Dürer's Rhinoceros Leanne Ogasawara (bio) Does a rhinoceros make the perfect gift for a Portuguese King? And can an imaginary rhinoceros be so compelling that it creates a parallel reality? Why has this impossible creature, real and conjured, charged through our imagination over the centuries? Click for larger view View full resolution News of the miraculous creature's arrival in Lisbon had spread throughout Europe. The year was 1515, and a rhinoceros had not been seen on the continent for over a thousand years. Excitement was high, and crowds flocked to the city to try and catch a glimpse of the mythical one-horned beast. Was it part-dragon? Part-unicorn? People marveled. Protected in strong armor resembling that of a medieval knight and equipped with a deadly horn, it seemed ready to go to war. Who wouldn't be gobsmacked? Amidst all the excitement, we know that at least one German merchant included a sketch of the animal in a report he sent to the German community back in Nuremberg. This is surely how Albrecht Dürer, one of the greatest artistic geniuses the world has ever known, came to create his iconic woodcut of an Indian rhinoceros—without ever having seen one in person. Dürer's rhinoceros would far outlive its subject, becoming the definition of the animal in Europe for hundreds of years to come. It is interesting to consider that up until the 1930s, school textbooks in Germany were [End Page 140] illustrated with the Dürer rhino as a faithful image of the animal, despite the fact that it was fantastically inaccurate. Wait! "fantastically inaccurate?" The original merchant's sketch from which Dürer made his picture has been lost, but somehow Dürer's rhinoceros is not only clearly recognizable as an Indian rhinoceros, but it captures much of the spirit of the animal. Solitary and unchallenged, Dürer's rhinoceros dominates the pictorial space. A tour de force. Dürer is well-known for his animal drawings. Like his famous hare or his little owl, they are "better than a trip to the zoo," some say. And his rhino is no less inspired. Sure, maybe a real rhinoceros is not covered in hard plates—but how could he resist, since the artist was legendary for his paintings of princely armor. Nor does a rhinoceros have scales on its legs and hindquarters. Yet, look at the accuracy in the way he drew its wart-like bumps. With so much to look at in the picture, you would be forgiven for ignoring that eye. Strangely tired and world-weary expression, it haunts the picture. And those protruding ribs, do they suggest the animal was half-starved from its long ocean voyage? We can only imagine how someone in Renaissance Europe would have reacted to this print, for it looked like nothing else they might have seen in life or portrayed in paintings or books. Not even a dragon appeared as unworldly. It must have been more like seeing a creature from a Bosch painting come to life. But where on earth did the Portuguese king find such a creature? It turns out that the rhinoceros was a gift from the Sultan of Gujarat, who—thank you very much—did not care to give in to the Portuguese request of setting up a trading post on the Island of Diu, just off the coast of his kingdom. This was in the early days of the Portuguese colonies in India—but already, the Kingdom of Gujarat had had a front row seat as the Portuguese took over the Malabar coast, just to their south. Trying to put off the pesky foreigners as long as possible without having to go to war, the sultan sent the emissaries back to Goa with the rhinoceros. You can almost imagine him laughing to his ministers: "This ought to keep them busy for a while." "A gift for the Viceroy of Goa," the Sultan of Gujarat had said. And: "For your convenience, the animal has been fitted with an iron shackle and a chain around his back leg." This information had been conveyed to the Portuguese Viceroy by the...
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