Chinese National Culture Research Articles

From Family to Community: A Preliminary Discussion on Strengthening the Sence of the Chinese National Community through the Integration of Family and Country

The Chinese nation shares the same culture and ancestry, and the traditional values of the unity and homogeneity of the family and the country in Chinese civilization indicate the development prospects and process of various ethnic groups on the road of rejuvenation, which is characterized by unity and solidarity, and has become an endogenous driving force for strengthening the sense of community of the Chinese nation. At a new historical starting point, with the focus and support on the unity of family and country, we aim to strengthen the sense of community among the Chinese nation, providing important value guidance and spiritual support for consolidating the shared spiritual home of the Chinese nation and consolidating its centripetal force. We should promote the construction of modern civilization of the Chinese nation and enhance the cultural subjectivity of the Chinese nation; Focusing on "small families", melting millions of "family dreams" into the "Chinese Dream" of the great rejuvenation of the Chinese nation; Focusing on "everyone", inheriting and innovating excellent traditional Chinese culture, and enhancing the subjectivity of Chinese national culture; Looking at the world, we should enhance the conscious identification of various ethnic groups with the sense of community of the Chinese nation through cultural exchange and mutual learning.

Interpretation of Buddhist Scriptures from the Perspective of Sinicization of Buddhism

The interpretation of Buddhist scriptures from the perspective of Sinicization of Buddhism has undergone a long and fruitful development process. From the initial period of Buddhist transmission with grid-meaning translation, to the elaboration of Buddhist doctrines during the Wei, Jin, Northern, and Southern Dynasties, to the doctrinal taxonomy in the Sui and Tang dynasties, and then to the interpretation of mind and nature during the Song and Ming dynasties, up to the modern trend of humanistic Buddhism, the interpretation of Buddhist scriptures has always interacted with the spirit of Chinese native culture, presenting a unique landscape of integration and innovation. The Sinicized interpretation of Buddhist scriptures not only demonstrates cultural confidence but also provides wisdom and inspiration for modern society. In the future, cross-cultural dialogue with the world, interdisciplinary integration and development, digital humanities research, and innovative communication methods will become new directions and challenges for the Sinicized interpretation of Buddhist scriptures.

Digital Preservation of Intangible Cultural Heritage and Exploration of Network Communication Issues

Intangible cultural heritage nurtures the heritage of Chinese excellent traditional culture and is the root of Chinese national culture. This paper combines relevant literature to design a questionnaire on the effect of digital preservation and network communication of intangible cultural heritage to explore the effect of network communication of intangible cultural heritage. Before the questionnaire was distributed, the reliability and validity of the questionnaire was tested using Cronbach’s coefficient, KMO and Bartlett’s Sphericity Test to determine the reasonableness of the questionnaire. Further, the questionnaire data were collected to quantitatively analyze the cognitive, attitudinal and behavioral dimensions of the audience in the communication process of ICH. The audience recognizes the communication content of ICH on the online platform, and the communication content positively influences the audience’s cognition of ICH. The average score of audience’s attitude towards ICH communication was 3.55, and it was also found that 50.44\% of the audience would share and forward the content for secondary communication of ICH, and only 57 audiences did not participate in the interaction of ICH online communication. This paper provides decision-making support for governmental decision-making departments to strengthen the inheritance and protection of intangible cultural heritage, and the proposed optimization strategies can also provide a path for thinking about the creative revitalization and development of intangible cultural heritage.

The Integration and New Structure of Chinese Historical Ethnic Cultures in Animation

In recent years, the development speed of Chinese animation is remarkable. In the past ten years, relying on the cultural treasures formed by the precipitation of China's long history, domestic animation creators have created a number of excellent animation works based on Chinese legends, which have caused a stir in the domestic and international animation markets. However, China's animation works in the past decade still have problems such as insufficient story creativity and single art style. Based on the above problems, the article discusses the problems and challenges facing the current development of Chinese animation and the significance of animation development for the inheritance of Chinese history and national culture from the application and innovation of Chinese history and national culture in animation, to provide new ideas for the creation of Chinese animation.

