Chinese National Culture Research Articles

Analysis of Humanistic Factors in the Design of Chinese Style Furnishings under the Background of National Culture

The process of cultural globalization promotes the rapid change and development of regional culture. With the increasing homogeneity of various ethnic and regional cultures around the world, it is becoming more and more urgent to explore the essence of regional culture and national traditional arts, especially furnishings. The integration of Chinese national culture in product design promotes the progress and richness of modern design in the world. These cultural heritage, traditional arts and the human factors contained in them have become the inexhaustible and inexhaustible source and treasure house of modern space furnishings and furnishings design.

A Statistical Study of lyrics of “Huar” from Northwest China

As an intangible cultural heritage, “Huar” from Northwest China is a folk song created and shared by many ethnic groups in Gansu, Qinghai and Ningxia provinces. It is a precious card of Chinese national culture. However, current research on “Huar” is mainly based on qualitative methods. This paper uses statistical methods to study the lyrics of “Huar". First, the word frequency of the lyrics of “Huar” is analysed statistically. Then, the lyrics of Hezhou Huar and Taomin Huar are compared and analysed from the perspective of quantitative linguistics ("Huar” mainly includes Hezhou Huar and Taomin Huar). By comparing three quantitative indicators, it is concluded that the lexical richness of Taomin Huar is higher than that of Hezhou Huar. Based on the frequency distribution of parts of speech, the similarities and differences of the use of parts of speech between Hezhou Huar and Taomin Huar are found. This paper uses statistical methods to analyse “Huar", which has certain research value and social value.

Research on the Coordinated Development and Innovative Application between National Music and Contemporary Multicultural Music Education Based on Big Data

Multiculturalism, as a new educational mode, is a new form of education that meets the requirements of the times. Music, as an important discipline interrelated with culture, has gradually been paid attention to. Contemporary big data technology is applied in all aspects, and the direction of music culture is no exception. As an important part of national culture, many music works circulated to date can reflect the characteristics and connotation of Chinese national culture. Multicultural music education provides an important theoretical basis for the innovation and reform of music teaching.Based on big data analysis, folk music and multi-cultural music promote the effective development of music education in China. Therefore, Based on big data, this paper starts from the theory of multi-cultural music and the relationship between national music and multi-cultural music education, this paper analyses the important role of multi-cultural music education in the education of national music in China and the path of coordinated development.

Inheriting and Promoting the Chinese National Culture and Constructing Enterprise Culture

Inheriting and Promoting the Chinese National Culture and Constructing Enterprise Culture

Using Qi Culture to Promote Regional Economic Development

<p>Qi culture is the main source of Chinese national culture, with profound cultural connotation and rich cultural atmosphere. With the continuous deepening of economic development, the development of regional cultural values has also become the main content of regional economic and social construction. This article discusses the causes of regional culture and summarizes the strategies for using Qi culture to promote regional economic development.</p>

The National and the International in Three Works of Contemporary Chinese Artists

The article formulates and analyses a hypothesis, according to which, thanks to modern postmodern art, a single international visual language was formed in the late 20th – early 21st centuries, and previously mysterious and incomprehensible foundations of national culture became accessible and open at the international level. This concept is considered on the basis of the international popularization of Chinese art, as the Chinese national culture and art remained mysterious for Western audiences for many centuries. The mechanisms of popularizing national culture are disclosed in the article based on an analysis of three works created by famous contemporary Chinese artists – Odyssey by Cai Guoqiang, Coloured Vases by Ai Weiwei and Last Supper by Zeng Fanzhi

