Digital Art Creation Research Articles

NFT: An Episode in Digital Arts

The development of digital art has been marked by numerous transformative phases, with the rise of NFTs (non-fungible tokens) representing a pivotal moment in its evolution. This paper posits that the ascent of NFT art is closely linked to the COVID-19 pandemic, which catalyzed a shift towards digital mediums and redefined the relationship between art and technology. NFTs not only revolutionized the creation, distribution, and monetization of digital art by embedding databases and data archives into the artwork itself, but they also challenged traditional notions of ownership and value in the art world. This study examines how NFTs altered the perception of digital art, particularly during the pandemic, and investigates the factors contributing to the subsequent decline in their prominence after the initial surge of interest.

Digital Artistry: Exploring Techniques and Trends in Indian Art and Culture

From prehistoric cave paintings to contemporary digital creations, art has been integral to human expression throughout history. Digital art in modern art gradually includes various forms, such as Painting, sculpture and animation, using technology as its medium. Digital art includes any artistic work using digital technology, including Painting, 3D modelling, and interactive installations. It combines human creativity with computer technology, expanding the possibilities of creative expression. Studying digital artistry in India provides insights into cultural preservation, technological innovation, and social commentary. It promotes educational development and economic opportunities, contributing to the country's vibrant artistic scene. Technological advancements have democratized digital art creation in India, leading to diverse artistic expressions. Integrating digital art with emerging technologies like AR, VR, and NFTs opens up new possibilities for artistic exploration and dissemination. Digital art techniques include digital Painting, vector art, and 3D modelling, facilitated by hardware such as graphics tablets and software such as Adobe Creative Cloud. Brushes, textures and plugins enhance the creative process, while photo manipulation and 3D sculpting provide new avenues for artistic expression. Digital artistry in India offers insights into cultural dynamism, technological innovation and artistic development. This research paper delves into the evolving landscape of digital artistry in India, exploring various techniques, trends, and the socio-cultural impact of digital art in the country.

The Impact of Digital Literacy on the Creativity of Art Major University Students

This paper discusses the influence of digital literacy on the creativity of college students majoring in the fine arts. In the context of the rapid development of information technology, digital literacy has become an important part of artistic creation. An analysis of the impact of access to information and digital technology on the creative process reveals that rich knowledge reserves and access to information can stimulate inspiration and promote artistic creativity. Moreover, the use of digital tools provides creators with broader creative space and flexibility, thus enhancing their creativity. The paper also highlights the shortcomings of digital literacy education in colleges and universities and proposes suggestions for improvement, including updating the curriculum, improving equipment and strengthening teacher training, to better support the enhancement of digital art creation and the creativity of fine arts students.

Digital Art Creation under AIGC Technology Innovation: Multidimensional Challenges and Reflections on Design Practice, Creation Environment and Artistic Ecology

With the rapid development of science and technology, artificial intelligence generated content (AIGC) technology has gradually become a great help in the field of digital art creation. It not only changed the mode of traditional artistic creation, but also brought unprecedented multi-dimensional challenges and reflections to design practice, creative environment and artistic ecology. This paper will discuss these two aspects and discuss the opportunities and difficulties faced by digital art creation under the technical innovation of AIGC.

Principle, Entry, and Reflow: Infinite Generation of Digital Intelligence Artistic Creation Dialogue

Dialogue on Infinite Generation of Art, Digital Intelligence Art Creation is empowered by modern digital intelligence technology, and based on the “memory repository” of all human art, its basic principle is based on the intelligent generation technology of digital encoding program, as well as the in-depth learning and artistic imitation of the full database of inventory samples. Digital intelligence art creation adheres to the art concepts of specific cultural environments, combines rationality and sensibility of art creation, and opens up the way of intelligent art creation through infinite algorithms, pointing to the aesthetic progress of combining sensibility and rationality. The aesthetic reflow of digital intelligence art creation is not only manifested in the shift of the focus of the creation of “focusing on intention and shape” on the level of technical rationality, but it also begins to dissolve the creativity and transcendence of art itself, weakening the power of art creation’s “accidental” interpretation and “extraterritorial” growth. It also begins to dissolve the creativity and transcendence of art itself, weakening the power of “accidental” interpretation and “extraterritorial” growth of artistic creation.