On the Current Situation of College Students' Etiquette Culture and the Ways to Cultivate Etiquette Literacy

For many years, China's dynasties have been respected as the first ancient country of world civilization and the state of etiquette by people at home and abroad. Etiquette culture is one of the most core elements of the essence of China's long-standing traditional moral culture, which contains a lot of ideological essence and excellent moral essence in the excellent traditional history and culture of the Chinese nation. With the continuous and rapid development of the productive forces of human modern knowledge society, the ideological life of our modern people will inevitably change, but the Chinese national etiquette culture deeply rooted in the hearts of modern people is also a completely will never be ignored by human beings. Among them, the college students are not only the active inheritors of the excellent cultural tradition and the spirit of etiquette culture in contemporary China, but also the vigorous promoters of the concept of etiquette culture in the new economic period. Nowadays, many behaviors of college students in communication are not in line with civilization and do not respect the principles of norms. Ignoring these traditional and etiquette cultural concepts will not be able to effectively promote the correct cultivation of college students' image cultivation. This paper analyzes the current situation and education of college students' etiquette culture.

Research on the Inheritance and Development of Folk Music in Colleges and Universities under the Background of Cultural Self-Confidence

Under the background of the comprehensive enhancement of self-confidence in the Chinese national culture, China has embarked on the road of national rejuvenation. Folk music is an excellent means of cultural exchange as a bridge between the past and the present, the inheritance of cultural roots and the continuation of the national spirit. Colleges and universities, as the educational positions of Bacon's soul, have the responsibility to inherit and disseminate this precious cultural wealth. In this paper, we will study the inheritance and development strategies of ethnic music in colleges and universities in the context of cultural self-confidence.

The Application Practice of Acupuncture Boneless Lanterns in Modern Brands

In the century when the oriental style is hot, the application of Chinese elements in visual design is increasing rapidly. Whether it is the need of consumers to pursue "cultural individuality" or the urgent requirement to promote and protect the national traditional culture, the integration of Chinese traditional culture is undoubtedly the next hot trend. The Chinese national culture is broad and profound, with many wonderful cultural and artistic treasures. Flower lantern is one of the traditional folk crafts in ancient China. Quanzhou flower lantern has unique craft characteristics, long history and rich cultural connotation, and is also a national intangible cultural heritage protection project. The main research object of this paper is based on the artistic characteristics of "needled boneless lantern". Through literature analysis, induction and extraction, design practice and other methods, this paper extracts and analyzes its historical and cultural connotation, art form appreciation, traditional pattern technology, and combines it with modern technology to explore and summarize, feel the unique charm of oriental culture, and form a diversified collision between traditional handicraft culture and modern brand design.

The value and implementation path of smart media technology application in the cultural heritage of ethnic traditional sports

This study analyses the value of embedding smart media technology in the protection and inheritance of traditional Chinese national sports culture, explores the logical relationship between smart media technology and traditional sports culture inheritance, and proposes innovative development paths based on the basic principles and development trends in an attempt to provide useful references for the living inheritance and sustainable development of traditional Chinese national sports culture. The rational use of smart media technology can effectively drive the high-quality development of various fields. The application of smart media technology in the inheritance and development of traditional ethnic sports culture is expected to reflect the diversified values, based on which it is important to point out that the implementation path of the new smart media technology to accelerate the promotion of traditional ethnic sports culture is of great significance in practical development. This study uses the PDCA cycle theory to establish a research idea based on the main line of “value analysis-proposed path-path evaluation-continuous optimization”, whereby the smart media technology drives the innovation of the development situation, and pushes the dissemination of Chinese traditional national sports culture into the smart media era. It is found that the integration of the two helps to innovate the way of cultural inheritance, is conducive to better excavation and collation of the essence of excellent traditional sports culture, and can better promote diversified development. It is conducive to promoting the sustainable development of the traditional sports culture industry. It is conducive to the promotion of national cultural exchanges, exchanges, intermingling and the enhancement of national cohesion, and helps to effectively excavate and reasonably use the deep value of smart media technology; it should be based on the needs of development and innovative communication and development of smart sports culture mode. The development of traditional sports short video platform, the construction of intelligent traditional sports into the campus system, the construction of a diversified system of communication mode; from the “traditional inheritance mode” to the “intelligent leadership”, the integration of content, innovative inheritance mode. From “cultural inheritance” to “resource sharing”, precise positioning and integration of resources. Eventually, a system will be formed that is led by intelligent innovation, optimizes the mode, improves the content, and strengthens the evaluation and feedback.