홍무정운과 몽고자운의 관계연구-창제목적과 성격상의 異와 同, 그리고 韻書의 운명을 중심으로-

Yuan-dynasty 『Meng-gu-zi-yun』(1308) and Ming-dynasty 『Hong-wuzheng-yun』(1375) are different in character. But they can find common ground-unique ‘yun-shu’ express the characteristics of each dynasty. With the destruction of the Yuan-dynasty ethnic, the ‘Phags-pa’ letter and the Mongolian-style became obsolete and quickly disappeared. In the Mongol-dominated dynasty, 『Meng-gu-zi-yun』 is not a Yuan-dynasty ‘yun-shu’ made by the Imperial Empire. As we saw in Chapter 2(Purpose of Creation and Differences in the Character of a ‘yunshu’), it is completely have a personality of Yuan-dynasty official rhyme ‘yun-shu’. Therefore, 『Meng-gu-zi-yun』 has the same character in that each plays the role of a government ‘yunshu’ of the dynasty, like Ming-dynasty 『Hong-wu-zheng-yun』. 『Meng-gu-zi-yun』 and 『Hong-wu-zheng-yun』 were widespread in their day. Unlike 『Meng-gu-zi-yun』, 『Hong-wu-zheng-yun』 was a product of Chinese national culture, but 『Hong-wu-zheng-yun』’s until did not meet expectation until today after the Ming-dynasty. In particular, 『Dong-guo-zheng-yun』 in Korea is 『Hong-wu-zheng-yun』. which has the same meaning as ‘yun-shu’. Therefore, it was named 『Dong-guo-zheng-yun』. However, the format and editorial method of 『Dong-guo-zheng-yun』 is based on 『Meng-gu-zi-yun』, not 『Hong-wu-zheng-yun』.. There are many references to 『Meng-gu-zi-yun』 in the ‘fan-li’ of 『Si-sheng-tong-kao』 and 『Si-sheng-tong-jie』, and in the preface of 『Hong-wuzheng-yun-yi-xun』. Although 『Si-sheng-tong-kao』 and 『Si-sheng-tong-jie』. are based on 『Hong-wu-zheng-yun』, 『Meng-gu-zi-yun』 actually played a bigger role. As such, Korea’s compilation phenpmenon of ‘yun-shu’ is a good representation of the face of 『Hong-wu-zheng-yun』 and 『Meng-gu-zi-yun』. 『Hong-wuzheng-yun』 is different from the actual reading sound of the time. Therefore, in China nor Korea, it was not a big meaning as an ‘yun-shu’,

The “Belt and Road” Initiative and Overseas Chinese in Southeast Asia

Since China's proposal of the “Belt and Road” initiative in 2013, the relationship between China and Southeast Asia has continued to develop. This achievement is inseparable from a large number of overseas Chinese living in Southeast Asia. As an indispensable and unique force to promote the construction of the “Belt and Road”, the Southeast Asians Chinese have played an irreplaceable role: such as support of Chinese culture spreading, building confidence and disambiguation among countries, and economic and trade cooperation. The problems and challenges facing Chinese culture in Southeast Asia are not only related to the development of Chinese society in Southeast Asia but also the current development of Chinese native culture. To overcome the problems and challenges encountered in the process of inheriting Chinese culture in Southeast Asia, we must clearly understand the status of overseas Chinese and the role that overseas Chinese can play to maximize their role and influence as carriers and bridges.

Spatial Evolution and Cultural Conversion of Macau Cantonese Opera

The theatre space of Macau Cantonese Opera has undergone four transformations, each of which is connected with specific environmental factors and historical connotations. The first time was in the period of "Straw Shack". As a part of the ritual, the Cantonese Opera Theatre embodied the intermediary blending and self-identity of the Chinese society and national culture in Macau in the threshold area. The second is the period of Zhishiban and Anti-Japanese War. The theatre space changed from theatricality to presupposed presence, reflecting the national consciousness in the historical process. The third is the theatre period. The marketability of citizens'cultural consumption determines the professionalization and prosperity of Cantonese opera, which is the concentrated reflection of the theatricality of Cantonese opera. The fourth time is the transformation of theatre space from professionalism to amateurism of Macau Cantonese Opera, which reflects the internal relationship between Macau Cantonese Opera and the public domain of capital civil society..

Çin örgüt kültürü: Geçmişten bugüne bir değerlendirme

5000 yıllık uzun bir tarihi geçmişe sahip olan ve sosyal yaşamını geleneksel ve kültürel değerlerin domine ettiği Çin, özellikle 20. yüzyılın başlarından itibaren değişim yaşamaya başlamıştır. 1911’de imparatorluk döneminin sona ermesi, 1949’da Mao’nun Çin Halk Cumhuriyeti’ni ilan etmesi ve komünizmin etkisi, 1978’de Deng’in dışa açılım politikaları ve 1992’de serbest piyasa ekonomisine geçilmesi, çarpıcı değişimlere zemin hazırlamıştır. Özellikle 21. yüzyılın başlarından itibaren Çin, dünya ekonomisinde söz sahibi bir güç haline gelme durumundadır. Dışa açılımla birlikte batı değerleri ve yönetim anlayışlarıyla tanışan Çin’de, iş yaşamı uygulamalarının ve örgüt kültürünün etkilenmesi kaçınılmaz görünmektedir. Bu çalışma, Çin’in yaklaşık 2000 yıllık tarihsel ve ekonomik geçmişinden bugüne, Çin ulusal kültürü, önde gelen kültürel sembol olan guanxi’si ve iş örgütlerinin karakteristiklerinin örgüt kültürü üzerindeki etkilerini ve bunun iş yaşamındaki yansımalarını dönemler itibariyle ortaya koymaktadır.