Optimization of Digital Media Art Creation Process Based on Dual Transformer Residual Network (DTRN) and Lotus Effect Optimization Algorithm (LEA)

In response to the problems of lack of intelligence, low recognition, loss of brightness, and unclear design objects in the comprehensive material painting of installation art, when materials enter the field of artistic creation, they can assist in artistic creation, but constantly updating materials is also a challenge for artists. This manuscript proposes an image processing technology in the digital media art creation based on dual transformer residual network (DTRN) and lotus effect optimization algorithm (LEA) (DMAC-DTRN-LEA) is proposed. Initially, the extracted images from the multimedia are collected from MSCOCO2014 dataset. Collected images are preprocessed to resize the image using federated neural collaborative filter (FedNCF). Later, resized images are given to feature extraction; morphological features like shape, structure, colour, pattern, and size are extracted based on synchro spline-kernelled chirplet extracting transform (SSCET). Finally, the extracted features are fed to Dual Transformer Residual Network (DTRN) for effectively classify the art images. In, general Dual Transformer Residual Network classifier does not express adapting optimization strategies to determine optimal parameters to ensure accurate art images detection system. Hence, the proposed method examined utilizing performance metrics like accuracy, precision, fl-score, sensitivity, peak signal to noise ratio (PSNR), error rate, and Structural similarity index (SSIM). Proposed DMAC-DTRN-LEA method attains 97% higher accuracy and 0.7% low error rate analysed to the existing methods respectively.

Webi Draw: Unleashing Creativity with Handcrafted Air Drawings

Webi Draw: Unleashing Creativity with Handcrafted Air Drawings

Virtual Painting through Hand Gestures: A Machine Learning Approach

The hand gesture paint application represents an innovative venture in the realm of computer vision, harnessing the capabilities of the MediaPipe library and OpenCV to develop a sophisticated painting tool driven by hand gestures. By leveraging these powerful frameworks, the application enables users to express their creativity through intuitive gestures captured by a webcam. At its core, the work seeks to redefine the conventional painting experience by providing users with a seamless interface controlled entirely by hand movements. Through the integration of the MediaPipe library and OpenCV, users can effortlessly draw, erase, and switch between various drawing tools, all with the fluidity of natural hand gestures. By eliminating the need for traditional input devices, the hand gesture paint application offers a novel approach to digital art creation, empowering users to engage directly with their canvas in a more intuitive and immersive manner. Through this innovative blend of technology and creativity, the application opens up new avenues for artistic expression, inviting users to explore the boundless possibilities of digital painting through the simple movement of their hands.

Breakthroughs and Applications of Augmented Reality (AR) Technology in the Digital Media Field

Abstract This study pioneers the application of augmented reality (AR) in the realm of digital media, integrating AR technology with cultural education and artistic media concepts to forge a novel trajectory for digital media art creation. It delves into AR 3D scene construction technologies, employing calibration through the reconstruction of 2D image sequences, feature point extraction for spatial coordinate transformation, and 3D model development. Furthermore, it utilizes Level of Detail (LOD) models and texture mapping technologies to enhance visualization and interaction. The research culminates in a comparative analysis of traditional and AR-based media, evaluating differences in appeal and assessing functional capabilities. The findings indicate that AR-based media outperforms traditional media across several functions: media search (0.385), virtual design (0.424), immersive experience (0.466), real-time interaction (0.525), and user communication (0.396), with users expressing high satisfaction with these enhanced capabilities. This study not only diminishes the complexities associated with integrating digital media and AR technologies but also optimizes and innovates traditional methodologies.

A Study of the Intersection of Traditional Calligraphy and Digital Media Art

Abstract As a classic representative of traditional culture, Chinese calligraphy art has more and more obvious advantages in today’s digital media art creation. In this paper, the calligraphic text image is binarized by the OTSU method, the image enhancement is realized by linear gray value stretching, and the optimal tilt correction method is used to preprocess the traditional calligraphic text image and make a font library. Based on the data from the calligraphy font library, an immersive digital interactive context of traditional calligraphy is designed using digital media art. Pix2Pix network is introduced to combine with the PatchGAN network to establish a style migration network for traditional calligraphy text images, and three different types of loss functions are designed to ensure the accurate generation of traditional calligraphy text. The L1 loss of this paper’s model in generating traditional calligraphy characters is only 0.0359 at the lowest, the similarity values of the generated samples of calligraphy characters are mainly between 90% and 96%, and the maximum error of the relative position and relative size of the radicals is only 1.18%. The average value of the G2R indicator for the users’ images of calligraphic characters was 75.23%, and 89.86% of the users indicated that they were basically satisfied with the immersive interactive context of traditional calligraphy. Traditional calligraphy can achieve digital transformation and provide audiences with more diverse cultural experiences by relying on digital media art.