Influences of Historical Status of Ba-culture on the Value of Current Culture

Ba-culture is the sum of all material and spiritual cultures jointly created by ancient Ba country and various ethnic groups in Ba region. The statement that Ba is both a clan name and an ancient country name and place name is a relatively consistent research conclusion among scholars from ancient and modern times. Ba-culture is an indispensable and important component of Chinese national culture. Studying the origin and cultural formation of Ba-culture, exploring its cultural historical status and its impact on the inheritance of current cultural values, has important historical value and practical guiding significance for contemporary social civilization and cultural development. Clarifying the historical status of Ba-culture and its structural relationship with Chinese civilization as a whole is of great and positive contemporary value for enhancing the unity of the Chinese nation.

Analysis of Lanping County Circle Dance Culture and its Function of Casting the Consciousness of the Chinese Nation Community

The research is based on Lanping Bai and Pumi Autonomous County in Yunnan Province. It is now affiliated to Nujiang Lisu Autonomous Prefecture. It was subordinate to Lijiang Prefecture in the Ming and Qing Dynasties.According to the records of ' Lijiang Fuzhi Road ' and ' Chinese Southwest Folk Literature ', ' Chinese Local Chronicles Literature Collection:Southwest Volume', there was a mixed situation of various ethnic groups in the Ming and Qing Dynasties.The main native ethnic groups were Bai, Pumi, Lisu, Han, Nu and Yi. Under the restriction of terrain, all ethnic groups carry out trade, singing and dancing activities in a closed area. Dance is accepted and shared in cultural practice, which makes it a good observation point to explore the coexistence and co-dancing of mixed ethnic groups. Starting from the sharing of ethnic traces of Chinese culture, this paper explores the promotion effect of circle dance culture in Lanping County on the interconnection of regional multi-ethnic cultures and the formation of common ' cultural memory ', which is an important manifestation of the cultural identity of the Chinese nation. Taking the circle dance culture of Lanping County as a case, exploring the circle dance culture is conducive to increasing the recognition of the Chinese national culture and the Chinese nation, is conducive to the cohesion of the national spirit with patriotism as the core, and is of great significance for the new era to cast a strong sense of the Chinese national community.

Research on the Inheritance and Development of National Music Culture

This paper studies the inheritance and development of national music culture. As a unique form of music, folk music is associated with specific ethnic, regional and cultural backgrounds. However, due to historical and cultural reasons, music culture in many nations is facing serious challenges, including loss, degradation and forgetting. This paper analyzes the main problems in the inheritance of Chinese national music culture, including the degradation of traditional culture, the loss of the young generation and the lack of inheritance mechanism. In terms of development, this paper discusses the challenges of modernization and cultural integration faced by national music culture. Finally, this paper puts forward some solutions, including strengthening traditional culture education, promoting the integration and innovation of traditional music and modern music, and establishing an effective inheritance mechanism. Through these efforts, we can protect and inherit the national music culture, and lay the foundation for its future development.

ТРАДИЦИОННЫЕ СИМВОЛЫ КИТАЙСКОЙ КУЛЬТУРЫ: ЗНАЧЕНИЕ ДЛЯ ПРОСТРАНСТВА ОБЩЕСТВЕННОГО ПИТАНИЯ

The article traces how the decorative nature of traditional cultural symbols in the design of public dining spaces gradually acquires diversified characteristics. This article deeply analyzes three styles of public catering spaces, to reveal the characteristics of using a number of traditional symbols in Chinese national culture. It analyzes the intrinsic value and “metaphorical” meaning, reconstructs the aesthetics of public catering space, realizes the perceptual and experiential needs of people at the spiritual level.

A Spatio-Temporal Network Model of Chinese Ethnic Culture Transmission Paths Cultural

Abstract The current social network analysis method is essential in dealing with massive data on network relationships. By treating individuals, organizations, or countries as nodes and their relationships as connecting lines, the network diagrams provided a new perspective for studying social structure and communication paths. When exploring the path of Chinese national culture, the spatio-temporal network model can better analyze cultural diffusion’s dynamic characteristics and efficiency, and then optimize the diffusion strategy to promote the global diffusion of Chinese culture. In this study, the efficiency and characteristics of cultural diffusion are analyzed in depth using social network analysis, with indicators such as point degree centrality, mediated centrality, proximity centrality, and network flatness. The effectiveness of cultural diffusion is influenced by the identification of critical nodes and the trust propagation mechanism in the normalized model. Estimated by the generalized least squares method, the model demonstrates the increased efficiency of cultural dissemination under specific dissemination attributes and narrative attributes, in which the average number of plays of Chinese cultural content on the TikTok platform reaches 13,585,700, the number of likes reaches 355,123, and the number of comments is 31,398. Enhancing the global communication efficiency of Chinese national culture can be achieved by optimizing the social network structure and content strategy. This study provides a scientific basis and practical guidance for spreading Chinese culture globally, and emphasizes the importance of social platforms in cultural dissemination.

