Mâ and Le cri que tu pousses ne réveillera personne by Gaston-Paul Effa, like La Répudiation by Rachid Boudjedra and Cueillez-moi pretty gentlemen by Bessora, explore the condition of women. In the two novels by the Franco-Cameroonian, the female and feminist characters summon up genetic imaginations that question the figure of man and woman. This contextualized recovery of imagination is what should be called the RImaginary. A comparative analysis of the treatment of male and female figures in these myths allows them to be classified into two categories. A first category made up of a single myth holds women responsible for the advent of death in humanity, and a second category made up of four myths presents women as a sacred, vigilant and loyal creature, contrary to the demonized man. If the first category is invoked by the female characters as the anchor of their social unease, they evoke the imaginations valorizing the female figure to justify their original dignity and consequently their merit of a preponderant social place. A behavioral analysis of female and male characters on the basis of this feminine awareness makes it possible to notice a fair living environment where women and men enjoy the same life chances and can perform the same tasks.
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