SEER, 94, 3, july 2016 570 arts too; in the process it includes reference to a wide variety of interesting cultural figures who have helped make the region what it is today. The final section of the book, ‘Prospects’, in some ways is, however, a little sad. The book in fact starts with a discussion of Toomas Hendrik Ilves’s contention of some years ago that the very idea of a unifying ‘Baltic’ identity is flawed. Since, he argued, there is no common Baltic language or culture, this single identity has been externally imposed and, in fact, only reflects common experiences of annexation, Sovietization and Russification. So the last page of Purs’s text picks up this contention and looks to the possible creation of a ‘Nordic’ Estonia, a more ‘Central European’ Lithuania and a Latvia that might lose interest in preserving a shared sense of being ‘Baltic’ (p. 184). In this light, Purs also observes that if the Baltic States succeed in fashioning themselves in completely independent ways (as, at times, they appear to want to do), then this very success will spell the end of the idea of a common ‘Baltic’ identity. So here we have a useful, provocative text which deserves an interested readership. Certainly travellers and students should appreciate it, but researchers working on the region might also enjoy the zest with which the text has been written. University of Bradford Martyn Housden Varga-Harris, Christine. Stories of House and Home: Soviet Apartment Life during the Khrushchev Years. Cornell University Press, Ithaca, NY and London, 2015. xvi + 289 pp. Illustrations. Glossary. Notes. Bibliography. Index. $49.95. The Khrushchev government’s ambitious housing construction plan, launched in 1957, became one of the defining policies of its era. In this book, Christine Varga-Harris argues that in addition to providing millions of families with their own apartments, the mass housing programme was also intended to shape Soviet individuals, revitalize socialist society and realise the goals of Communism. Moreover, Soviet people were not mere passive recipients of homesorpropaganda;throughtheirattemptstoacquireandmaintainhousing, they asserted their rights as citizens and claimed their place in the polity. This study focuses on the city of Leningrad, which provides an illustrative example because it had the highest concentration of communal apartments in the USSR and thus faced a particularly acute housing crisis. Varga-Harris synthesizes a wide range of published and archival sources in support of her arguments and situates her work in the historiography on the thaw era in general, and on housing and domesticity specifically, citing recent works by Lynn Attwood, Steven Harris, Susan Reid and Mark Smith, among others. REVIEWS 571 The book covers several related topics that Varga-Harris groups together under the rubric of ‘house and home’. She begins with a discussion of the design and construction of new neighbourhoods and apartment complexes. These resembled the buildings going up across Europe, where mass-produced components and simple designs allowed countries devastated by war to rebuild as quickly and cheaply as possible. But Soviet architects, planners and designers strove to make such buildings distinctly socialist by emphasizing the public spaces and resources surrounding them and by asserting the educative value of decorating interiors in what they deemed good taste. Varga-Harris then explores ‘housewarming’ narratives, prevalent in a variety of media, which recounted deserving citizens moving out of crowded and dilapidated housing into new apartments. Astutely evoking the Cold War context, she argues that these stories were used to represent the success of Communism in providing every citizen with a comfortable life, in contrast to the capitalist West, where landlords grew rich on the rent of exploited workers. Subsequent chapters analyse advice about homemaking and interior design and describe the mobilization of volunteers to improve and maintain the courtyards, corridors and stairwells of apartment buildings. These chapters amplify Varga-Harris’s contention that officials and professionals countered the endorsement of privacy implied by the construction of individual apartments by emphasizing the social importance of good taste and the civic obligations of tenants to their neighbours and the larger community. In the final two chapters of the book, Varga-Harris focuses on the correspondence written by those hoping to receive new apartments, in...
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