Cultura Han Fu: el énfasis en la identidad cultural tradicional china

Abstract: Traditional Chinese philosophical culture refers to ancient China’s philosophical thought and cultural traditions, including different philosophical schools and systems of thought, such as Confucianism, Taoism, Mohism and Legalism. As a unique system of thought in ancient China, the traditional Chinese philosophical culture is a heritage accumulated by the Chinese nation. Han Fu culture is an important component of traditional Chinese culture, covering historical origins, morphological characteristics, materials and techniques, customs, cultural connotations and spiritual values. It can be applied and inherited in contemporary society, as well as integrated and interacted with other traditional cultural elements. As an important carrier of traditional Chinese philosophical thoughts, Han Fu culture is also a concrete manifestation of Chinese national culture and modern humanistic spirit. As a form of inheriting and displaying traditional Chinese clothing culture, the performance of Han Fu culture has received increasing attention and affection. Han Fu has played an important role in the long history, and its evolution and development have also been influenced and shaped by traditional Chinese philosophical culture. Therefore, this paper used the hermeneutic approach, dialectical materialism and historical materialism, by exploring the manifestations of traditional Chinese philosophical culture on Han Fu culture, with a view to better understand and inherit Han Fu culture. The article first introduces traditional Chinese philosophical thoughts, which mainly include Confucianism, Taoism and Buddhist thought; then, several important concepts in philosophical thoughts were elaborated. Afterwards, we will consider and analyze the philosophical ideas, contained in Han Fu culture, and point out the embodiment and application of the philosophical ideas of “unity of heaven and man” and “neutrality” in Han Fu culture. Finally, the performance value of Han Fu is elaborated from two aspects: its value expression, or form of expression, and content. Through the study, it was found that Han Fu culture can present and express its core ideas in a specific way to better demonstrate traditional Chinese philosophical thinking, which helps to better call on people to use Han Fu culture as a tool and use it to publicize their relevant ideas and concepts.

Национальный характер и художественные особенности живописи Гун Лилуна

Since the first years of the 20th century, when oil painters of the Western European tradition appeared in China, Chinese realistic art has been continuously updated and has attracted attention in its own country and abroad. There is no doubt that the success achieved by Chinese painters was largely the result of the introduction of modern Western art to the Chinese national culture. Today, the best artists in China harmoniously combine the form and content of Western art with domestic artistic traditions, forming a unique style. These include the Chinese painter Gong Lilong, whose work has been repeatedly exhibited in museums in China and abroad, but is familiar only to a narrow circle of connoisseurs in Russia. He went from realism to neo-primitivism, avoiding stylization and imitation of folk masters, and striving to express the essential aspects of folk aesthetics. This study considers Gong Lilong’s canvases from the point of view of national culture, historical context, and his biography. It also shows the change in his style and the themes of his works throughout his career and traces the formation of his unique symbolic language. Special attention is paid to the realistic period of the artist’s work and his contribution to the development of easel painting in Northeast China and the country as a whole.

Research on the practice of teaching mode on the courses about Chinese national conditions and culture for international students in China

For international students in China, education on Chinese national conditions and culture is the main way to help them understand China and shape their positive perception of China and to strengthen China's international communication capacity and enhance the strategic task of national soft power. However, current courses on Chinese national conditions and culture for international students have been found several limitations, such as lack of ideological and political value guidance, being limited to classroom teaching and insufficient integration of the courses. Therefore, this article aims to build a "Four-in-One" teaching approach which can integrate online and offline education to coordinate dynamic and static education, and incorporate theory and practice teaching to combine in-class and out-of-class teaching. Therefore, it's hoped that this will help achieve the goal of talent training for international students in China and improve the quality of international education. Concurrently, it will improve our ability to engage in international communication so as to tell China's stories well, make the voice of China heard, and present a true, multi-dimensional, and panoramic view of China to the world.