Internationalization of Higher Education in China: Modern Trends

The article analyzes the processes of internationalization of higher education in China at the beginning of the 21st century. Based on data from the Ministry of Education of China, legislation and publications that are publicly available on the Chinese Internet, it is shown how the number of students visiting China, their preferences in choosing universities and educational programs changed from 2000 to 2016. Information on government activities to support international students is provided.The internationalization of higher education plays an important role in the foreign-policy activities of modern China. Foreign students teaching and expanding of Chinese language teaching in foreign countries can be considered as the “soft power” of influence of Chinese national culture. Such actions from the point of view of the Chinese government should contribute to the formation of an attractive image of China, reduce the level of external threats, increase stability and economic prosperity of the country. Therefore, the government aims to attract as many foreign students as possible, especially from neighboring countries, and spends a lot of money on these purposes. The policy of internationalization of education has achieved significant results over the past 15 years. Today, students from all over the world obtain higher educationin China. The number of foreign students increased in 2016 compared to 2000 by 8.4 times, reaching almost 450 thousand people. The possibilities for foreign students to choose profession and university have expanded. Now they come to China not only to learn Chinese, but also to obtain qualifications in engineering, economics, management and Western medicine.

Research on the Ecological Regression to Chinese Korean Traditional Sports Culture

Nowadays, Chinese traditional sports culture is facing the strong impact of western modern sports culture. Nevertheless it presents three features: rich diversity, prominent scientificity, and distinct affinity to the people, which produce enough inner strength to recover and restore the ecological balance through self-adjustment. This paper takes Chinese Korean traditional sports culture as the research object to construct a theoretical framework of protecting and inheriting Chinese Korean traditional sports culture according to the construction logic of “society-economy-nature” complex ecosystem. Through interaction with external natural, economic and social environment, it should be possible to realize the true meaning of “ecological regression” for Chinese Korean traditional sports culture. We propose three ecological regression paths to Chinese Korean traditional sports culture as follows. Firstly, the integration of natural ecology and economic development shapes the economic form of sustainable development. Secondly, People, academia and authority, the tripartite coalition should enjoy the traditional national sports culture positively, that is to create favorable conditions to make full use of the traditional national sports culture heritage. Thirdly, the government should look for ways to return to the ecological nature through integrating into the management thought of “governing by doing nothing”. This paper presents not only a new perspective for the research of Chinese Korean national sports culture, but also a theoretical way to integrate sports culture with national culture. Furthermore, the research on the inheritance and development of Chinese Korean traditional sports culture will have important academic value and practical learn for the inheritance and development of Korean traditional culture including countries on the Korean peninsula.

On Fundamental Values of Buddhism

This paper explains three fundamental concepts of equality, life and charity, aiming to discuss the reason that Buddhism was prosperous perennially and its influence on modern society. It is a gradual and continual fusion of Indian Buddhism and Chinese native culture and the former greatly influenced on values of the later during about 2000 years since Buddhism was introduced to china. What Buddhism advocates, such as ideology of equality, respect for lives and bearing with charity, is still useful for us. It is crucial and necessary to give a clear explanation on above concepts so as to study Chinese traditional values.

CHINESE-STYLE CORPORATE CULTURE

The policy of reforms and openness as a program of economic reforms has trig-gered rapid development of Chinese economy. Russian researchers have attempted to study Chinese corporate and organizational culture; however, these studies relied on the Western and Russian theories. The peculiarities of Chinese corporate and organizational culture that resulted in the «Chinese miracle» have remained a challenge. Our research is primarily targeted at the peculiarities of Chinese theoretical concepts of corporate and organizational culture. The research material included monographs and textbooks of Chinese authors on corporate and organizational culture. Our research has relied on the informational approach, cross-cultural and hermeneutic methods. Based on contextual analysis, the authors have come to the following conclusions. Chinese authors differentiate between industrial enterprises and organizations thus defining the two phenomena: corporate culture and organizational culture respectively. Chinese authors also see differences in the concepts of corporate culture developed in the business community and in the academic circles. Chinese authors strongly believe in the objective nature of corporate culture, its determination by the external culture as a form of social reality. According to Chinese authors, the Chinese national culture is a source of its corporate culture. A spiritual (level) layer of corporate culture is instru-mental in the whole system of corporate culture. The Chinese national culture is a basic source of spiritual culture in China, which is an «external» culture in relation to the corporate culture. A spiritual culture is in essence a sum of corporate ideology. A system ic approach used in Chinese concepts allows Chinese authors to talk about institutionalization of corporate culture. Institution-alization is impossible without a proper social demand. Institutionalization and stability of corporate culture requires specific conditions. They are all represented in the Chinese concepts of corporate culture.

