How to Survive the Harsh Reality of Grading in Ballet Advice from a graduating dance major to an incoming freshman by Janine Montag White knuckles grip the wooden barre, beads of sweat line the curves of your cheeks. You stare anxiously at your reflection hoping not to mess up the combination. You take a quick nervous glance at the professors, hoping for a second that they might smile back. They stare back at you with blank faces. Winter break anxiously awaits, and thoughts of this past quarter rush through your head—I hope I was good enough. College is known to be a time of growth, experimentation, and self-awareness. You step into a new environment and constantly meet new people. Your mind is like a sponge, soaking in every opportunity. You’re a student, same as everyone else, but there is one difference that separates you from the rest: You are a Dance Major. You’ve grown up learning time management because of your busy rehearsal schedule, teamwork due to your dance collaborations, and accepting criticism from the countless times your teachers have told you to “hold your core!” Like many of your fellow dance majors you’ve probably chosen to come to this university because you know you will graduate with a well-rounded education both academically and in the performing arts. Something that you may not know yet, however, is how much a grade is going to affect the very thing you love the most: dancing. My university program gears students to become professional dancers, which is great, but students routinely believe that you have to be good at ballet to succeed as a dancer. The department systematically favors ballet by having five levels of ballet, with a minimum three-day-a-week requirement—more resources than in any other form. Four out of the seven full-time faculty for technique classes are ballet instructors. For those dancers, like myself, who know they will not become professional ballerinas, this can be very difficult. Before becoming a dance major at university, you probably have never received a letter grade for dancing, and you assumed that if you did, it wouldn’t be hard to get an A. You also know that after these four years you probably won’t ever be graded in dance again. Still, these years are crucial, and although artistry is very important, grades can be the defining factor in higher education and lead to paying positions afterward. Receiving a letter grade in ballet may restrict dancers to their professor’s ideals of perfection and may stifle the kind of artistic growth specifically beneficial for them. In consequence, students’ motivation to go to class decreases; lack of feedback leads to less effort, and those with “natural” ballet talent continue to reap the benefits. If you are anything like me—the future big booty, flat-footed, muscular try-hards out there that will continue getting Bs—this one is for you. Graduation can seem far away but will come soon enough, so I hope my advice and a few tips will ease your time here as artists in this rigorous yet rewarding program. For many, the fact that attendance dictates a grade weighs heavy on a dancer’s mind. Our attendance has a direct correlation to our grades, which makes sense, since the professor can’t grade your capabilities in your absence. There's also an untold reality of attendance: much of the time the dancers who have the ballet body and come with good