The Fusion and Collision of Ethnic Cultural Language and Font Graphic Design

Through the market questionnaire survey of Chinese national culture, font graphic design, creative font and other related contents, the survey results show that the strong emotion for our national culture is people's aspiration, and the need for creativity in design has been unanimously recognized; The successful cases of "canned packaging of 56 ethnic groups in Wangzai" and "stamp design of 56 ethnic groups" are analyzed. The results show that it is necessary to inherit national culture and keep pace with the times; At the same time, the relevant literature was collected and studied in detail. Through the different analysis and comparison of the attitudes of scholars and market consumers towards national culture, we tend to draw the conclusion that our national traditional culture is like a gold mine, which is worth mining. The font should be dynamic and meaningful, not pure beautiful but indifferent. Adding the traditional elements of our national culture to the font design is undoubtedly a perfect blend of innovation and inheritance.

Vernacular Chinese Urbanonyms as a Reflection of Ordinary Urban Culture in the City of Chengdu, China

The article deals with the Chinese vernacular urbanonyms as part of the modern urban language and culture. The author studied the origins and use of popular urbanonyms with their speech practices and nominative creativity. The research involved some methods of cultural and social linguistics, as well as an online questionnaire of Chengdu citizens. The respondents saw vernacular urbanonyms as a sign of familiarity with the urban environment. Such words were popular with young people and working-age residents, regardless of their education background. In general, vernacular urbanonyms were seen as part of informal interpersonal communication and were evaluated quite positively. According to the respondents, vernacular urbanonyms emerge for the following reasons. They contrast with boring official names because they are "vivid" and "lively", with emotional, evaluative and figurative connotations. They help to distinguish between similar environmental objects with the same functions. They are shorter than official names. They identify nameless urban objects. They preserve old names that are out of official use. The onomasiological analysis established that vernacular urbanonyms verbalize a number of motives, e.g., a landmark, a reinterpretation of official urban names, a reduced official name, a metaphor, phonetic similarity with the official name, etc. As a result of social practices of ordinary city culture, vernacular urbanonyms reflect the values of everyday city life, e.g., wayfinding, linguistic economy, expressiveness, and subjectivity. The pragmatics of urbanonyms reveal crude folk humor and irony. However, some of them demonstrate positive and even lyrical imagery, which is typical of Chinese national linguistic culture.

The organization of piano education in institutions of higher education of the PRC as an actual scientific and practical problem

The purpose of the article is to analyze the topical issues of the organization of piano education in institutions of higher education in the scientific and pedagogical discourse of the People’s Republic of China at the end of the 20th - beginning of the 21st century. In the course of the study, it was established that the problem of organizing piano education in institutions of higher education, determining its prospects and further development strategies, is relevant and is constantly in the field of view of the scientific, pedagogical and musical public of the People’s Republic of China. In the list of issues that have been actively discussed in recent years, first of all, those related to the analysis of the achievements and achievements of piano education and the search for ways of its further improvement stand out. Among them were named: revision and improvement of scientific and methodical support of piano education; search for new approaches to training young performers; development of new curricula, programs of training courses and disciplines, various electives to deepen and expand the content of the training of applicants; search and implementation of new forms and methods of training performers; issues that are closely related to the establishment of abilites and the analysis of qualities that future entrants to conservatories and other types of higher education institutions providing piano education should possess. It has been proven that the problems and difficulties in the organization of piano education, which still exist, have been actively and widely discussed in the scientific-pedagogical and musical discourse of the People’s Republic of China. Issues related to the creation of a national Chinese piano school, integration of the piano into Chinese national culture, development and improvement of performance techniques, content, and quality become particularly acute of "priority tasks" that require an urgent solution, teaching piano, etc

Cultural Differences between China and the Western Countries from the Translation of Chinese Zodiac Animals

Chinese traditional zodiac culture boasts a long history. With the improvement of China’s international status and the vigorous promotion of Chinese national culture, zodiac culture has spread worldwide and become the common cultural wealth of all mankind. However, due to different cultural differences, part of the zodiac has not formed a unified translation. By analyzing the different English translations of partial animal zodiac words, this paper compares the different symbolic meanings of these animal words in the two languages, showing the cultural differences between Chinese and English and analyzing the causes of the differences, trying to shorten the gap between cultures and enable the world to have a deeper understanding of Chinese folk culture.