Application of Chinese National Culture Elements in Animation Design

From the initial startup till now, animation has developed with ups and downs for one hundred years, including brilliance, decline, development, and stall. 2D animation has brought laughter to people, and given people endless inspiration. Chinese animation is more integrated into national culture, making animation with more kindness and popular taste, as well as more suitable for audience’s needs. National culture is developed in people’s lives, so people are more acceptable to them. However, in Chinese animation design for, exploration and utilization of national culture is not deep, which makes China’s animation market in a state of depression and sluggish. So, to develop Chinese animation, it requires designers to start with national culture in China, constantly explore it, well use national culture elements, fully integrate national culture into animation, and do a good job in the inheritance and innovation of culture. This paper first describes the connotation of national culture and analyzes the concrete embodiment of the domestic original animation design, and then analyzes the reasons for the national culture regression of domestic animation design development, and finally explore how to prompt the regression of national culture in current domestic animation design, so as to realize the integration of animation design and national culture, as well as promote the development of animation design.

The Development and Origin of National Traditional Sports in Northeast China

The Northeast is a multi-ethnic region on the border of China, where the unique geographical environment has formed a distinctive sports culture. The traditional minority sports in the Northeast is an integral part of Chinese national culture. In addition to sports, food and fitness exercise are also part of the Northeast sports culture.

Challenges and Countermeasures of China Sports International Communication

Sports culture is a part in the Chinese national culture system. As an important part of irreplaceable national cultural soft power, the International Communication of sports is seemed as an important means of international transmission of national sports culture, promotion of national cultural status and shaping the national cultural image. In recent years, researches on China sports international communication and national cultural image has made some achievements, but some difficulties and challenges are still faced by China, so we need develop creative thinking of promoting sports international communication and international communication influence. In an age of globalization, sports national communication is the need to develop Chinese sports development and realize Chinese national sports internationalization. There are both theoretical and practical significance on China sports international communication to comprehensively research on all-directional China sports international communication, reveal the international sports communications rules and demonstrate Chinese international sports communication principles and methods.

The Influence of Traditional Auspicious Thoughts on Chinese Belly-Band Patterns

The traditional bellyband pattern is an artistic form of Chinese national culture and the art carrier of the national history, culture and ideologies as well. In the past decades of years, as the appeal is launched nationally for more efforts in transmitting Chinese culture, studies on traditional bellyband culture are on the rise nationwide. The visualized analysis of bellyband related studies during 2001 to 2017 indicates the rising trend in costume pattern study in terms of historical, cultural value as well as artistic aesthetics. As analyzed, Chinese traditional bellyband patterns are closely related to traditional auspicious thoughts in terms of Yin-yang and Five-element thoughts, Nature-man unity, Neutralization and Mean thought and Confucianism and Taoism, and they have become a cultural language by being infiltrated into the costume culture with different symbolic meanings. Therefore, what is endowed in the patterns of bellybands not only embodies auspicious thoughts and the national cultural spirit, but also interprets and expresses the feelings, reflecting the strong desire of people for the auspicious life and prospective future since ancient times.

Analysis on the Developmental Trend and Characteristics of Modern Oil Painting from Perspectives of the Texture and Color

In this paper, we conduct research on the developmental trend and characteristics of the modern oil painting from perspectives of the texture and color. Image oil painting is not just a simple art genre and style, it is a western oil painting the foreign art in the Chinese cultural environment to generate the types of oil painting is a kind of Chinese national culture characteristic of painting art for the purpose of art to present true feelings and true feelings should be created by the artist's technique, form, style, texture effects such as external factors. And many of the current oil painting art works are showing the true feelings, because of the wrong style, texture and other external factors as the purpose of art. Master of art means the long-term growth path is essentially in express their true feelings, and to form the style need to constantly supplement and perfect process. We provide the novel perspective on the corresponding issues that will be meaningful and important.

Construction of traditional cultural tour landscape field based on city memory--Taking Nanjing Fuzimiao (Confucius Temple) Qinhuai Scenic Area as an example

At present, traditional cultural tour sites are facing challenges in protecting city memory and inheriting regional culture under the historical background of rapid globalization and urbanization. This paper selected Nanjing Fuzimiao (Confucius Temple) Qinhuai Scenic Area as a microcosmic case to study city memory. It explained the theoretical connotation of landscape field by literature collecting, field research, and interview. It also conducted empirical study in material cultural landscape and non-material cultural landscape, and tried to establish a landscape field of traditional cultural tour sites, so as to promote the scientific planning and healthy development of traditional cultural tour sites, and provide scientific basis and valuable experience for the prosperity of Chinese national culture.