“链上的艺术”: 元宇宙视域下NFT数字艺术发展与审美价值探索

The integration of digital technology with cultural consciousness has led to its widespread use in the field of culture and art. Digital art has become a popular cultural phenomenon, promoting the development of this field. As digital art gains wider acceptance as a form of artistic expression, it is increasingly used in creative works. This paper focuses on digital art as a research subject to explore its design thinking and aesthetic value. This text presents a systematic analysis of the current situation and attributes of NFT digital art, including its financial and social domain attributes. Practical cases are used to illustrate the emergence of NFT digital art in Chinese culture and market. The relationship between NFT digital art and aesthetics is thoroughly examined in terms of aesthetic thinking. The study also delves into the redefinition of aesthetics in the digital era, offering new perspectives on its future development. This paper focuses on the artistic creation of NFT digital art in historical restoration, virtual reality, and augmented reality experiences. It reveals the value transcendence of NFT digital art in the historical meta-universe. The paper forms a value-generating circuit model of NFT artwork starting from technology through theoretical sorting and multi-level comparison. The meta-universe field is the subject of study, with a focus on the centralized, decentralized, and de-centralized artwork value negotiation modes of digital auction platforms, virtual art communities, and interactive art worlds. The text comprehensively discusses the evolutionary trends of technical and economic value bubbles, social and usage value highlighting, and aesthetic and contextual value stabilization presented by NFT artworks.

Research on Influence of Digital Media Works on Painting Work

Thanks to the technological revolution, mankind has entered the interactive era. Under the trend of digitalisation, the application of AI robots, meta-universe, ChatGPT, NFT, VR, virtual space and other technologies in creation, the combination of traditional painting and digital media technology not only changes the form of expression of the paintings themselves, but also guides the artist's way of thinking and semantic output in the act of creation, making the artist's The way of expression, media materials, creative stance and the state of the viewer have all undergone significant changes. What many artworks nowadays pursue is not the effect of the picture in the general sense, but the programme and process of the formation of the work. From this point of view, the aesthetic experience focuses on the process of contact between the viewer and the artwork, and the viewer's participation becomes more and more important in reflecting the value of the artwork. With the help of case studies, this article develops from three major points, namely, creative thinking, creative process and expression of works, to analyse the qualities of contemporary digital media art creation, focusing on the role of cultural aesthetics and way of thinking for artists and audiences. Finally, through the self-analysis and summary of the author's works combined with digital media technology.

Automated Method for Digital Art Creation and Display Based on Computer Aided Design

Automated Method for Digital Art Creation and Display Based on Computer Aided Design

Digital Art Creation and Visual Communication Design Driven by Internet of Things Algorithm

Digital Art Creation and Visual Communication Design Driven by Internet of Things Algorithm

Digital Art Creation and Optimization of Intangible Cultural Heritage Based on Image Processing Algorithm

Digital Art Creation and Optimization of Intangible Cultural Heritage Based on Image Processing Algorithm

KnowU social teleprompter: Interaction design applied to intervention therapy for language decline in early AD patients

Art therapy as an intervention has been shown to alleviate social impairment in people with AD. Meanwhile, digital technology (DTS) has been shown to perform well in different degenerative dementias through mobile devices and apps. However, it is unclear whether digital art creation therapy has an impact on the speech function of people with early AD. Therefore, the aim of this study was to confirm whether digital art creation therapy has an ameliorating effect on language decline in AD patients through the KnowU social teleprompter. This study was a controlled trial in which 16 patients with early AD worked with us and were divided into a paper-based art creation therapy group (control group) and a KnowU social teleprompter therapy group for a 6-week intervention. In the digital art creation intervention group we introduced the KnowU digital kit, consisting of a creation plug-in for the Procreate app on a tablet and a wearable device and its app. The entire treatment process is recorded and combined with a quantitative analysis of the McNemar χ2 test to analyze the differences in outcomes of verbal communication function in early AD patients after different therapies. Ultimately, it is shown that early AD patients utilizing​ the KnowU social teleprompter are more effective in the intervention treatment of language decline in the real social domain compared to the paper-based art creation therapy group. The discussion further demonstrates that DTs and art therapy can provide a better social experience, creative approach and emotional recall of language loss in early AD patients, as well as increase the collaborative relationship between early AD patients and their caregivers.

