Istanbul-born visual artist and activist Canan Şenol-CANAN (1970-) created the video animation Ibretnüma-Exemplary (2009), which tells the story of a young girl who moves from an Anatolian village to a big city. The animation addresses themes such as marriage, motherhood, and old age, focusing on the current status of women in Turkish culture. It critiques the oppression created by marriage and family structures and highlights how the female body is reduced to a political and religious commodity in the protagonist's life. It also criticizes the orientalization of female beauty and its use for consumer exploitation, with any subjective evaluations clearly marked as such. The narrative is delivered by a narrator using the fairy-tale storytelling method, rooted in Anatolia's centuries-old oral narrative tradition. The piece dismantles patriarchal ideologies and non-verbal restrictions imposed on women during Türkiye's modernization process, merging an avant-garde and feminist approach in its representation technique. To illustrate the representation of every aspect of the female body, the video employs a varied visual range, incorporating traditional Turkish shadow play, largely sourced from original works and combined with collage elements.
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