Reviewed by: Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st Century Julia María Schiavone Camacho Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st Century. Edited by Arturo J. Aldama and Naomi H. Quiñonez. Bloomington: Indiana University Press, 2002. Decolonial Voices is a critical, interdisciplinary volume which blends cultural, social, and economic methodologies. Centering multiplicity, it highlights the ways Chicana and Chicano cultural production since 1848 has interwoven gender, sexuality, race, ethnicity, and class. The past, present, and future are deeply tied in this creative political and academic work in Chicana/o cultural studies. As this volume shows, there are strong connections between culture and colonialism for Chicanas and Chicanos. The drawing of the boundary between the United States and Mexico in 1848 is a crucial moment in Decolonial Voices. Borders, both physical and symbolic, are central in this collection. One of its strengths lies in the ability of the editors and contributors to analyze borders as both constricting and potentially freeing. As a violent force, the geopolitical division between Mexico and the United States has caused severe physical, psychological, emotional, social, and economic distress for Mexicanas and Mexicanos, Chicanas and Chicanos. Yet, the bordered realities people have lived since 1848 have fostered creative and resistant cultural productions. Arguing that border cultural aesthetics are based in physical realities, Arturo J. Aldama and Naomi H. Quiñonez are interested in the cultural creations that arise from unique Chicana and Chicano situations. Working toward decolonization, this collection offers politically and culturally viable analyses of Chicana/o experience. Concerned with both oppression and resistance, Decolonial Voices develops deep critiques of power systems, while also reflecting on the creative and risky ways Chicanas and Chicanos challenge United States dominant culture. In their introduction, Aldama and Quiñonez situate Decolonial Voices within the field of Chicana and Chicano cultural studies. They argue the essays in this volume build on several important works and further current trends in the field. By moving beyond nationalism, calling for cross-cultural relationships and discussion, and offering comparative frames, this work aims to forge alliances across social divisions. Further, it adds to the dialogues between feminist, cultural, subaltern, and postcolonial studies. The essays in Part I, “Dangerous Bodies,” focus on Chicana and Chicano embodied forms of oppression and resistance. Jonathan Xavier Inda looks at the dominant culture’s preoccupation with ridding the United States of immigrants and punishing those who remain. Using Michel Foucault’s notion of “biopower,” he argues the state’s control over life and death becomes especially salient vis-à-vis immigrant women’s bodies. For Inda, the state justifies inhumane actions against immigrants by arguing women and their potential children pose threats to the nation’s social body. As ideas around death have changed, ending the lives of some has become tied with preserving the lives of others. The essays in this section vividly describe the ways gendered and racialized oppression is entwined. Offering important political critiques and alternatives, the essays in Part II, “Dismantling Colonial/Patriarchal Legacies,” chart the ways cultural critics have challenged racialist and gendered historical legacies. Anna M. Sandoval’s work compares Chicana and Mexicana discursive and practical resistance to dominant norms. Pointing to a key difference between the two groups, she argues Mexicanas are part of Mexican national discourse, while Chicanas are not included in dominant visions of the nation in the United States. Sarah Ramirez examines the resistant digital photography of Alma López. She argues López’s work offers a fluid, alternative woman-centered indigenous/spiritual Chicana aesthetic space which works against nationalism and damaging physical and symbolic borders. The essays in Part III, “Mapping Space and Reclaiming Place,” develop critical visions of Chicana and Chicano cultural production. José David Saldívar offers profound readings of the works of various cultural critics. As he shows, Chicana/o cultural forms provide important insights into border experience. Moving beyond the nation-state frame, these productions develop alternate definitions of culture and identity which are in constant flux. Alberto Ledesma’s work outlines a provocative critique of Chicana and Chicano cultural representation. He argues Chicana/o literature has not fully incorporated undocumented immigrants as “constitutive components of...