Virtual Mouse Using Artificial Intelligence

Abstract: The "AI Virtual Mouse" project represents a pioneering exploration at the intersection of computer vision, machine learning, and digital artistry. This endeavor seeks to revolutionize the conventional modes of digital art creation by introducing an immersive, hands-free painting experience through the interpretation of hand gestures. Motivated by a vision to make digital art more intuitive and interactive, the project employs sophisticated hand tracking facilitated by the MediaPipe library and robust image processing via the OpenCV framework. By discerning the nuanced movements of the hand in real- time, the system translates these gestures into dynamic strokes on a virtual canvas, eliminating the physical barriers that often accompany traditional input devices. This abstract encapsulates the project's core objectives, highlighting its architectural foundations, implementation strategies, and future trajectories. The convergence of technology and artistic expression in the AI Virtual Mouse project presents a paradigm shift in how individuals engage with digital canvases. It not only democratizes the creative process by mirroring natural artistic gestures but also lays the groundwork for a more personalized and collaborative approach to digital art creation. As technological landscapes continue to evolve, this project stands as a testament to the potential of artificial intelligence in fostering innovative and accessible avenues for artistic exploration. The paper delves into the details of the AI Virtual Mouse, offering insights into its current capabilities and paving the way for an exciting future where the realms of technology and creativity seamlessly intertwine.

Music, Art Installations and Haptic Technology

This paper presents some directions on the design, development and creative use of haptic systems for musical composition, performance and digital art creation. This research has been conducted both from an artistic and a technical point of view and its ambition, over the last decade, apart from the artistic outcome, was to introduce the field of haptics to artistic communities based on an open, do it yourself—DIY ethos. The five directions presented here are not in any sense exhaustive and are based principally on a series of collaborative works and more personal open-ended explorations with the medium of haptics and, more specifically, force-feedback interaction. They will be highlighted along with information about the interaction models and their application to artistic works created by the author and other colleagues. Those directions are (i) Haptic Algorithms and Systems; (ii) Performers Intercoupling; (iii) Haptic Interfaces as Part of the Artistic Practice; (iv) Electromechanical Sound Generation; and (v) Media Art and Art Installations. The interdisciplinary field of musical haptics still has a relatively minor position in the sound and music computing research agendas and, more importantly, its artistic dimension is very rarely discussed. The findings of this research aim to indicate and clarify potential research pathways and offer some results on the use of haptics and force-feedback systems in an artistic context.

Computer-aided digital media art creation based on artificial intelligence

Computer-aided digital media art creation based on artificial intelligence

Research on innovation and application of 5G using artificial intelligence-based image and speech recognition technologies

Many sectors have been fundamentally altered by the entrance of the 5G era due to the rapid advancement of information technology and computer technology. A fresh wave of digital media art (DMA) creation and invention has taken place in the current context. DMA is a brand-new field of study that brings together art and digital technology in a powerful way. It is a modern, multidisciplinary, and versatile art topic that is merged with other art themes. Humans used to be the primary means of creating digital media like animation. The labor of creating media content from raw sources is progressively being replaced by computers with advancements in artificial intelligence (AI) technology. Virtual reality (VR) technology's popularity has rapidly spread beyond the computer area to other parts of life, and it has also evolved into a new approach to DMA. Art will surely be highly influenced in the AI age, but we must also recognize the new developments brought to art by technical advancement in the 5G and AI. Hence, in this work, we examine the properties of virtual reality technology as well as the two most widely utilized approaches, artificial intelligence-based image recognition technology (AI-IRT) and artificial intelligence-based speech recognition technology (AI-SRT). We investigate and practice them in detail. We also compared these technologies to conventional teaching methods and discovered that visuals and pictures were considerably more responsive and enlightening to students than traditional teaching methods.