This paper analyzed the poetic representation of the Gwangju Uprising focusing on Goh Jeong-Hee’s Poetry of May. Goh Jeong-Hee was influenced by Korean women's theology in the 1980s. Korean female theologians criticized the oppression of women under the patriarchal system and raised the Mother God as the source of life. In the late 1980s, the reality faced by women was defined as the reality of killing and insisted on a great transition to life. She stressed that women should be the subject of the unification movement in order to overcome the national contradictions that suppress women. Of course, prior to Christian epistemology, there was a reality of the 1980s in Goh Jeong-Hee’s poetry and Gwangju was at the center of it. However, when the truth of the Gwangju Uprising was not revealed in the late 80s, Goh Jeong-Hee expressed deep despair and skepticism. And using Christian death and resurrection as motifs, the experience of despair was used as an opportunity to move toward a fundamental revolution. Goh Jeong-Hee hinted at the need for a new language by evoking the women’s pain and anger what are not reduced from a male-centered system to a universal language through a ‘Michineon’. And while attempting a revolutionary transformation of thoughts and customs, she embodied death in the uprising as an event that c the birth of life. The Gwangju Uprising was an opportunity for mother to be called the subject of liberation and Mother God to be called the source of life, and was a turning point in transforming Gwangju into a land of livelihood and resurrection. This is because Goh Jeong-Hee found Mother God in women in Gwangju as the source of life. Women in Gwangju, who were considered victims of the uprising and innocent victims, were another main subject of the uprising that supported the community of life by saving the dead, caring for the injured, and feeding the living. Goh Jeong-Hee proved that the practice of living shown by women in Gwangju turned the time stained with violence and death into a 10-day liberation zone. And Goh Jeong-Hee‘s May poem shows a vision of a community of care that we talk about as an alternative society today. Although it has not been fully discussed by Goh Jeong-Hee herself, it is inferred that liberated motherhood uses solidarity and relationship that support each other's lives as its principle. The new world created by female subjects makes us imagine a community of autonomous and mutually beneficial care based on liberated motherhood.