John Tebbel's massive panorama obscured as much as it illuminated. This weakness in the four-volume work needs to be emphasized here because its presence accounts for the deeply unsatisfactory character of the single-volume reduction, Between Covers. In writing this survey of "the rise and transformation" of American publishing, Tebbel has again turned his back on giving us a much-needed account of the interplay of those forces that have governed the supply of books to the reading-public, and instead has sought merely to "bring together the biographical and anecdotal material [of the larger work] and retell it against . . . a briefer overall view of the industry's progress." Once again he is lured by his liking for narratives of commerce, and his 514 pages are notable more for what they don't say about publishing than for what they do. External to publishing-houses, for instance, he gives no consistent account of factors related to the geography and the transport systems of the...

A History of Book Publishing in the United States. Vol. 4: The Great Change, 1940-1980. John Tebbel

Previous articleNext article No AccessReviewsA History of Book Publishing in the United States. Vol. 4: The Great Change, 1940-1980. John Tebbel Mary BiggsMary Biggs Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by The Library Quarterly Volume 52, Number 2Apr., 1982 Article DOIhttps://doi.org/10.1086/601222 Views: 1Total views on this site Copyright 1982 The University of ChicagoPDF download Crossref reports no articles citing this article.

A History of Book Publishing in the United States Volume IV: The Great Change 1940-1980 (Book Review)

A History of Book Publishing in the United States Volume IV: The Great Change 1940-1980 (Book Review)